In this comprehensive analysis of the works of Charles Dickens, G. K. Chesterton offers a unique and insightful perspective on the literary genius of one of the most celebrated writers of the Victorian era. Chesterton's appreciation for Dickens' novels is apparent throughout the book, as he delves into the complex characters, intricate plots, and overarching themes that have made Dickens' works enduring classics.

One of the strengths of Chesterton's analysis is his ability to connect Dickens' writing to the social and political issues of his time, shedding light on the underlying messages and critiques embedded within his stories. His discussions of Dickens' use of humor, irony, and satire are particularly enlightening, offering a deeper understanding of the author's intent and impact.

However, Chesterton is not afraid to offer criticisms where he sees fit, pointing out instances where Dickens' storytelling may falter or his characters may lack depth. This balanced approach to his analysis adds depth and nuance to his appreciation of Dickens' works, painting a more complete picture of the author and his legacy.

Overall, The Appreciations and Criticisms of the Works of Charles Dickens is a thought-provoking and comprehensive examination of one of literature's greatest storytellers. Chesterton's deft analysis and keen insights make this book a must-read for fans of Dickens and scholars alike.

Book Description:

“These papers were originally published as prefaces to the separate books of Dickens in one of the most extensive of those cheap libraries of the classics which are one of the real improvements of recent times. Thus they were harmless, being diluted by, or rather drowned in Dickens. My scrap of theory was a mere dry biscuit to be taken with the grand tawny port of great English comedy; and by most people it was not taken at all–like the biscuit.

Nevertheless the essays were not in intention so aimless as they appear in fact. I had a general notion of what needed saying about Dickens to the new generation, though probably I did not say it. I will make another attempt to do so in this prologue, and, possibly fail again.”