Ralph Chaplin and many other prominent members of the Industrial Workers of the World were imprisoned under the Espionage Act of 1917 as the United States entered World War I. As with Socialist presidential candidate Eugene V. Debs, these activists were accused of undermining recruiting efforts and the draft - even of encouraging soldiers to desert. Though they never gained the universal popularity of his anthem "Solidarity Forever," the poems and songs in this volume - composed during his four years in prison - represent the defiant attitude of a true rebel in the face of persecution.

May Wedderburn is a quiet provincial girl, living in small and seemingly boring Skernford. Underneath the dull exterior, there is mystery, suspicion and fear in this little town, surrounding the austere local wealthy landowner who is very interested in marrying poor May. It looks as though she will have to marry him whether she likes it or not until an unsuspected alliance is formed between her and a respected old lady. They both escape to Germany where music and excitement await them.

Shakespeare's plays are full of music: love songs, comic ditties, serious ballads, and songs for witches and spirits. Over the centuries musicians and composers have also created musical adaptations based on Shakespeare's plays. Composer Christopher Wilson's Shakespeare and Music (1922) documents the musical history of each play across various genres, including opera and incidental music.

Trust Scrici for a tell all, no holds barred exposé of the modern opera . . . well, modern as of . . . er . . . say, 1852.

Padre Ignacio has been the pastor of California mission Santa Ysabel del Mar for twenty years. In 1855 a stranger rides into the mission bringing news and a spiritual crisis. It's really more of a novella than a novel.

The late Pitts Sanborn wrote this booklet under the title Beethoven and his Nine Symphonies... I have left Mr. Sanborn’s pages on the symphonies virtually intact and have only expanded the work a little by incorporating here and there matter about other major works of Beethoven’s, especially some of the concertos, overtures, piano and vocal works, besides certain of the greater specimens of his chamber music.,,, I have followed it in order to supply a rather fuller picture of the composer’s creative achievements. - Summary by Editor's Note

Included in this little book are analyses and backgrounds of most of Tschaikowsky’s standard concert music. A short sketch of Tschaikowsky’s life precedes the section devoted to the orchestral music. Yet, the personal outlook and moods of Russia’s great composer are so inextricably bound up with his music, that actually the whole booklet is an account of his strangely tormented life. In the story of Tschaikowsky, life and art weave into one closely knit fabric. It is hoped that this simple narrative will aid music lovers to glimpse the great pathos and struggle behind the music of this sad and lonely man. - Summary by Author's Foreword

Haydn, barring a few hardships in his youth, lived an extraordinarily fortunate life and had abundant reason for the optimism which marked every step of his progress.... Haydn was a master by the grace of Heaven and a servant only by the artificial conventions of a temporary social order... About the vast number of symphonies, the magnificent string quartets, the clavier works, the songs there can here be no question. - Summary by Author's Foreword

Handel’s long career resembles a gigantic tapestry, so bewilderingly crowded with detail, so filled with turmoil and vicissitude, with vast achievements, extremes of good and ill fortune, and unending comings and goings that any attempt to force even a small part of it into the frame of a tiny, unpretentious booklet of the present sort is as hopeless as it is presumptuous.... Handel was time and again a composer of exquisitely delicate colorations, and sensuous style, not to say a largely unsuspected master of many subtle intricacies of rhythm...

In the compass of the present pamphlet it is impossible to give more than a cursory survey of Mendelssohn’s happy but extraordinarily crowded life. He was only slightly less prolific a composer than such masters as Bach, Mozart or Schubert, even if he did not reach the altitude of their supreme heights. But irrespective of the quality of much of his output, the sheer mass of it is astounding, the more so when we consider the extent of his travels and the unceasing continuity of his professional and social activities, which immensely exceeded anything of the kind in the career of Schubert or Bach. - Summary by Author's Foreword

There was not much truly spectacular about the course of [Strauss's] life, which was most happily free from the material troubles which bedeviled the existence of so many great masters... If “Salome” and “Elektra”, “Ein Heldenleben” and “Till Eulenspiegel” were in their day scandalously “sensational” did not the whirligig of time reveal them as incontestable products of genius, irrespective of inequalities and flaws? However Richard Strauss compares in the last analysis with this or that master he contributed to the language of music idioms, procedures and technical accomplishments typical of the confused years and conflicting ideals out of which they were born...

[This is] the sketchiest outline of Robert Schumann’s short life but amazingly rich achievement. Together with Haydn and Schubert he was, perhaps, the most completely lovable of the great masters. It is hard, moreover, to think of a composer more strategically placed in his epoch or more perfectly timed in his coming. Tone poet, fantast, critic, visionary, prophet—he was all of these! And he passed through every phase, it seemed, of romantic experience. The great and even the semi-great of a fabulous period of music were his intimates—personages like Mendelssohn, Chopin, Liszt, Moscheles, Ferdinand David, Hiller, Joachim, Brahms...

The first of three volumes of the first scholarly biography of Ludwig van Beethoven. Covers the years 1770-1802. - Summary by Zain Solinski

"Owing to the appreciation which has been accorded to my three series of "Stories from the Operas," it has been decided to re-issue the collection in one volume, and to include in this additional stories of new and popular operas recently produced in England.The plan of the work, as before, is to present all the incidents of each libretto in the clear, readable form of a short story; and it is hoped that the combined volume will continue to prove of interest, not only to opera-goers but to all lovers of dramatic tales. The three volumes have been entirely reset and re-collated in a manner which it is hoped will make them easier for reference." - Summary by Gladys Davidson