The Mirror of Literature, Amusement, and Instruction Volume 13, No. 364, April 4, 1829 By: Various |
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![]() The Mirror of Literature, Amusement, and Instruction Volume 13, No. 364, April 4, 1829 is a diverse collection of essays, articles, and stories that offer readers a glimpse into the culture and society of early 19th century England. From detailed descriptions of historical events to humorous anecdotes and captivating tales, this volume provides a rich tapestry of literary and journalistic content. One of the standout features of this publication is its ability to transport readers back in time, offering a unique perspective on life in the early 1800s. The authors cover a wide range of topics, including politics, art, science, and literature, providing a well-rounded view of the era. The writing is engaging and informative, with a blend of formal language and colloquial expressions that make the pieces both accessible and intellectually stimulating. The authors demonstrate a deep understanding of their subjects, presenting information in a clear and engaging manner that keeps readers interested from start to finish. Overall, The Mirror of Literature, Amusement, and Instruction Volume 13, No. 364, April 4, 1829 is a captivating read that offers a valuable glimpse into the past. Whether you are interested in history, literature, or simply enjoy exploring different perspectives on the world, this volume has something to offer for a wide range of readers. First Page:THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.VOL. XIII. No. 364.] SATURDAY, APRIL 4, 1829. [Price 2d.
TOMB OF GOWER, THE POET. [Illustration: Tomb of Gower, the Poet.] Dr. Johnson has dignified Gower with the character of "THE FATHER OF ENGLISH POETRY"; so that no apology is required for the introduction of the above memorial in our pages. It stands in the north aisle of the church of St. Mary Ovrie, or St. Saviour, Southwark; and is one of the richest monuments within those hallowed walls. The tomb consists of three Gothic arches, the roof of which springs into several angles. The arches are richly ornamented with cinnquefoil tracery, roses, and carved work of exquisite character. Behind these arches are two rows of trefoil niches; and between them also rises a square column, of the Doric order, surmounted by carved pinnacles. On the extremity of the arches is placed richly carved foliage, of a similar character to that which ornaments the edges of the arches; and in the centre are circles enclosing quatrefoils. From the bases of the two middle square columns descend roses, and other foliage; and from the lower extremities of the interior arches descend cherubim. Within three painted niches, are the figures of Charity, Mercy, and Pity, round whom are entwined golden scrolls bearing the following inscriptions: " Pour la Pitie Jesu regarde... Continue reading book >> |
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Essay/Short nonfiction |
Non-fiction |
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