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The English Stage Being an Account of the Victorian Drama   By:

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In "The English Stage Being an Account of the Victorian Drama" by Augustin Filon, readers are treated to a comprehensive and illuminating exploration of the Victorian era's theatrical landscape. Through meticulous research and captivating storytelling, Filon guides us on a journey through the evolution, triumphs, and challenges faced by the English stage during this pivotal period in history.

One of the most striking aspects of Filon's work is his adeptness at bringing to life the personalities behind the Victorian drama. Through his detailed biographical sketches, readers gain a deeper understanding of the actors, actresses, playwrights, and directors who shaped the stage during this time. From the legendary performances of Sarah Bernhardt to the pioneering works of Oscar Wilde, Filon effortlessly weaves together anecdotes and insights that paint a vivid picture of these theatrical luminaries, allowing readers to truly comprehend their impact on the art form.

Furthermore, Filon's meticulous attention to historical detail enriches the reading experience. The author effortlessly transports us back to the Victorian era, immersing us in the world of gas-lit theaters, opulent costumes, and grandiose productions. Through his vivid descriptions, we gain an intimate understanding of the ambiance, style, and dynamics that defined this era of theatrical history.

Filon's book not only delves into the glitz and glamour of the Victorian stage but also sheds light on the social, political, and cultural context that influenced its development. By exploring themes such as censorship, gender roles, and class divide, Filon offers a nuanced examination of how Victorian society impacted the world of theater. This perspective adds depth and complexity to our understanding of the performances and artists who navigated these intricate societal dynamics.

However, it is worth noting that on occasion, Filon's writing style can be quite dense and academic. This might pose a challenge for readers seeking a more casual or light-hearted exploration of the topic. Nonetheless, for those with a genuine interest in theater history or Victorian culture, Filon's thorough research and rigorous analysis are sure to satisfy.

In conclusion, "The English Stage Being an Account of the Victorian Drama" by Augustin Filon is a valuable resource for anyone interested in understanding the rich tapestry of the Victorian theater. From its engaging biographical narratives to its nuanced examination of societal influences, Filon's work presents a comprehensive overview of this critical era in theatrical history.

First Page:

THE ENGLISH STAGE

WORKS BY THE AUTHOR.

PROFILS ANGLAIS. MÉRIMÉE ET SES AMIS. VIOLETTE MÉRIAN. AMOURS ANGLAIS. LES CONTES DU CENTENAIRE. ETC. ETC.

THE ENGLISH STAGE

Being an Account of the Victorian Drama by Augustin Filon

Translated from the French by Frederic Whyte with an Introduction by Henry Arthur Jones

JOHN MILNE 12 NORFOLK STREET, STRAND, LONDON

NEW YORK DODD, MEAD, & COMPANY MDCCCXCVII

All Rights Reserved

CONTENTS

PAGE

Introduction by Mr. Henry Arthur Jones 9

Author's Preface 31

CHAPTER I

A Glance back From 1820 to 1830 Kean and Macready The Strolling Player The Critics Sheridan Knowles and Virginius Douglas Jerrold His Comedies The Rent Day The Prisoner of War Black Eyed Susan Collapse of the Privileged Theatres Men of Letters come to the Rescue of the Drama Bulwer Lytton The Lady of Lyons Richelieu Money 39

CHAPTER II

Macready's Withdrawal from the Stage The Enemies of the Drama in 1850: Puritanism; the Opera; the Pantomime; the "Hippodrama" French Plays and French Players in England Actors of the Period The Censorship The Critics The Historical Plays of Tom Taylor and the Irish Plays of Dion Boucicault 73

CHAPTER III

The Vogue of Burlesque Burnand's Ixion H... Continue reading book >>




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