Some Forerunners of Italian Opera By: W. J. (William James) Henderson (1855-1937)
Some Forerunners of Italian Opera by W. J. (William James) Henderson is an insightful and comprehensive exploration of the origins and development of Italian opera. Henderson, a highly respected music critic and historian, delves into the early stages of this influential art form, shedding light on the key figures that paved the way for the opera tradition in Italy. Throughout the book, Henderson's extensive knowledge and passion for opera shine through as he traces its origins back to the 16th century, clarifying the intricate connections between different Italian regions and their respective musical styles. His meticulous research and engaging writing style make for a compelling read, allowing both enthusiasts and those new to the subject to embark on a fascinating journey through time. One of the highlights of Some Forerunners of Italian Opera is Henderson's in-depth analysis of the composers and works that played a pivotal role in shaping the genre. From the groundbreaking works of Caccini and Peri at the very dawn of opera to the sublime compositions of Monteverdi, Cavalli, and their contemporaries, the author provides a rich tapestry of musical samples and historical context that vividly brings these early operas to life. Moreover, Henderson skillfully interweaves the social and political elements that influenced the development of Italian opera, providing readers with a deeper understanding of the cultural milieu in which these works were produced. He explores the patronage system, the influence of the Catholic Church, and the impact of humanism on Italian society, revealing how these factors shaped the evolution of opera during its formative years. Furthermore, Henderson's inclusion of biographical sketches of key composers adds an extra layer of human interest to the narrative. By offering insights into their personal lives, struggles, and triumphs, he humanizes these historical figures and allows readers to connect with them on a more personal level. While the book delves into complex musical and theoretical concepts, Henderson manages to present his ideas in a clear and accessible manner. His ability to elucidate technical aspects without overwhelming the reader is commendable, making Some Forerunners of Italian Opera suitable for both academics and general readers seeking a deeper understanding of this vibrant art form. Overall, Some Forerunners of Italian Opera is a remarkable piece of scholarship that illuminates the origins and evolution of Italian opera with precision and flair. Henderson's passion for the subject shines through every page, making this book an essential resource for anyone interested in exploring the roots of this enduring musical tradition. First Page: SOME FORERUNNERS OF ITALIAN OPERA by W. J. HENDERSON Author of "The Orchestra and Orchestral Music," "What Is Good Music," "The Art of the Singer," etc. [Illustration: Publisher's Device] New York Henry Holt and Company 1911 Copyright, 1911, by Henry Holt and Company Published March, 1911 The University Press, Cambridge, U.S.A. TO HER " In a land of sand and ruin and gold There shone one woman, and none but she. " SWINBURNE PREFACE The purpose of this volume is to offer to the English reader a short study of the lyric drama in Italy prior to the birth of opera, and to note in its history the growth of the artistic elements and influences which finally led the Florentine reformers to resort to the ancient drama in their search for a simplified medium of expression. The author has not deemed it essential to his aims that he should recount the history of all European essays in the field of lyric drama, but only that of those which directly affected the Italians and were hence the most important. For this reason, while some attention is given in the beginning to the French and German liturgical plays, the story soon confines itself to Italy. The study of the character and performance of the first Italian secular drama, the "Orfeo" of Poliziano, unquestionably a lyric work, is the result of some years of labor... Continue reading book >>

Some Forerunners of Italian Opera By: W. J. (William James) Henderson (1855-1937)

Some Forerunners of Italian Opera by W. J. (William James) Henderson is an insightful and comprehensive exploration of the origins and development of Italian opera. Henderson, a highly respected music critic and historian, delves into the early stages of this influential art form, shedding light on the key figures that paved the way for the opera tradition in Italy.

Throughout the book, Henderson's extensive knowledge and passion for opera shine through as he traces its origins back to the 16th century, clarifying the intricate connections between different Italian regions and their respective musical styles. His meticulous research and engaging writing style make for a compelling read, allowing both enthusiasts and those new to the subject to embark on a fascinating journey through time.

One of the highlights of Some Forerunners of Italian Opera is Henderson's in-depth analysis of the composers and works that played a pivotal role in shaping the genre. From the groundbreaking works of Caccini and Peri at the very dawn of opera to the sublime compositions of Monteverdi, Cavalli, and their contemporaries, the author provides a rich tapestry of musical samples and historical context that vividly brings these early operas to life.

Moreover, Henderson skillfully interweaves the social and political elements that influenced the development of Italian opera, providing readers with a deeper understanding of the cultural milieu in which these works were produced. He explores the patronage system, the influence of the Catholic Church, and the impact of humanism on Italian society, revealing how these factors shaped the evolution of opera during its formative years.

Furthermore, Henderson's inclusion of biographical sketches of key composers adds an extra layer of human interest to the narrative. By offering insights into their personal lives, struggles, and triumphs, he humanizes these historical figures and allows readers to connect with them on a more personal level.

While the book delves into complex musical and theoretical concepts, Henderson manages to present his ideas in a clear and accessible manner. His ability to elucidate technical aspects without overwhelming the reader is commendable, making Some Forerunners of Italian Opera suitable for both academics and general readers seeking a deeper understanding of this vibrant art form.

Overall, Some Forerunners of Italian Opera is a remarkable piece of scholarship that illuminates the origins and evolution of Italian opera with precision and flair. Henderson's passion for the subject shines through every page, making this book an essential resource for anyone interested in exploring the roots of this enduring musical tradition.

First Page:

SOME FORERUNNERS OF ITALIAN OPERA

W. J. HENDERSON

Author of

"The Orchestra and Orchestral Music," "What Is Good Music," "The Art of the Singer," etc.

[Illustration: Publisher's Device]

New York Henry Holt and Company 1911 Copyright, 1911, by Henry Holt and Company Published March, 1911 The University Press, Cambridge, U.S.A.

TO HER

" In a land of sand and ruin and gold There shone one woman, and none but she. "

SWINBURNE

PREFACE

The purpose of this volume is to offer to the English reader a short study of the lyric drama in Italy prior to the birth of opera, and to note in its history the growth of the artistic elements and influences which finally led the Florentine reformers to resort to the ancient drama in their search for a simplified medium of expression. The author has not deemed it essential to his aims that he should recount the history of all European essays in the field of lyric drama, but only that of those which directly affected the Italians and were hence the most important. For this reason, while some attention is given in the beginning to the French and German liturgical plays, the story soon confines itself to Italy.

The study of the character and performance of the first Italian secular drama, the "Orfeo" of Poliziano, unquestionably a lyric work, is the result of some years of labor... Continue reading book >>

This book is in genre
Music

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