Artemis to Actaeon, and Other Verses   By: Edith Wharton (1862-1937)

Artemis to Actaeon, and Other Verses is a stunning collection of poetry by the acclaimed author Edith Wharton. Known for her beautiful prose in novels such as The Age of Innocence, Wharton displays an equally impressive mastery of the poetic form in this anthology.

One of the standout features of this collection is Wharton's ability to effortlessly weave together themes of love, nature, and mythology. Each poem transports the reader to a different realm, whether it be the ethereal world of Greek gods and goddesses or the raw beauty of the natural world.

Wharton's skillful use of language is evident throughout these verses, with her vivid descriptions and evocative imagery painting breathtaking pictures in the reader's mind. Her words carry a certain musicality, as the rhythm and rhyme of her poetry create a melodic flow that enraptures the senses.

One of the most captivating aspects of this collection is the way Wharton explores the complexities of human emotions. Whether it's unrequited love, longing, or the joy of new beginnings, the poems delve deep into the depths of the human experience, evoking a range of emotions within the reader.

Furthermore, Wharton's ability to convey profound truths and poignant observations through her poetry is truly remarkable. Each verse is imbued with wisdom and insight, as she tackles timeless themes such as the fleeting nature of time, the transient beauty of life, and the inevitability of change.

While reading Artemis to Actaeon, and Other Verses, it becomes evident that Wharton's poetic style is highly influenced by the romantic poets of the past. However, she adds her own unique voice to the genre, creating a body of work that feels modern and relevant even today.

In conclusion, Artemis to Actaeon, and Other Verses is a masterful collection of poetry that showcases Edith Wharton's exceptional talent as a writer. With its enchanting blend of mythology, nature, and human emotion, this anthology is a captivating journey through the realms of the heart and soul. Wharton proves once again that she is a formidable force in literature, whether she is crafting novels or penning verses.

First Page:

THOU couldst not look on me and live: so runs The mortal legend thou that couldst not live Nor look on me (so the divine decree)! That saw'st me in the cloud, the wave, the bough, The clod commoved with April, and the shapes Lurking 'twixt lid and eye ball in the dark. Mocked I thee not in every guise of life, Hid in girls' eyes, a naiad in her well, Wooed through their laughter, and like echo fled, Luring thee down the primal silences Where the heart hushes and the flesh is dumb? Nay, was not I the tide that drew thee out Relentlessly from the detaining shore, Forth from the home lights and the hailing voices, Forth from the last faint headland's failing line, Till I enveloped thee from verge to verge And hid thee in the hollow of my being? And still, because between us hung the veil, The myriad tinted veil of sense, thy feet Refused their rest, thy hands the gifts of life, Thy heart its losses, lest some lesser face Should blur mine image in thine upturned soul Ere death had stamped it there... Continue reading book >>