The Mirror of Literature, Amusement, and Instruction Volume 19, No. 544, April 28, 1832   By: Various

The Mirror of Literature, Amusement, and Instruction Volume 19, No. 544, April 28, 1832 offers a fascinating glimpse into the literary landscape of the 19th century. The various works included in this volume provide a diverse range of topics, from poetry and short stories to historical essays and biographical sketches. Readers will appreciate the immersive experience of exploring the world through the eyes of these talented writers.

One standout feature of this volume is its commitment to both entertainment and education. The articles are not only engaging and thought-provoking but also informative, shedding light on lesser-known aspects of history and culture. The inclusion of illustrations and engravings adds an extra dimension to the reading experience, bringing the stories to life in vivid detail.

Overall, The Mirror of Literature, Amusement, and Instruction Volume 19, No. 544, April 28, 1832 is a valuable resource for anyone interested in the literature and society of the early 19th century. Its eclectic mix of content ensures that there is something for every reader to enjoy, making it a worthwhile addition to any bookshelf.

First Page:

It is now upwards of three years since we directed the attention of our readers to the wonders of this little world of art.[1] The ingenious projector, Mr. Horner, was then polite enough to conduct us throughout the buildings and grounds, and to explain to us the original design of the unfinished works as well as of many contemplated additions. This was about three weeks before the Exhibition was opened to the public. The Panorama was then partly in outline, and we had to catch its identities through a maze of scaffolding poles, planks, and stages; while the immense domed area re echoed with the operations of scores of artistes of every grade, from the upholsterer nailing up gay draperies, to the heavy blow of the carpenter's mallet. We took advantage of our privileged visit, to point out to the reader how much he might expect from a visit to the Panorama, and, in our subsequent visits we have not for a moment regretted the particular attention we were induced to bestow upon this unrivalled work of art. It is justly described to be "such a Pictoral History of London such a faithful display of its myriads of public and private buildings such an impression of the vastness, wealth, business, pleasure, commerce, and luxury of the English metropolis, as nothing else can effect... Continue reading book >>