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The Great English Short-Story Writers, Volume 1   By: (1804-1864)

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In "The Great English Short-Story Writers, Volume 1," Nathaniel Hawthorne takes readers on a captivating journey through the minds of some of the most influential English short story writers of all time. Although the absence of a title for this book is a peculiar choice, it does little to diminish the sheer brilliance and extensive knowledge displayed within its pages.

Hawthorne's introduction serves as an insightful and engaging prelude to the stories that follow. His careful analysis of the short story as a literary form, as well as his examination of its origins and evolution, sets the stage for a profound exploration of the selected works. It is evident that Hawthorne is not only a master storyteller himself but also a profound appreciator of the craft.

The anthology features an impressive lineup of authors, ranging from well-known figures such as Washington Irving to lesser-known yet equally talented individuals like Samuel Lover. Each story chosen by Hawthorne exhibits its own unique style, theme, and atmosphere, providing readers with a diverse and comprehensive glimpse into the world of English short fiction.

One particular aspect that distinguishes this anthology is Hawthorne's meticulous attention to detail in his selection process. He skillfully weaves together stories that share common themes or motifs, creating a cohesive reading experience. The juxtaposition of tales that explore humanity's darker aspects with those that offer glimpses of hope and redemption showcases the varying shades of human nature and the complexity of the human condition.

"The Great English Short-Story Writers, Volume 1" is a testament to Hawthorne's deep understanding and appreciation of the short story genre. His annotations and commentaries throughout the book provide valuable insights into the authors' intentions, techniques, and underlying messages. These additions not only enhance the reader's understanding but also offer a glimpse into the mind of an eminent writer.

Hawthorne's writing style is elegant and evocative, capturing the essence of each story and allowing readers to fully immerse themselves in the worlds created by the featured authors. His ability to extract and showcase the essence of each tale is a testament to his expertise as both a writer and literary critic.

While the absence of a title for this anthology may raise some questions, the actual content of "The Great English Short-Story Writers, Volume 1" is undeniably impressive. Hawthorne's passion for storytelling shines through every page, making it a valuable addition to any reader's library. Whether one is a casual reader or an aspiring writer, this anthology provides a thought-provoking and captivating journey through the minds of some of England's greatest literary voices.

First Page:

THE READERS'S LIBRARY

THE GREAT ENGLISH SHORT STORY WRITERS

VOL. I

WITH INTRODUCTORY ESSAYS BY

WILLIAM J. DAWSON AND CONINGSBY W. DAWSON

MCMX

ACKNOWLEDGMENT

To the publishers and authors who have courteously permitted the use of copyrighted material in these two volumes, a word of grateful acknowledgment is hereby given by the editors.

CONTENTS

CHAP.

I. THE EVOLUTION OF THE SHORT STORY

II. THE APPARITION OF MRS. VEAL. By Daniel Defoe (1661 1731)

III. THE MYSTERIOUS BRIDE. By James Hogg (1770 1835)

IV. THE DEVIL AND TOM WALKER. By Washington Irving (1783 1859)

V. DR. HEIDEGGER'S EXPERIMENT. By Nathaniel Hawthorne (1807 1864)

VI. THE PURLOINED LETTER. By Edgar Allan Poe (1809 1849)

VII. RAB AND HIS FRIENDS. By Dr. John Brown (1810 1882)

VIII. THE BOOTS AT THE HOLLY TREE INN. By Charles Dickens (1812 1870)

IX. A STORY OF SEVEN DEVILS. By Frank R. Stockton. (1834 1902)

X. A DOG'S TALE. By Mark Twain (1835)

XI. THE OUTCASTS OF POKER FLAT. By Bret Harte (1839 1902)

XII. THE THREE STRANGERS. By Thomas Hardy (1840)

XIII. JULIA BRIDE. By Henry James (1843)

XIV. A LODGING FOR THE NIGHT. By Robert Louis Stevenson (1850 1894)

INDEX

The Evolution of the Short Story

I

The short story commenced its career as a verbal utterance, or, as Robert Louis Stevenson puts it, with "the first men who told their stories round the savage camp fire... Continue reading book >>




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