Manfred is a dramatic poem in three acts by Lord Byron, and possibly a self confessional work. A noble, Manfred, is haunted by the memory of some unspeakable crime. In seeking for forgetfulness and oblivion, he wanders between his castle and the mountains. He has several encounters with the people who try to assist him, as well as spirits that rule nature and human destiny. The poem explores themes of morality, religion, guilt and the human condition.

Written late in his career, Byron's narrative poem The Island tells the famous story of the mutiny on board the Bounty, and follows the mutineers as they flee to a South Sea island, "their guilt-won Paradise."

Geography and Plays is a 1922 collection of Gertrude Stein's "word portraits," or stream-of-consciousness writings. These stream-of-consciousness experiments, rhythmical essays or "portraits", were designed to evoke "the excitingness of pure being" and can be seen as literature's answer to Cubism, plasticity, and collage. Although the book has been described as "a marvellous and painstaking achievement in setting down approximately 80,000 words which mean nothing at all," it is considered to be one of Stein's seminal works.

In 'The Swan Song' an aging actor reminisces about his life and the parts he's played. The piece takes a tragic look at ambition and the sacrifices that must be made in order to succeed. Chekhov’s ability to capture and explore human nature and experience is showcased here.

Nicolai (anglicised Nicholas in this translation) Ivanov, a middle-aged public servant, is unhappy. His wife Anna, disinherited by her family after converting from Judaism, is dying of tuberculosis. He is deeply in debt. And his best friend’s daughter is infatuated with him. Comedy and tragedy ensue in truly Chekhovian fashion. An example of the young Chekhov’s maturing style, Ivanov is an early harbinger of themes that would recur throughout his work.

August Strindberg’s naturalistic one-act drama has only three characters: Julie, a passionate young noblewoman; Jean, her father’s ambitious valet; and Kristin, the cook, who is also Jean’s fiancee. The play is set on Midsummer Eve, when everyone is reveling, and Julie and Jean get a bit too intimate – with tragic results.

Creditors is an 1889 tragicomedy by August Strindberg that plumbs the depths of the twisted triangular relationship between Tekla, her husband Adolph, and her ex-husband Gustav.

The Oresteia is a trilogy by Aeschylus, one of the foremost playwrights of ancient Greece. It encompasses three plays: Agamemnon, The Libation Bearers, and The Furies. It tells the tragic tale of the House of Atreus, whose inhabitants have been cursed and are doomed to play out their bloody, vengeful destinies. At the beginning of the first part, the Trojan War has ended and the Greek general, Agamemnon, is returning victorious to his wife Clytemnestra. Yet she finds it difficult to forgive his sacrifice of their daughter, Iphigenia, who was killed to ensure the Greek fleet fair winds in their voyage to Troy...

John Webster's bloody Jacobean tragedy exposes the decadence of the Italian court. The virtuous Duchess of Malfi, a young widow, secretly marries her steward Antonio, and is subsequently persecuted by her brothers: the sexually obsessed and eventually mad Ferdinand, and the corrupt Cardinal.

This tragedy is based on the mythological story of King Pentheus of Thebes and his mother Agave, and their punishment by the god Dionysus (who is Pentheus' cousin) for refusing to worship him.

Euripides' play follows the fates of the women of Troy after their city has been sacked, their husbands killed, and as their remaining families are about to be taken away as slaves. However, it begins first with the gods Athena and Poseidon discussing ways to punish the Greek armies because they condoned Ajax the Lesser for dragging Cassandra away from Athena's temple. What follows shows how much the Trojan women have suffered as their grief is compounded when the Greeks dole out additional deaths and divide their shares of women.

Volpone is a comedy by Ben Jonson first produced in 1606, drawing on elements of city comedy and beast fable. A merciless satire of greed and lust, it remains Jonson's most-performed play, and it is among the finest Jacobean Era comedies. Volpone is a Venetian gentleman who pretends to be on his deathbed, after a long illness, in order to dupe Voltore, Corbaccio, and Corvino, three men who aspire to inherit his fortune. In their turns, each man arrives to Volpone’s house bearing a luxurious gift, intent upon having his name inscribed to the will of Volpone, as his heir...