The Heart of Rome By: F. Marion Crawford (1854-1909)
The Heart of Rome by F. Marion Crawford is a captivating novel that immerses readers in the vibrant and romantic city of Rome. Set during the late 19th century, the narrative follows the lives of four individuals from contrasting backgrounds – a wealthy American art connoisseur, a struggling Italian painter, a noblewoman, and a religiously devout professor. One of the most striking aspects of this novel is Crawford's vivid and intricate descriptions of Rome. Through his words, the reader is transported to the city's mesmerizing streets, awe-inspiring churches, and grand palaces. The author effortlessly brings to life the essence of Rome, capturing its unique aura and historic charm. The story itself unfolds in a graceful and leisurely pace, allowing the characters' lives to intertwine and develop naturally. Each of the four protagonists is given ample depth and complexity, making them relatable and engaging. As their paths cross and their lives become entangled, their individual struggles and desires are skillfully explored, revealing the complexities of human nature and the intricacies of human relationships. The Heart of Rome delves into various themes, such as art, religion, love, and social hierarchies. These themes are seamlessly woven into the narrative, presenting readers with thought-provoking reflections on the human condition. Through the eyes of the characters, the author raises questions about the pursuit of passion versus stability, the conflict between religious faith and personal desires, and the constraints imposed by societal expectations. Crawford's writing style is elegant and evocative, with poetic descriptions and profound observations scattered throughout the book. He demonstrates a deep understanding of human emotions and motivations, making the characters' journey all the more compelling. Moreover, his meticulous research on Rome's history and culture adds an extra layer of authenticity to the story. However, some readers may find the novel's slow pace and lengthy descriptions overwhelming at times. While this leisurely rhythm allows for a deeper exploration of the characters and their surroundings, it might deter those seeking a faster-paced plot. Additionally, the multiple storylines and perspectives could occasionally confuse readers, requiring a certain level of attention to fully appreciate the intricacies of the narrative. In conclusion, The Heart of Rome is a beautifully written novel that transports readers to the heart of one of the most enchanting cities in the world. F. Marion Crawford's masterful storytelling effortlessly combines history, art, and human emotions, creating a compelling and immersive reading experience. Despite its slower pace, this book is a must-read for those who appreciate richly developed characters and atmospheric settings. First Page: Juliet Sutherland, Charles Franks and the Online Distributed Proofreading Team. THE HEART OF ROME A Tale of the "Lost water" BY FRANCIS MARION CRAWFORD Author of "Cecilia," "Saracinesca," "In the Palace of the King," Etc. THE HEART OF ROME CHAPTER I The Baroness Volterra drove to the Palazzo Conti in the heart of Rome at nine o'clock in the morning, to be sure of finding Donna Clementina at home. She had tried twice to telephone, on the previous afternoon, but the central office had answered that "the communication was interrupted." She was very anxious to see Clementina at once, in order to get her support for a new and complicated charity. She only wanted the name, and expected nothing else, for the Conti had very little ready money, though they still lived as if they were rich. This did not matter to their friends, but was a source of constant anxiety to their creditors, and to the good Pompeo Sassi, the steward of the ruined estate. He alone knew what the Conti owed, for none of them knew much about it themselves, though he had done his best to make the state of things clear to them. The big porter of the palace was sweeping the pavement of the great entrance, as the cab drove in. He wore his working clothes of grey linen with silver buttons bearing the ancient arms of his masters, and his third best gold laced cap... Continue reading book >>

The Heart of Rome By: F. Marion Crawford (1854-1909)

The Heart of Rome by F. Marion Crawford is a captivating novel that immerses readers in the vibrant and romantic city of Rome. Set during the late 19th century, the narrative follows the lives of four individuals from contrasting backgrounds – a wealthy American art connoisseur, a struggling Italian painter, a noblewoman, and a religiously devout professor.

One of the most striking aspects of this novel is Crawford's vivid and intricate descriptions of Rome. Through his words, the reader is transported to the city's mesmerizing streets, awe-inspiring churches, and grand palaces. The author effortlessly brings to life the essence of Rome, capturing its unique aura and historic charm.

The story itself unfolds in a graceful and leisurely pace, allowing the characters' lives to intertwine and develop naturally. Each of the four protagonists is given ample depth and complexity, making them relatable and engaging. As their paths cross and their lives become entangled, their individual struggles and desires are skillfully explored, revealing the complexities of human nature and the intricacies of human relationships.

The Heart of Rome delves into various themes, such as art, religion, love, and social hierarchies. These themes are seamlessly woven into the narrative, presenting readers with thought-provoking reflections on the human condition. Through the eyes of the characters, the author raises questions about the pursuit of passion versus stability, the conflict between religious faith and personal desires, and the constraints imposed by societal expectations.

Crawford's writing style is elegant and evocative, with poetic descriptions and profound observations scattered throughout the book. He demonstrates a deep understanding of human emotions and motivations, making the characters' journey all the more compelling. Moreover, his meticulous research on Rome's history and culture adds an extra layer of authenticity to the story.

However, some readers may find the novel's slow pace and lengthy descriptions overwhelming at times. While this leisurely rhythm allows for a deeper exploration of the characters and their surroundings, it might deter those seeking a faster-paced plot. Additionally, the multiple storylines and perspectives could occasionally confuse readers, requiring a certain level of attention to fully appreciate the intricacies of the narrative.

In conclusion, The Heart of Rome is a beautifully written novel that transports readers to the heart of one of the most enchanting cities in the world. F. Marion Crawford's masterful storytelling effortlessly combines history, art, and human emotions, creating a compelling and immersive reading experience. Despite its slower pace, this book is a must-read for those who appreciate richly developed characters and atmospheric settings.

First Page:

Juliet Sutherland, Charles Franks and the Online Distributed Proofreading Team.

THE HEART OF ROME

A Tale of the "Lost water"

BY FRANCIS MARION CRAWFORD Author of "Cecilia," "Saracinesca," "In the Palace of the King," Etc.

THE HEART OF ROME

CHAPTER I

The Baroness Volterra drove to the Palazzo Conti in the heart of Rome at nine o'clock in the morning, to be sure of finding Donna Clementina at home. She had tried twice to telephone, on the previous afternoon, but the central office had answered that "the communication was interrupted." She was very anxious to see Clementina at once, in order to get her support for a new and complicated charity. She only wanted the name, and expected nothing else, for the Conti had very little ready money, though they still lived as if they were rich. This did not matter to their friends, but was a source of constant anxiety to their creditors, and to the good Pompeo Sassi, the steward of the ruined estate. He alone knew what the Conti owed, for none of them knew much about it themselves, though he had done his best to make the state of things clear to them.

The big porter of the palace was sweeping the pavement of the great entrance, as the cab drove in. He wore his working clothes of grey linen with silver buttons bearing the ancient arms of his masters, and his third best gold laced cap... Continue reading book >>

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