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The Brochure Series of Architectural Illustration, Volume 01, No. 05, May 1895 Two Florentine Pavements   By:

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The Brochure Series of Architectural Illustration, Volume 01, No. 05, May 1895 is a fascinating glimpse into the world of Italian architecture during the late 19th century. The detailed illustrations of two Florentine pavements showcase the intricate designs and craftsmanship of the time, giving readers a visual tour of these stunning works of art.

The accompanying commentary provides valuable insights into the historical and cultural significance of these pavements, shedding light on the techniques and materials used in their construction. The authors' deep knowledge and passion for architectural history are evident throughout the brochure, making it a valuable resource for anyone interested in the subject.

Overall, The Brochure Series of Architectural Illustration, Volume 01, No. 05, May 1895 is a must-read for architecture enthusiasts and historians alike. Its beautiful illustrations and informative commentary combine to create a truly immersive reading experience that will leave readers with a newfound appreciation for the artistry of the past.

First Page:

THE BROCHURE SERIES

OF ARCHITECTURAL ILLUSTRATION.

VOL. I. MAY, 1895. No. 5.

TWO FLORENTINE PAVEMENTS.

The church of San Miniato al Monte, just outside the walls southeast of Florence, and the Baptistery, or church of San Giovanni Battista, in Florence, are among the finest examples of the Tuscan Romanesque style, and both probably date from about the same time the early part of the twelfth century although the date of San Miniato has until recently been referred several centuries further back.

These two churches have many points of similarity, although entirely different in plan. San Miniato was referred to in the article upon the Byzantine Romanesque doorways of Southern Italy in our February number, and Fergusson's classification of Byzantine Romanesque was, for the time being, adopted for lack of better authority. Later writers have, however, generally agreed that there is little or no Byzantine influence in these two churches; that the delicate and refined treatment of classic forms here found is not the result of Byzantine or Greek influence, but is due entirely to the natural refinement of the Tuscan race. The same characteristic was again shown later in the treatment of Gothic detail, and is evident in the Renaissance work of this locality.

The dimensions of San Miniato were given in the February number referred to above... Continue reading book >>


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