The Bow, Its History, Manufacture and Use 'The Strad' Library, No. III.   By: Henry Saint-George (1866-1917)

"The Bow, Its History, Manufacture and Use 'The Strad' Library, No. III." by Henry Saint-George is an exceptional and comprehensive guide that delves into the intriguing world of bow-making and its significance in the world of music. As part of the esteemed 'The Strad' Library series, this book offers a wealth of information, making it an invaluable resource for both musicians and enthusiasts alike.

One of the standout features of Saint-George's book is his meticulous exploration of the historical development of the bow. He takes readers on a captivating journey, spanning centuries, as he traces the evolution of bow-making techniques and the gradual refinement of this essential instrument. The author's passion for the subject is palpable, and his keen eye for detail ensures that no aspect of bow-making is left unexplored.

The book's structure is well-organized, allowing readers to easily navigate through the chapters. Saint-George covers various topics such as the materials used in bow-making, the different bow designs, and the intricate craftsmanship involved in constructing these delicate pieces. Furthermore, he delves into the fascinating world of renowned bow makers, providing invaluable insights into their techniques and the legacy they left behind.

What sets "The Bow" apart is its emphasis on the practical aspect of its subject matter. Saint-George provides detailed instructions on the manufacturing process, including the tools required and the step-by-step construction of a bow. This practical knowledge is a treasure for both aspiring bow makers and curious readers who wish to gain a deeper understanding of the craftsmanship behind the creation of such a remarkable instrument.

The illustrations throughout the book are beautifully rendered, adding visual appeal and aiding in conveying complex concepts with clarity. Coupled with Saint-George's articulate prose, these illustrations enhance the reader's understanding of the intricate details involved in bow-making.

Additionally, the historical anecdotes and anecdotes from famous musicians shared by the author add depth and flavor to the narrative, making "The Bow" an engaging read that seamlessly blends history, artistry, and musical heritage.

While "The Bow" is an impressive guide, it may feel overwhelming for those looking for a lighter read or a basic introduction to the subject. However, for individuals passionate about the world of string instruments and the craftsmanship behind them, this book is an absolute gem.

In conclusion, Henry Saint-George's "The Bow, Its History, Manufacture and Use 'The Strad' Library, No. III." is an outstanding contribution to the world of bow-making literature. With its comprehensive exploration of the history, manufacture, and use of bows, this book is an essential resource for musicians, bow makers, and anyone with a keen interest in the intricate artistry that accompanies the world of stringed instruments.

First Page:

It has always appeared to me a curious thing that the bow, without which the fiddle could have no being, should have received so scant attention, not alone from the community of fiddlers, but also from writers on the subject. I only know of one book in which the subject is adequately handled. Out of every twenty violinists who profess to some knowledge of the various types of Cremonese and other fiddles of repute and value, barely three will be met with who take a similar interest in the bow beyond knowing a good one, or rather one that suits their particular physique, when playing with it. They are all familiar with the names of Dodd and Tourte, but it is seldom that their knowledge extends beyond the names. As for a perception of the characteristics of bows as works of art, which is the standard of the fiddle connoisseur, it hardly has any existence outside the small circle of bow makers... Continue reading book >>