Renaissance in Italy, Volume 3 The Fine Arts By: John Addington Symonds (1840-1893) |
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In Renaissance in Italy, Volume 3 The Fine Arts, John Addington Symonds masterfully explores the vibrant and innovative world of Italian art during the Renaissance. Symonds provides a comprehensive overview of key artists, movements, and artistic achievements of this period, offering readers a detailed and engaging look at how art flourished in Italy during this transformative era.
Symonds' writing is both informative and insightful, delving into the social, political, and cultural forces that shaped art in Renaissance Italy. His analysis of famous artists such as Leonardo da Vinci, Michelangelo, and Raphael is thorough and illuminating, giving readers a deeper appreciation for their groundbreaking contributions to the art world.
What sets this book apart is Symonds' ability to connect the dots between various artistic styles and movements, providing a cohesive narrative that highlights the interconnectedness of Italian art during the Renaissance. His passion for the subject matter is evident throughout the book, making it a compelling and engaging read for art enthusiasts and history buffs alike.
Overall, Renaissance in Italy, Volume 3 The Fine Arts is a must-read for anyone interested in the history of art and the cultural significance of the Renaissance period. Symonds' nuanced and thorough exploration of Italian art during this time makes this book an invaluable resource for anyone looking to deepen their understanding of this pivotal moment in art history. THE FINE ARTS BY JOHN ADDINGTON SYMONDS AUTHOR OF "AN INTRODUCTION TO THE STUDY OF DANTE", "STUDIES OF THE GREEK POETS" AND "SKETCHES IN ITALY AND GREECE" Dii Romae indigetes, Trojae tuque auctor, Apollo, Unde genus nostrum coeli se tollit ad astra, Hanc saltem auferri laudem prohibete Latinis: Artibus emineat semper, studiisque Minervae, Italia, et gentes doceat pulcherrima Roma; Quandoquidem armorum penitus fortuna recessit, Tanta Italos inter crevit discordia reges; Ipsi nos inter saevos distringimus enses, Nec patriam pudet externis aperire tyrannis VIDA, Poetica , lib. ii. LONDON SMITH, ELDER & CO 1899 PREFACE[1] This third volume of my book on the "Renaissance in Italy" does not pretend to retrace the history of the Italian arts, but rather to define their relation to the main movement of Renaissance culture. Keeping this, the chief object of my whole work, steadily in view, I have tried to explain the dependence of the arts on mediaeval Christianity at their commencement, their gradual emancipation from ecclesiastical control, and their final attainment of freedom at the moment when the classical revival culminated... Continue reading book >>
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