The Mirror of Literature, Amusement, and Instruction Volume 12, No. 342, November 22, 1828 By: Various |
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![]() In The Mirror of Literature, Amusement, and Instruction Volume 12, No. 342, readers are treated to a collection of diverse and engaging content. From informative articles and current events to entertaining stories and poetry, this publication offers something for everyone. The articles are well-written and provide valuable insight into the world of 19th-century England. Topics range from historical events to travel experiences, giving readers a glimpse into different aspects of society during this time period. The inclusion of fiction and poetry adds an element of entertainment to the publication. The stories are captivating, with well-developed characters and vivid descriptions that transport readers to different worlds. The poetry is thought-provoking and beautifully written, showcasing the talent of the writers featured in this volume. Overall, The Mirror of Literature, Amusement, and Instruction Volume 12, No. 342 is a delightful read that is sure to captivate readers of all interests. Whether you enjoy history, fiction, or poetry, this publication has something for everyone. Highly recommended for those looking for a mix of education and entertainment in their reading material. First Page:THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.VOL. 12, NO. 342.] SATURDAY, NOVEMBER 22, 1828. [PRICE 2d.
[Illustration: COUNCIL OFFICE, &c. WHITEHALL. ] COUNCIL OFFICE, &c. WHITEHALL. From the Druids' Temple, at Abury, (our last engraving,) to the Council Office, at Whitehall, is a long stride in the march of time. From "grave to gay, and lively to severe," is nothing to it; but variety is the public dictum; and with more sincerity than the courtier in Tom Thumb , we say to the public, "Whate'er your majesty shall please to name, Long cut or short cut, to us' tis all the same." On the annexed page is represented the new splendid range of buildings, including the Council Office , Board of Trade , &c. at Whitehall. The architect, Mr. Soane, has adapted the façade from the Temple of Jupiter Stator, at Rome.[1] But Mr. Soane's adaptation has been only partial, and he has adhered merely to the details of the columns and entablature. "The façade," it is well observed in an early Number of the Athenaeum , "enjoys one of the most favourable sites for the display of a public building which the metropolis affords; no limit has been set to the expense; the finest materials the country yields have been used in its construction; the richest example of the richest order which antiquity has left us, has been lavishly employed in its decoration; and yet," continues the critic, "is not the whole a failure?" He then describes the effect of it as "poor, or at best but pretty," and attributes the absence of grandeur to the "want of sufficient elevation... Continue reading book >> |
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