Resonance in Singing and Speaking By: Thomas Fillebrown (1836-1908)
Resonance in Singing and Speaking by Thomas Fillebrown is an essential guide for anyone interested in developing their vocal abilities. This comprehensive book offers a wealth of information and practical exercises to help readers understand and harness the power of resonance in their voice. One of the strengths of this book is Fillebrown's expertise and deep understanding of the subject. As a professional voice coach and experienced singer himself, the author's knowledge shines through in every chapter. He explains complex concepts with clarity and offers practical examples that enable readers to grasp the importance of resonance in both singing and speaking. The structure of the book is well-organized, starting with an introduction to the fundamentals of resonance, followed by detailed explanations of various resonance techniques and exercises. Fillebrown provides step-by-step instructions, making it easy to follow along and implement the exercises into one's vocal practice routine. What sets this book apart is the inclusion of numerous audio examples. These examples allow readers to hear the concepts and techniques being discussed, enhancing their understanding and providing a valuable reference for comparison. This multimedia approach adds an interactive element to the learning experience and helps readers internalize the ideas presented. Moreover, Fillebrown's writing style is engaging and accessible. He avoids using overly technical terminology that could be daunting for beginners, ensuring that readers of all levels can benefit from this book. The author's passion for the subject is contagious, and his anecdotes and personal experiences add a relatable and human touch to the content. While the focus of the book is on resonance, Fillebrown also touches on related topics such as breath support, posture, and diction. This holistic approach is welcomed, as it helps readers understand the interconnectedness of different aspects of vocal production. If there is one small criticism, it is that some sections of the book may feel repetitive. Certain exercises and concepts are revisited multiple times, which might be unnecessary for readers who have already grasped the material. However, this also serves as a reinforcement for those who might require additional practice or clarification. Overall, Resonance in Singing and Speaking is a valuable resource for singers, speakers, and vocal coaches alike. By providing a comprehensive exploration of resonance and its significance, Thomas Fillebrown equips readers with the tools they need to unlock the full potential of their voice. With its user-friendly approach and practical exercises, this book is a must-have for anyone seeking to improve their vocal abilities. First Page: RESONANCE IN SINGING AND SPEAKING BY THOMAS FILLEBROWN, M.D., D.M.D. TWENTY ONE YEARS PROFESSOR OF OPERATIVE DENTISTRY AND ORAL SURGERY IN HARVARD UNIVERSITY; MEMBER OF THE AMERICAN MEDICAL ASSOCIATION, THE ACADEMY OF DENTAL SCIENCE, THE NEW ENGLAND OTOLOGICAL AND LARYNGOLOGICAL ASSOCIATION, ETC.; LECTURER ON VOICE DEVELOPMENT. THIRD EDITION [Illustration: THE MUSIC STUDENTS LIBRARY] BOSTON OLIVER DITSON COMPANY NEW YORK CHAS. H. DITSON & CO. CHICAGO LYON & HEALY Copyright, MCMXI BY OLIVER DITSON COMPANY International Copyright secured [Transcriber's Note: Text in bold is surrounded by =. Text in italics is surrounded by .] TO THE MEMORY OF WILLIAM HASKELL STOCKBRIDGE PUPIL OF VANNUCCINI AND MY FIRST INSTRUCTOR IN VOICE CULTURE, THIS VOLUME IS AFFECTIONATELY DEDICATED PREFACE Efforts to develop my own voice, and the voices of my patients after operations for cleft palate, aided by anatomical study, resulted in a plan for the focusing and development of the human voice quite different from any other yet published, or, so far as I know, yet proposed. This plan has proved so successful in my later life that I feel emboldened to offer it for the consideration of speakers and singers. While twenty five years ago few of the principles here described were acknowledged or even recognized, within the last decade almost all have been advocated separately by different teachers or writers... Continue reading book >>

Resonance in Singing and Speaking By: Thomas Fillebrown (1836-1908)

Resonance in Singing and Speaking by Thomas Fillebrown is an essential guide for anyone interested in developing their vocal abilities. This comprehensive book offers a wealth of information and practical exercises to help readers understand and harness the power of resonance in their voice.

One of the strengths of this book is Fillebrown's expertise and deep understanding of the subject. As a professional voice coach and experienced singer himself, the author's knowledge shines through in every chapter. He explains complex concepts with clarity and offers practical examples that enable readers to grasp the importance of resonance in both singing and speaking.

The structure of the book is well-organized, starting with an introduction to the fundamentals of resonance, followed by detailed explanations of various resonance techniques and exercises. Fillebrown provides step-by-step instructions, making it easy to follow along and implement the exercises into one's vocal practice routine.

What sets this book apart is the inclusion of numerous audio examples. These examples allow readers to hear the concepts and techniques being discussed, enhancing their understanding and providing a valuable reference for comparison. This multimedia approach adds an interactive element to the learning experience and helps readers internalize the ideas presented.

Moreover, Fillebrown's writing style is engaging and accessible. He avoids using overly technical terminology that could be daunting for beginners, ensuring that readers of all levels can benefit from this book. The author's passion for the subject is contagious, and his anecdotes and personal experiences add a relatable and human touch to the content.

While the focus of the book is on resonance, Fillebrown also touches on related topics such as breath support, posture, and diction. This holistic approach is welcomed, as it helps readers understand the interconnectedness of different aspects of vocal production.

If there is one small criticism, it is that some sections of the book may feel repetitive. Certain exercises and concepts are revisited multiple times, which might be unnecessary for readers who have already grasped the material. However, this also serves as a reinforcement for those who might require additional practice or clarification.

Overall, Resonance in Singing and Speaking is a valuable resource for singers, speakers, and vocal coaches alike. By providing a comprehensive exploration of resonance and its significance, Thomas Fillebrown equips readers with the tools they need to unlock the full potential of their voice. With its user-friendly approach and practical exercises, this book is a must-have for anyone seeking to improve their vocal abilities.

First Page:

RESONANCE

SINGING AND SPEAKING

THOMAS FILLEBROWN, M.D., D.M.D.

TWENTY ONE YEARS PROFESSOR OF OPERATIVE DENTISTRY AND ORAL SURGERY IN HARVARD UNIVERSITY; MEMBER OF THE AMERICAN MEDICAL ASSOCIATION, THE ACADEMY OF DENTAL SCIENCE, THE NEW ENGLAND OTOLOGICAL AND LARYNGOLOGICAL ASSOCIATION, ETC.; LECTURER ON VOICE DEVELOPMENT.

THIRD EDITION

[Illustration: THE MUSIC STUDENTS LIBRARY]

BOSTON OLIVER DITSON COMPANY

NEW YORK CHAS. H. DITSON & CO.

CHICAGO LYON & HEALY

International Copyright secured

[Transcriber's Note: Text in bold is surrounded by =. Text in italics is surrounded by .]

TO THE MEMORY OF

WILLIAM HASKELL STOCKBRIDGE

PUPIL OF VANNUCCINI AND MY FIRST INSTRUCTOR IN VOICE CULTURE, THIS VOLUME IS AFFECTIONATELY DEDICATED

PREFACE

Efforts to develop my own voice, and the voices of my patients after operations for cleft palate, aided by anatomical study, resulted in a plan for the focusing and development of the human voice quite different from any other yet published, or, so far as I know, yet proposed. This plan has proved so successful in my later life that I feel emboldened to offer it for the consideration of speakers and singers.

While twenty five years ago few of the principles here described were acknowledged or even recognized, within the last decade almost all have been advocated separately by different teachers or writers... Continue reading book >>

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