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By: Elizabeth E. Lea (1793-1858) | |
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![]() The compiler of [this book] having entered early in life upon a train of duties, was frequently embarrassed by her ignorance of domestic affairs. For, whilst receipt books for elegant preparations were often seen, those connected with the ordinary, but far more useful part of household duties, were not easily procured; thus situated, she applied to persons of experience, and embodied the information collected in a book, to which, since years have matured her judgment, she has added much that is the result of her own experiments... |
By: Friedrich Nietzsche (1844-1900) | |
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![]() A collection of three of Nietzsche's writings concerning the music of Wagner. In particular, he relates Wagner's music as degenerate, unrefined and unintelligent and relates it to a gradually degenerating German culture and society. The translator provides a detailed introduction. |
By: Friedrich Wilhelm Nietzsche (1844-1900) | |
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By: Hilaire Belloc (1870-1953) | |
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![]() “It is, for that matter, self-evident that if one community decides in one fashion, another, also sovereign, in the opposite fashion, both cannot be right. Reasoning men have also protested, and justly, against the conception that what a majority in numbers, or even (what is more compelling still) a unanimity of decision in a community may order, may not only be wrong but may be something which that community has no authority to order since, though it possesses a civil and temporal authority, it acts against that ultimate authority which is its own consciousness of right... | |
![]() The Catholic brings to history (when I say "history" in these pages I mean the history of Christendom) self-knowledge. As a man in the confessional accuses himself of what he knows to be true and what other people cannot judge, so a Catholic, talking of the united European civilization, when he blames it, blames it for motives and for acts which are his own. He himself could have done those things in person. He is not relatively right in his blame, he is absolutely right. As a man can testify to his own motive so can the Catholic testify to unjust, irrelevant, or ignorant conceptions of the European story; for he knows why and how it proceeded... | |
![]() “When a man weighs anchor in a little ship or a large one he does a jolly thing! He cuts himself off and he starts for freedom and for the chance of things. He pulls the jib a-weather, he leans to her slowly pulling round, he sees the wind getting into the mainsail, and he feels that she feels the helm. He has her on a slant of the wind, and he makes out between the harbour piers.” (quotation from Hilaire Belloc) | |
![]() “Now that story is a symbol, and tells the truth. We see some one thing in this world, and suddenly it becomes particular and sacramental; a woman and a child, a man at evening, a troop of soldiers; we hear notes of music, we smell the smell that went with a passed time, or we discover after the long night a shaft of light upon the tops of the hills at morning: there is a resurrection, and we are refreshed and renewed.” – Hilaire Belloc | |
![]() “I knew a man once, Maurice, who was at Oxford for three years, and after that went down with no degree. At College, while his friends were seeking for Truth in funny brown German Philosophies, Sham Religions, stinking bottles and identical equations, he was lying on his back in Eynsham meadows thinking of Nothing, and got the Truth by this parallel road of his much more quickly than did they by theirs; for the asses are still seeking, mildly disputing, and, in a cultivated manner, following the... | |
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![]() I propose to discuss in what follows the evil of the great modern Capitalist Press, its function in vitiating and misinforming opinion and in putting power into ignoble hands; its correction by the formation of small independent organs, and the probably increasing effect of these last. (Introduction by Hilaire Belloc) | |
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By: Ida Laura Pfeiffer | |
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![]() Ida Pfeiffer travelled alone in an era when women didn’t travel. She went first on a pilgrimage to the Holy Land, then went on to Egypt and Italy. Understanding the difficulties a woman would face travelling alone and on a budget, she made a will before she left. Go she did, however; and upon her return she wrote this book. She used the proceeds to finance her next trip – six months in Iceland. |
By: L. Frank Baum (1856-1919) | |
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![]() The novel carries forward the continuing story of the three cousins Louise Merrick, Beth De Graf, and Patsy Doyle, and their circle. The title is somewhat misleading; it could more accurately have been called Aunt Jane's Nieces in Politics. (Uncle John Merrick tells his nieces that politics is "work," which yields the title.)The story begins three days after the end of the previous book, Aunt Jane's Nieces at Millville; the freckled and red-haired Patsy still sports a sunburn from her summer in the Adirondacks... | |
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![]() After visiting Louise, Arthur and Toodlums at their ranch in Southern California, Beth and Patsy, together with Uncle John, decide to spend the winter at an hotel in the little village of Hollywood, where they get drawn into the new motion picture industry. New friends, adventures and mysteries await. | |
![]() This is another "TWINKLE TALE" from Mr. Baum (written under the pen name Laura Bancroft) and celebrates the further adventures of Twinkle and Chubbins as they magically become child-larks and live the exciting, and often dangerous, life of birds in the forest. |