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The Standard Cantatas Their Stories, Their Music, and Their Composers   By: (1834-1919)

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George P. Upton's The Standard Cantatas offers a comprehensive exploration of the captivating stories, enchanting music, and brilliant composers behind the esteemed genre of cantatas. With meticulous research and insightful analysis, Upton delivers a valuable resource for both enthusiasts and novices alike.

Structured in a concise and accessible manner, the book delves into the historical context of cantatas, tracing their development from their origins in the Baroque period to their continued relevance in contemporary classical music. Upton examines the unique characteristics and common themes found within these harmonious masterpieces, providing an understanding of the genre's evolution through time.

One of the commendable aspects of this book is Upton's emphasis on the narratives behind the cantatas. He skillfully brings to life the stories and texts that inspired composers in their creative process. By unraveling the cultural and social contexts in which these cantatas were composed, Upton enables readers to appreciate the deeper meaning embedded within the music.

Moreover, Upton incorporates musical analysis into his exploration, enabling readers to understand the various compositional techniques employed by the masters. This aspect greatly enhances the reading experience, elevating the book from a mere historical account to a musical journey that resonates with readers on a deeper level.

The inclusion of biographical information about the composers adds another layer to the book. Upton presents intriguing anecdotes and tidbits about the lives of the great cantata composers, allowing readers to develop a personal connection with their works. The intertwining of personal stories and musical analysis creates a vivid tapestry, extracting the essence of their compositions and shedding light on their motivations.

While the book primarily focuses on the classical era of cantatas, Upton does not shy away from exploring contemporary adaptations and composers. This approach provides a broader understanding of the genre's impact and evolution, making it a valuable reference for those interested in the continued relevance of cantatas in modern music.

The Standard Cantatas is meticulously researched and well-written, displaying Upton's passion and knowledge of the topic. Its comprehensive nature, combined with the engaging narrative style, ensures that it will appeal to both scholars and casual readers. It serves as an enriching companion for music enthusiasts, offering a deeper understanding and appreciation of cantatas and their composers.

First Page:

THE Standard Cantatas THEIR STORIES, THEIR MUSIC, AND THEIR COMPOSERS

A Handbook

By GEORGE P. UPTON AUTHOR OF "THE STANDARD OPERAS," "THE STANDARD ORATORIOS," "WOMAN IN MUSIC," ETC.

CHICAGO A. C. McCLURG AND COMPANY 1888

Copyright By A. C. McClurg and Co. A.D. 1887

PREFACE.

The "Standard Cantatas" is the third of the series in which the "Standard Operas" and "Standard Oratorios" have been its predecessors. Of necessity, therefore, the same method has been followed in the arrangement and presentation of the author's scheme. As in the works above mentioned, short sketches of the music and stories of the cantatas are presented, together with biographies of their composers, some of which are reproduced from the other volumes with slight changes, the repetitions being necessary for the sake of uniformity. The sketches are prefaced by a comprehensive study of the cantata in its various forms, from its early simple recitative or aria style down to its present elaborate construction, which sometimes verges closely upon that of the opera or oratorio... Continue reading book >>




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