Flutist Aaron Sisson is caught up in the aftermath of WWI. A lost soul, he attempts to find himself in the comfort of bar-room talk and alcohol and a woman. Moving on, he spends time with a mining executive's relatives. But he finds the family a stuffy middle-class lot, bored with each other and themselves. He leaves his wife and children and strikes out for the open road. During a playing engagement at an opera performance, he reunites with the mining executive's family. Talk is of love and war, none of it very satisfying to anyone...

"There is no mistake about it, Alvina was a lost girl. She was cut off from everything she belonged to." In this most under-valued of his novels, Lawrence once again presents us with a young woman hemmed in by her middle-class upbringing and (like Ursula Brangwen in The Rainbow) longing for escape. Alvina Houghton's plight, however, is given a rather comic and even picaresque treatment. Losing first her mother, a perpetual invalid, and later her cross-dressing father, a woefully ineffectual small-scale entrepreneur, Alvina feels doomed to merge with the tribe of eternal spinsters who surround her in the dreary mining community of Woodhouse...

Maturin Murray Ballou was the author of dozens of books, chiefly centered around his extensive sea travel. He was deputy navy-agent in the Boston Custom House and circumnavigated in 1882, collecting material for several travel accounts and various nautical romances, amongst which The Sea-Witch can be counted.

Zanoni, a timeless Rosicrucian brother, cannot fall in love without losing his power of immortality; but he does fall in love with Viola Pisani, a promising young opera singer from Naples, the daughter of Pisani, a misunderstood Italian violinist. An English gentleman named Glyndon loves Viola as well, but is indecisive about proposing marriage, and then renounces his love in order to pursue occult study. The story develops in the days of the French Revolution in 1789. Zanoni has lived since the Chaldean civilization...