Saint Martin's Summer By: Rafael Sabatini (1875-1950) |
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Saint Martin's Summer is a captivating novel by Rafael Sabatini that takes readers on a delightful journey through the idyllic French countryside. Set in the early 20th century, the novel follows the story of Philip Maire, a young English artist who embarks on a summer adventure to Sainte Les Bains.
From the very beginning, the author's evocative and lyrical writing style draws us into the picturesque landscapes, enchanting us with vivid descriptions of rolling hills, charming villages, and crystalline rivers. Sabatini effortlessly paints a visual masterpiece with his words, allowing readers to experience the beauty and tranquility of the French countryside alongside Philip.
The plot, though seemingly simple at first, gradually unfolds to reveal a tale filled with unexpected twists and turns. As Philip settles into the idyllic village, he encounters a cast of vibrant and intriguing characters, including the enigmatic Madame de Savenay. Their interactions and relationships create a web of intrigue and mystery that keeps readers eagerly turning the pages.
One of the novel's strengths lies in its thoughtful exploration of human nature and the complexity of relationships. Sabatini skillfully delves into the depths of his characters, presenting us with flawed, multi-dimensional individuals whose struggles and desires resonate with our own. As secrets are unveiled and suppressed emotions surface, the novel delves into themes of love, loss, and personal growth, leaving readers with a lingering sense of introspection.
Moreover, Sabatini's mastery of dialogue adds depth and authenticity to the characters, allowing their personalities to shine through. The exchanges between Philip and Madame de Savenay, in particular, are filled with wit and subtle nuances, showcasing the author's keen understanding of human interactions.
While Saint Martin's Summer is primarily a character-driven novel, the historical backdrop of early 20th century France adds an additional layer of richness to the story. Sabatini's attention to detail is evident as he seamlessly integrates historical events and societal norms into the narrative, giving readers a glimpse of the era's cultural milieu.
However, despite its many strengths, the novel does have a few weaknesses. Some readers may find the pacing to be slow at times, as Sabatini takes his time in developing the plot. Additionally, a few secondary characters lack the same depth and development as the main characters, leaving them feeling somewhat one-dimensional.
In conclusion, Saint Martin's Summer is a beautiful and thought-provoking novel that transports readers to a bygone era filled with romance, mystery, and self-discovery. Sabatini's exquisite prose, coupled with his ability to craft compelling characters, ensures that this book will captivate readers from start to finish. Whether you're a fan of historical fiction or simply looking for an engaging tale, this book is a must-read. By Rafael Sabatini Originally published in 1921 CONTENTS I. THE SENESCHAL OF DAUPHINY II. MONSIEUR DE GARNACHE III. THE DOWAGER'S COMPLIANCE IV. THE CHATEAU DE CONDILLAC V. MONSIEUR DE GARNACHE LOSES HIS TEMPER VI. MONSIEUR DE GARNACHE KEEPS HIS TEMPER VII. THE OPENING OF THE TRAP VIII. THE CLOSING OF THE TRAP IX. THE SENESCHAL'S ADVICE X. THE RECRUIT XI. VALERIE'S GAOLER XII. A MATTER OF CONSCIENCE XIII. THE COURIER XIV. FLORIMOND'S LETTER XV. THE CONFERENCE XVI. THE UNEXPECTED XVII. HOW MONSIEUR DE GARNACHE LEFT CONDILLAC XVIII. IN THE MOAT XIX. THROUGH THE NIGHT XX. FLORIMOND DE CONDILLAC XXI. THE GHOST IN THE CUPBOARD XXII. THE OFFICES OF MOTHER CHURCH XXIII. THE JUDGMENT OF GARNACHE XXIV. SAINT MARTINS EVE SAINT MARTIN'S SUMMER CHAPTER I. THE SENESCHAL OF DAUPHINY My Lord of Tressan, His Majesty's Seneschal of Dauphiny, sat at his ease, his purple doublet all undone, to yield greater freedom to his vast bulk, a yellow silken undergarment visible through the gap, as is visible the flesh of some fruit that, swollen with over ripeness, has burst its skin. His wig imposed upon him by necessity, not fashion lay on the table amid a confusion of dusty papers, and on his little fat nose, round and red as a cherry at its end, rested the bridge of his horn rimmed spectacles... Continue reading book >>
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