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By: Alfred Russel Wallace (1823-1913) | |
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![]() In 1907 Wallace wrote the short book Is Mars Habitable? to criticize the claims made by Percival Lowell that there were Martian canals built by intelligent beings. Wallace did months of research, consulted various experts, and produced his own scientific analysis of the Martian climate and atmospheric conditions. Among other things Wallace pointed out that spectroscopic analysis had shown no signs of water vapor in the Martian atmosphere, that Lowell’s analysis of Mars’ climate was seriously flawed and badly overestimated the surface temperature, and that low atmospheric pressure would make liquid water, let alone a planet girding irrigation system, impossible. | |
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By: Brooks Adams (1848-1927) | |
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![]() Brooks Adams (1848- 1927), was an American historian and a critic of capitalism. He believed that commercial civilizations rise and fall in predictable cycles. First, masses of people draw together in large population centers and engage in commercial activities. As their desire for wealth grows, they discard spiritual and creative values. Their greed leads to distrust and dishonesty, and eventually the society crumbles. In The Law of Civilisation and Decay (1895), Adams noted that as new population centers emerged in the west, centers of world trade shifted from Constantinople to Venice to Amsterdam to London... | |
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By: Fanny Dickerson Bergen (1846-1924) | |
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![]() No matter how enlightened, chances are you’ve been raised around superstitious lore of one kind or another. Fanny Dickerson Bergen was one of the original researchers of North American oral traditions relating to such key life events and experiences as babyhood and childhood, marriage, wishes and dreams, luck, warts and cures, death omens and mortuary customs, and “such truck,” as Huck Finn would say. You’ll be surprised at how many of these old saws you’ll know. Here’s a quote from... |
By: Carl Sandburg (1878-1967) | |
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![]() Carl Sandburg is beloved by generations of children for his Rootabaga Stories and Rootabaga Pigeons (which is not in the public domain), a series of whimsical, sometimes melancholy stories he originally created for his own daughters. The Rootabaga Stories were born of Sandburg’s desire for “American fairy tales” to match American childhood. He felt that the European stories involving royalty and knights were inappropriate, and so populated his stories with animals, skyscrapers, trains, corn fairies, and other colorful characters. |
By: Dale Carnegie (1888-1955) | |
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![]() A great start to shaking off public speaking jitters, socializing and mastering the art of small talk. The principles of public speaking written by Dale Carnegie decades ago in this book are timeless. They are just as effective in working a crowd in today’s society as they were back then. He delves into ways of commanding and charming an audience with the right energy, tone of voice, pitch, pronunciation and vocabulary. Armed with the principles highlighted in this book, you can do more than convey a message to a group of people, you can move them... |
By: Ernest Bramah (1868-1942) | |
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![]() Ernest Bramah is mainly known for his ‘Kai Lung’ books – Dorothy L Sayers often used quotes from them for her chapter headings. In his lifetime however he was equally well known for his detective stories. Since Sherlock Holmes we have had French detectives, Belgian detectives, aristocratic detectives, royal detectives, ecclesiastical detectives, drunken detectives and even a (very) few quite normal happily married detectives. Max Carrados was however probably the first blind detective. | |
![]() Max Carrados is a blind detective who has developed his own remaining senses to a superior level and who has enlisted the superior observations skills of his butler to fill in for any deficiency of his own. His visual deficiency is no obstacle to solving the most difficult cases. As with some better known sleuths, Mr. Carrados' feats amaze, entertain and satisfy. | |
![]() The Wallet of Kai Lung is a collection of fantasy stories by Ernest Bramah, all but the last of which feature Kai Lung, an itinerant story-teller of ancient China. The collection's importance in the history of fantasy literature was recognized by the anthologization of two of its tales in the celebrated Ballantine Adult Fantasy Series. | |
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By: Mary Godolphin (1781-1864) | |
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![]() Mary Godolphin was the pseudonym of Lucy Aikin who undertook translating great literature into single-syllable words so that young readers could enjoy plots that were considerably more interesting than, say, the McGuffey readers of the 1880’s or the “Dick and Jane” primers of the 1950s (still around today as “decodable readers” in elementary schools). She produced this volume based on Daniel Defoe’s most famous work, considered by many to be the first English novel (1719). She also rendered Bunyan’s Pilgrim’s Progress and Wyss’ Swiss Family Robinson, which she translated as well. |
By: Elizabeth E. Lea (1793-1858) | |
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![]() The compiler of [this book] having entered early in life upon a train of duties, was frequently embarrassed by her ignorance of domestic affairs. For, whilst receipt books for elegant preparations were often seen, those connected with the ordinary, but far more useful part of household duties, were not easily procured; thus situated, she applied to persons of experience, and embodied the information collected in a book, to which, since years have matured her judgment, she has added much that is the result of her own experiments... |
By: Friedrich Nietzsche (1844-1900) | |
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![]() A collection of three of Nietzsche's writings concerning the music of Wagner. In particular, he relates Wagner's music as degenerate, unrefined and unintelligent and relates it to a gradually degenerating German culture and society. The translator provides a detailed introduction. |
By: Friedrich Wilhelm Nietzsche (1844-1900) | |
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By: Hilaire Belloc (1870-1953) | |
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![]() “It is, for that matter, self-evident that if one community decides in one fashion, another, also sovereign, in the opposite fashion, both cannot be right. Reasoning men have also protested, and justly, against the conception that what a majority in numbers, or even (what is more compelling still) a unanimity of decision in a community may order, may not only be wrong but may be something which that community has no authority to order since, though it possesses a civil and temporal authority, it acts against that ultimate authority which is its own consciousness of right... | |
![]() The Catholic brings to history (when I say "history" in these pages I mean the history of Christendom) self-knowledge. As a man in the confessional accuses himself of what he knows to be true and what other people cannot judge, so a Catholic, talking of the united European civilization, when he blames it, blames it for motives and for acts which are his own. He himself could have done those things in person. He is not relatively right in his blame, he is absolutely right. As a man can testify to his own motive so can the Catholic testify to unjust, irrelevant, or ignorant conceptions of the European story; for he knows why and how it proceeded... | |
![]() “When a man weighs anchor in a little ship or a large one he does a jolly thing! He cuts himself off and he starts for freedom and for the chance of things. He pulls the jib a-weather, he leans to her slowly pulling round, he sees the wind getting into the mainsail, and he feels that she feels the helm. He has her on a slant of the wind, and he makes out between the harbour piers.” (quotation from Hilaire Belloc) | |
![]() “Now that story is a symbol, and tells the truth. We see some one thing in this world, and suddenly it becomes particular and sacramental; a woman and a child, a man at evening, a troop of soldiers; we hear notes of music, we smell the smell that went with a passed time, or we discover after the long night a shaft of light upon the tops of the hills at morning: there is a resurrection, and we are refreshed and renewed.” – Hilaire Belloc | |
![]() “I knew a man once, Maurice, who was at Oxford for three years, and after that went down with no degree. At College, while his friends were seeking for Truth in funny brown German Philosophies, Sham Religions, stinking bottles and identical equations, he was lying on his back in Eynsham meadows thinking of Nothing, and got the Truth by this parallel road of his much more quickly than did they by theirs; for the asses are still seeking, mildly disputing, and, in a cultivated manner, following the... | |
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![]() I propose to discuss in what follows the evil of the great modern Capitalist Press, its function in vitiating and misinforming opinion and in putting power into ignoble hands; its correction by the formation of small independent organs, and the probably increasing effect of these last. (Introduction by Hilaire Belloc) | |
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By: Ida Laura Pfeiffer | |
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![]() Ida Pfeiffer travelled alone in an era when women didn’t travel. She went first on a pilgrimage to the Holy Land, then went on to Egypt and Italy. Understanding the difficulties a woman would face travelling alone and on a budget, she made a will before she left. Go she did, however; and upon her return she wrote this book. She used the proceeds to finance her next trip – six months in Iceland. |
By: L. Frank Baum (1856-1919) | |
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![]() The novel carries forward the continuing story of the three cousins Louise Merrick, Beth De Graf, and Patsy Doyle, and their circle. The title is somewhat misleading; it could more accurately have been called Aunt Jane's Nieces in Politics. (Uncle John Merrick tells his nieces that politics is "work," which yields the title.)The story begins three days after the end of the previous book, Aunt Jane's Nieces at Millville; the freckled and red-haired Patsy still sports a sunburn from her summer in the Adirondacks... | |
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![]() After visiting Louise, Arthur and Toodlums at their ranch in Southern California, Beth and Patsy, together with Uncle John, decide to spend the winter at an hotel in the little village of Hollywood, where they get drawn into the new motion picture industry. New friends, adventures and mysteries await. | |
![]() This is another "TWINKLE TALE" from Mr. Baum (written under the pen name Laura Bancroft) and celebrates the further adventures of Twinkle and Chubbins as they magically become child-larks and live the exciting, and often dangerous, life of birds in the forest. |