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By: G. K. Chesterton (1874-1936) | |
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Magic: A Fantastic Comedy |
By: Christopher Marlowe (1564-1593) | |
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The Tragical History of Doctor Faustus
The Tragical History of Doctor Faustus, normally known simply as Doctor Faustus, is a play by Christopher Marlowe, based on the Faust story, in which a man sells his soul to the devil for power and knowledge. Doctor Faustus was first published in 1604, eleven years after Marlowe's death and at least twelve years after the first performance of the play. | |
The Jew of Malta
Christopher “Kit” Marlowe (baptised 26 February 1564 – 30 May 1593) was an English dramatist, poet, and translator of the Elizabethan era. The foremost Elizabethan tragedian before William Shakespeare, he is known for his magnificent blank verse, his overreaching protagonists, and his own untimely death. The Jew of Malta (1589) is an original story of religious conflict, intrigue, and revenge, set against a backdrop of the struggle for supremacy between Spain and the Ottoman Empire in the Mediterranean... | |
Tamburlaine the Great
Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage... | |
Tragical History of Doctor Faustus (1616 version)
The Tragicall History of the Life and Death of Doctor Faustus, commonly referred to simply as Doctor Faustus, is a play by Christopher Marlowe, based on the Faust story, in which a man sells his soul to the devil for power and knowledge. Doctor Faustus was first published in 1604, eleven years after Marlowe's death and at least twelve years after the first performance of the play. "No Elizabethan play outside the Shakespeare canon has raised more controversy than Doctor Faustus. There is no agreement concerning the nature of the text and the date of composition... | |
Edward II
Christopher Marlowe's Elizabethan tragedy focuses on the downfall of King Edward II, whose love for his favorite courtier, Piers Gaveston, leads to rebellion. |
By: Oliver Optic (1822-1897) | |
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The Birthday Party, A Story For Little Folks
Flora Lee’s birthday came in July. Her mother wished very much to celebrate the occasion in a proper manner. Flora was a good girl, and her parents were always glad to do any thing they could to please her, and to increase her happiness. |
By: J. M. Barrie (1860-1937) | |
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Dear Brutus
At a house in the country 8 guests are invited to enter a magical wood to see what might have happened had they made a different choice in life. Even though they are warned away from the wood, they take a chance and enter. The title comes from Shakespeare: "The fault lies in our selves, dear Brutus, not in our stars...," and summarizes the theme of this play: given a second chance, will people still make the same mistakes? |
By: George Bernard Shaw | |
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Candida
Candida, a comedy by playwright George Bernard Shaw, was first published in 1898, as part of his Plays Pleasant. The central characters are clergyman James Morell, his wife Candida and a youthful poet, Eugene Marchbanks, who tries to win Candida's affections. The play questions Victorian notions of love and marriage, asking what a woman really desires from her husband. The cleric is a Fabian Socialist, allowing Shaw—himself a Fabian—to weave political issues, current at the time, into the story. | |
Major Barbara
George Bernard Shaw's Major Barbara focuses on the family of aristocratic Lady Britomart Undershaft and her estranged husband Andrew, a millionaire armaments manufacturer. Their daughters Sarah and Barbara are both engaged to be married, and Lady Britomart decides to ask Andrew for monetary support. Barbara is a Major in the Salvation Army, and agrees to let her father visit the mission in the East End of London where she works. In exchange, she agrees to visit his munitions factory. The conflict between Barbara's philanthropic idealism and her father's hard-headed capitalism clash when he decides he wants to fund the Salvation Army... | |
Don Juan in Hell
Don Juan in Hell is an excerpt (Act 3, Scene 2) from George Bernard Shaw’s Man and Superman. It is often performed as a stand-alone play. In it, three characters from Mozart’s Don Giovanni (Don Juan, Dona Ana, and the statue of the Commendatore, Dona Ana’s father) meet in Hell and, joined by the Devil, have a philosophical debate on a variety of subjects, including Heaven and Hell, men, women and marriage. In the end, they all decide where they will spend eternity. | |
Heartbreak House
On the eve of World War I, Ellie Dunn, her father, and her fiancé are invited to one of Hesione Hushabye’s infamous dinner parties. Unfortunately, her fiancé is a scoundrel, her father’s a bumbling prig, and she’s actually in love with Hector, Hesione’s husband. This bold mix of farce and tragedy lampoons British society as it blithely sinks towards disaster. | |
Caesar and Cleopatra |
By: Lord George Gordon Byron (1788-1824) | |
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Manfred
Manfred is a dramatic poem in three acts by Lord Byron, and possibly a self confessional work. A noble, Manfred, is haunted by the memory of some unspeakable crime. In seeking for forgetfulness and oblivion, he wanders between his castle and the mountains. He has several encounters with the people who try to assist him, as well as spirits that rule nature and human destiny. The poem explores themes of morality, religion, guilt and the human condition. | |
The Island
Written late in his career, Byron's narrative poem The Island tells the famous story of the mutiny on board the Bounty, and follows the mutineers as they flee to a South Sea island, "their guilt-won Paradise." |
By: Gertrude Stein (1874-1946) | |
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Geography and Plays
Geography and Plays is a 1922 collection of Gertrude Stein's "word portraits," or stream-of-consciousness writings. These stream-of-consciousness experiments, rhythmical essays or "portraits", were designed to evoke "the excitingness of pure being" and can be seen as literature's answer to Cubism, plasticity, and collage. Although the book has been described as "a marvellous and painstaking achievement in setting down approximately 80,000 words which mean nothing at all," it is considered to be one of Stein's seminal works. |
By: Anton Chekhov (1860-1904) | |
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Swan Song
In 'The Swan Song' an aging actor reminisces about his life and the parts he's played. The piece takes a tragic look at ambition and the sacrifices that must be made in order to succeed. Chekhov’s ability to capture and explore human nature and experience is showcased here. | |
Ivanov
Nicolai (anglicised Nicholas in this translation) Ivanov, a middle-aged public servant, is unhappy. His wife Anna, disinherited by her family after converting from Judaism, is dying of tuberculosis. He is deeply in debt. And his best friend’s daughter is infatuated with him. Comedy and tragedy ensue in truly Chekhovian fashion. An example of the young Chekhov’s maturing style, Ivanov is an early harbinger of themes that would recur throughout his work. |
By: August Strindberg (1849-1912) | |
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Countess Julie
August Strindberg’s naturalistic one-act drama has only three characters: Julie, a passionate young noblewoman; Jean, her father’s ambitious valet; and Kristin, the cook, who is also Jean’s fiancee. The play is set on Midsummer Eve, when everyone is reveling, and Julie and Jean get a bit too intimate – with tragic results. | |
Creditors
Creditors is an 1889 tragicomedy by August Strindberg that plumbs the depths of the twisted triangular relationship between Tekla, her husband Adolph, and her ex-husband Gustav. |
By: Robert Browning (1812-1889) | |
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Pippa Passes
Pippa Passes was a dramatic piece, as much play as poetry, by Robert Browning published in 1841 as the first volume of his Bells and Pomegranates series. The author described the work as the first of a series of dramatic pieces. His original idea was of a young, innocent girl, moving unblemished through the crime-ridden neighbourhoods of Asolo. The work caused outrage when it was first published, due to the matter-of-fact portrayals of many of the area’s more disreputable characters – notably the adulterous Ottima – and for its frankness on sexual matters... |
By: Aeschylus (525/524 BC - c. 455/456 BC) | |
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The Oresteia
The Oresteia is a trilogy by Aeschylus, one of the foremost playwrights of ancient Greece. It encompasses three plays: Agamemnon, The Libation Bearers, and The Furies. It tells the tragic tale of the House of Atreus, whose inhabitants have been cursed and are doomed to play out their bloody, vengeful destinies. At the beginning of the first part, the Trojan War has ended and the Greek general, Agamemnon, is returning victorious to his wife Clytemnestra. Yet she finds it difficult to forgive his sacrifice of their daughter, Iphigenia, who was killed to ensure the Greek fleet fair winds in their voyage to Troy... |
By: John Webster (c.1580 - c.1634) | |
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The Duchess of Malfi
John Webster's bloody Jacobean tragedy exposes the decadence of the Italian court. The virtuous Duchess of Malfi, a young widow, secretly marries her steward Antonio, and is subsequently persecuted by her brothers: the sexually obsessed and eventually mad Ferdinand, and the corrupt Cardinal. |
By: Euripides (480-406 BC) | |
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The Bacchae
This tragedy is based on the mythological story of King Pentheus of Thebes and his mother Agave, and their punishment by the god Dionysus (who is Pentheus' cousin) for refusing to worship him. | |
The Trojan Women
Euripides' play follows the fates of the women of Troy after their city has been sacked, their husbands killed, and as their remaining families are about to be taken away as slaves. However, it begins first with the gods Athena and Poseidon discussing ways to punish the Greek armies because they condoned Ajax the Lesser for dragging Cassandra away from Athena's temple. What follows shows how much the Trojan women have suffered as their grief is compounded when the Greeks dole out additional deaths and divide their shares of women. |
By: Ben Jonson (1572-1637) | |
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Volpone, or, The Fox
Volpone is a comedy by Ben Jonson first produced in 1606, drawing on elements of city comedy and beast fable. A merciless satire of greed and lust, it remains Jonson's most-performed play, and it is among the finest Jacobean Era comedies. Volpone is a Venetian gentleman who pretends to be on his deathbed, after a long illness, in order to dupe Voltore, Corbaccio, and Corvino, three men who aspire to inherit his fortune. In their turns, each man arrives to Volpone’s house bearing a luxurious gift, intent upon having his name inscribed to the will of Volpone, as his heir... |
By: Susan Glaspell (1876-1948) | |
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Trifles
On the surface, this short play is a slice-of-life story about a murder investigation in the rural United States. However, it is also a story about the relationships between men and women, husbands and wives, and the often-overlooked "trifles" which can say so much about a person's life. |
By: Edmond Rostand (1868-1918) | |
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Cyrano de Bergerac
One of the most beloved French plays of all time, Cyrano de Bergerac is a clever and tragic tale of truth concealed and love denied. Its titular character is a proud, daring swordsman and genius poet who has one terrible flaw: an abnormally large nose. Too afraid of rejection to confess his love for the beautiful Roxane, Cyrano helps her brainless but handsome suitor Christian to woo her, providing him with love letters while resolutely keeping his own passion a secret. |
By: Richard Brinsley Sheridan (1751-1816) | |
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The Rivals
The play is set in Bath in the 18th century, a town legendary for conspicuous consumption and fashion at the time. Wealthy, fashionable people went there to "take the waters", which were believed to have healing properties. The plot centres on the two young lovers, Lydia and Jack. Lydia, who reads a lot of popular novels of the time, wants a purely romantic love affair. To court her, Jack pretends to be "Ensign Beverley", a poor officer. Lydia is enthralled with the idea of eloping with a poor soldier in spite of her guardian, Mrs... | |
School For Scandal
Richard Brinsley Sheridan's comedy was first performed in 1777 and focuses on the intrigues and scandals of the British upper classes. Lady Sneerwell wants to marry Charles Surface, while Joseph Surface wants to marry Maria, an heiress and ward of Sir Peter Teazle. Maria, however, prefers Charles over Joseph. In order to detach her from Charles, Lady Sneerwell and Joseph spread rumors about an affair between Charles and Lady Teazle, Sir Peter's new young wife. Meanwhile, Sir Oliver Surface, newly returned from the East Indies, assumes various disguises to test his nephews' characters. Misunderstandings, mistaken identities, gossip, and bad behavior abound in this uproarious comedy. |
By: Aristophanes (446BC - 385BC) | |
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Lysistrata
Lysistrata read by the Classics Drama Company at DePaul. The Classics Drama Company at DePaul is a new gathering of Thespians and Classicists dedicated to performing and understanding ancient literature. If you live in Chicago and attend DePaul University, we welcome new additions to our group. Contact Dr. Kirk Shellko (kshellko@depaul.edu), if interested.First performed in classical Athens c. 411 B.C.E., Aristophanes’ Lysistrata is the original battle of the sexes. One woman, Lysistrata, brings together the women of all Greece, exhorting them to withhold sexual contact from all men in order that they negotiate a treaty... |
By: Gilbert Parker (1862-1932) | |
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Seats of The Mighty |