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By: George MacDonald (1824-1905) | |
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![]() George MacDonald, a Scottish pastor, wrote these short poems, one for each day of the year, to help him with the severer misfortune he was experiencing. The poems are filled with hope and promises of Christ, yet, he also writes about his doubts. These poems are wonderful to listen to for people of any religion. |
By: Jean de La Fontaine (1621-1695) | |
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![]() Several of La Fontaine’s fables, translated into English by W. T. Larned. | |
![]() LibriVox volunteers bring you 8 recordings of The Old Man and the Ass by Jean de La Fontaine. (There was no translator acknowledged in the text.) This was the Weekly Poetry project for July 7, 2013.Jean de La Fontaine was the most famous French fabulist and one of the most widely read French poets of the 17th century. He is known above all for his Fables, which provided a model for subsequent fabulists across Europe and numerous alternative versions in France, and in French regional languages.According to Flaubert, he was the only French poet to understand and master the texture of the French language before Hugo... | |
By: Walt Whitman (1819-1892) | |
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![]() Nearly 160 years after it was first published, Walt Whitman's Leaves of Grass continues to inspire, enthrall and educate generations of readers. This collection of poems serves as a vehicle for Whitman's philosophy, ideals, love of nature and mystical musings and it subsequently became one of the corner stones of American literature. Whitman was inspired to write Leaves of Grass based on Ralph Waldo Emerson's clarion call for a truly American poet who would tell of its glories, virtues and vices... | |
![]() Specimen Days is essentially the great American poet Walt Whitman’s scrap book. It documents most of his life’s adventures, espeically his experience serving as a nurse during the Civil War and travelling around America. | |
![]() This Weekly Poem is an excerpt from Song of the Broad-axe (4th Stanza) by Walt Whitman, who was an American poet, essayist and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse. |
By: Edith Nesbit (1858-1924) | |
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![]() A light and whimsical collection of poems by the celebrated children’s author E Nesbit, in collaboration with Saretta Nesbit. | |
![]() E. Nesbit (Edith Bland) was a prodigious 19th century children’s writer who produced over 60 books of fiction for children. This book of poems has many elements which would appeal to children but there’s also some exploration of her feelings of love, lust and longing which your average 10 year old would find downright yucky. There are also moments of joy, moments of sugary sweetness and moments of sharp insight in this collection which contains views from many angles. Recurring themes of love, death, gardens and fairies give us a fine insight into the lively imagination of E. Nesbit. Summary by Jim Mowatt. |
By: William Blake (1757-1827) | |
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![]() “Tiger, tiger, burning bright/In the forests of the night/ What immortal hand or eye/ Could frame thy fearful symmetry?” These often quoted lines are part of The Tiger in William Blake's Songs of Innocence and Experience. In 1789, William Blake released a limited edition of the book. Being a gifted artist, poet and printmaker, he undertook to personally publish all his work himself through a very painstaking but highly artistic process of etching, thereby transferring his drawings and poems individually onto copper plates by hand... | |
![]() Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul are two books of poetry by the English poet and painter, William Blake. Although Songs of Innocence was first published by itself in 1789, it is believed that Songs of Experience has always been published in conjunction with Innocence since its completion in 1794. Songs of Innocence mainly consists of poems describing the innocence and joy of the natural world, advocating free love and a closer relationship with God, and most famously including Blake’s poem The Lamb... |
By: George Eliot (1819-1880) | |
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By: Stephen Crane (1871-1900) | |
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![]() Published in 1899, just a year before his death, War Is Kind by Stephen Crane evokes again the dark imagery of war which made his fortune in The Red Badge Of Courage. Unlike that book, this collection leaves the battlefield itself behind to explore the damage war does to people’s hearts and minds. Reeking of dashed hopes, simultaneously sympathetic with the victims of war and cynical about the purposes of war, Crane implicitly criticizes the image of the romantic hero and asks if Love can survive... |
By: Plato (428-347) | |
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![]() The Symposium (Ancient Greek: Συμπόσιον) is a philosophical book written by Plato sometime after 385 BCE. On one level the book deals with the genealogy, nature and purpose of love, on another level the book deals with the topic of knowledge, specifically how does one know what one knows. The topic of love is taken up in the form of a group of speeches, given by a group of men at a symposium or a wine drinking party at the house of the tragedian Agathon at Athens. Plato constructed the Symposium as a story within a story within a story... |
By: James Baldwin (1841-1925) | |
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By: John Milton (1608-1674) | |
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![]() Paradise Regained is a poem by the 17th century English poet John Milton, published in 1671. It is connected by name to his earlier and more famous epic poem Paradise Lost, with which it shares similar theological themes. Based on the Gospel of Luke’s version of the Temptation of Christ, Paradise Regained is more thoughtful in writing style, and thrives upon the imagery of Jesus’ perfection in contrast to the shame of Satan. | |
![]() “The Sun to me is darkAnd silent as the Moon,When she deserts the nightHid in her vacant interlunar cave.”Milton composes his last extended work as a tragedy according to the classical Unities of Time, Place and Action. Nevertheless it “never was intended for the stage” and is here declaimed by a single reader.Samson the blinded captive, in company with the Chorus of friends and countrymen, receives his visitors on their varying missions and through them his violent story is vividly recalled... | |
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By: Johann Wolfgang von Goethe (1749-1832) | |
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![]() Johann Wolfgang von Goethe was a German writer and statesman. His body of work includes epic and lyric poetry written in a variety of metres and styles; prose and verse dramas; memoirs; an autobiography; literary and aesthetic criticism; treatises on botany, anatomy, and colour; and four novels. In addition, numerous literary and scientific fragments, more than 10,000 letters, and nearly 3,000 drawings by him are extant. | |
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By: Emily Dickinson | |
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![]() Renowned poet Emily Dickinson (1830 – 1886) wrote many many poems. This collection, “Poems: Series One”, presents the first installment of the complete poetic works of Miss Emily Dickinson. It is broken into four parts: Life, Love, Nature, and Time and Eternity. The verses of Emily Dickinson belong emphatically to what Emerson long since called “the Poetry of the Portfolio,”–something produced absolutely without the thought of publication, and solely by way of expression of the writer’s own mind. The poetry found here is then entirely honest, and indicative of the authors true feelings. | |
![]() "The eagerness with which the first volume of Emily Dickinson's poems has been read shows very clearly that all our alleged modern artificiality does not prevent a prompt appreciation of the qualities of directness and simplicity in approaching the greatest themes,—life and love and death. That "irresistible needle-touch," as one of her best critics has called it, piercing at once the very core of a thought, has found a response as wide and sympathetic as it has been unexpected even to those who knew best her compelling power. This second volume, while open to the same criticism as to form with its predecessor, shows also the same shining beauties." | |
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By: Andrew Lang (1844-1912) | |
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By: R. F. Murray (1863-1894) | |
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![]() Robert Fuller Murray was a Victorian poet. Although born in the United States, Murray lived most of his life in the United Kingdom, most notably in St Andrews, Scotland. He wrote two books of poetry and was published occasionally in periodicals. |
By: Andrew Lang (1844-1912) | |
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By: Wilhelm Busch (1832-1908) | |
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By: Margaret Sidney (1844-1924) | |
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By: Henry Wadsworth Longfellow | |
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![]() I sing the Song of Hiawatha,Brave of heart and strong of arm.Daughter’s son of old Nokomis,Fathered by the harsh West Wind. With its regular, beating rhythm, the Song of Hiawatha has often been parodied, but in truth, it is a powerful, emotional epic; a hero’s life, his loves and suffering. The legends and traditions of the North American Indian swirl together through the tale like a mountain stream, tumbling white over the rocks, and caressing the mossy tree roots. | |
![]() Evangeline is one of Longfellow’s most popular poems and was once a great favorite with the American people. For many years almost every school child studied this poem during the middle school years. Although the decline of the reputation of the once-idolized poet has also brought neglect to this classic, it is still a very touching and expertly written work of art. It is based upon the tragic expulsion of the French settlers from Acadia (located in the Canadian maritime provinces) during the French & Indian War (1754-1763)... |