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Ezra Pound: His Metric and Poetry   By: (1888-1965)

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In "Ezra Pound: His Metric and Poetry" by Thomas S. Eliot, readers are granted an insightful dive into the world of one of the most influential poets of modernist literature. Eliot skillfully dissects the work of Pound, shedding light on his idiosyncratic style and remarkable contribution to the art of poetry.

One of the notable aspects of this book is Eliot's willingness to explore Pound's unique approach to poetic metrics. Eliot expertly examines Pound's use of rhythm, rhyme, and meter, unravelling the intricacies that make his poetry distinctive. By dissecting Pound's techniques, Eliot enables readers to develop a deeper appreciation for the mastery behind Pound's verses.

Furthermore, Thomas S. Eliot explores the broader landscape of Pound's poetry, addressing both its strengths and limitations. He highlights the experimental nature of Pound's work, showcasing his ability to seamlessly blend ancient styles with contemporary themes. Eliot also criticizes Pound's tendency toward obscurity at times, effectively addressing the challenges associated with interpreting his intricate verses.

Beyond Pound's poetic endeavors, Eliot delves into the poet's role as a literary critic. Eliot emphasizes Pound's piercing intellect and his uncanny ability to discern lasting value in literature. Readers are treated to Eliot's analysis of Pound's influential essays, which provide additional insights into his aesthetic theories and literary philosophy. Eliot's inclusion of these critical writings deepens our understanding of Pound as a well-rounded literary figure.

The book offers a comprehensive exploration of Ezra Pound's work, allowing readers to not only grasp his poetic techniques but also contextualize the poet within the broader literary canon. Eliot's expertise as a poet himself is evident throughout the book, as he intricately dissects Pound's poetry, offering invaluable insights and engaging analyses.

However, it is important to note that "Ezra Pound: His Metric and Poetry" can at times be dense and academically demanding. The depth of Eliot's analysis may be best suited for individuals with an existing familiarity with Pound's work or for those who are enthusiastic about unraveling the intricate layers of poetic form.

In conclusion, Thomas S. Eliot's "Ezra Pound: His Metric and Poetry" offers an extensive look into the poetry and critical writings of one of the most influential figures in modernist literature. Eliot's analysis provides readers with a thorough understanding of Pound's poetic techniques and his role in shaping the literary landscape of his time. While the book may be challenging at times, its wealth of insights and Eliot's careful examination of Pound's work make it an indispensable resource for lovers of poetry and students of literary history.

First Page:

EZRA POUND

HIS METRIC AND POETRY

BOOKS BY EZRA POUND

PROVENÇA, being poems selected from Personae, Exultations, and Canzoniere. (Small, Maynard, Boston, 1910)

THE SPIRIT OF ROMANCE: An attempt to define somewhat the charm of the pre renaissance literature of Latin Europe. (Dent, London, 1910; and Dutton, New York)

THE SONNETS AND BALLATE OF GUIDO CAVALCANTI. (Small, Maynard, Boston, 1912)

RIPOSTES. (Swift, London, 1912; and Mathews, London, 1913)

DES IMAGISTES: An anthology of the Imagists, Ezra Pound, Aldington, Amy Lowell, Ford Maddox Hueffer, and others

GAUDIER BRZESKA: A memoir. (John Lane, London and New York, 1916)

NOH: A study of the Classical Stage of Japan with Ernest Fenollosa. (Alfred A. Knopf, New York, 1917; and Macmillan, London, 1917)

LUSTRA with Earlier Poems. (Alfred A. Knopf, New York, 1917)

PAVANNES AHD DIVISIONS. (Prose. In preparation: Alfred A. Knopf, New York)

EZRA POUND

HIS METRIC AND POETRY

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"All talk on modern poetry, by people who know," wrote Mr. Carl Sandburg in Poetry , "ends with dragging in Ezra Pound somewhere. He may be named only to be cursed as wanton and mocker, poseur, trifler and vagrant. Or he may be classed as filling a niche today like that of Keats in a preceding epoch. The point is, he will be mentioned... Continue reading book >>




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