Originally an article in the US Edition of the London Quarterly Review, George Borrow offers a sweeping history of Welsh literature, beginning with the legendary origin of the Welsh people, then their major bards and poets, and then their works of prose. Many examples are offered.

THE HEPTAMERON, first published posthumously in 1558, is divided into seven complete days containing 10 stories each, and an eighth day containing only 2 stories. The stories, many of which deal with love and infidelity, resulted in "accusations of looseness" by critics of the day. The author, Margaret of Navarre (also known as Margaret of Angoulême) became an influential woman in the intellectual and cultural circles of the French Renaissance. From an 1892 essay by the translator George Saintsbury: "In so large a number of stories with so great a variety of subjects, it naturally cannot but be the case that there is a considerable diversity of tone...

THE HEPTAMERON (here Volume 3 of 5), first published posthumously in 1558, is divided into seven complete days containing 10 stories each, and an eighth day containing only 2 stories. The stories, many of which deal with love and infidelity, resulted in "accusations of looseness" by critics of the day. The author, Margaret of Navarre (also known as Margaret of Angoulême) became an influential woman in the intellectual and cultural circles of the French Renaissance. From an 1892 essay by the translator George Saintsbury: "In so large a number of stories with so great a variety of subjects, it naturally cannot but be the case that there is a considerable diversity of tone...

THE HEPTAMERON (here Volume 4 of 5), first published posthumously in 1558, is divided into seven complete days containing 10 stories each, and an eighth day containing only 2 stories. The stories, many of which deal with love and infidelity, resulted in "accusations of looseness" by critics of the day. The author, Margaret of Navarre (also known as Margaret of Angoulême) became an influential woman in the intellectual and cultural circles of the French Renaissance. From an 1892 essay by the translator George Saintsbury: "In so large a number of stories with so great a variety of subjects, it naturally cannot but be the case that there is a considerable diversity of tone...