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By: Thomas Mann (1875-1955) | |
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![]() When Thomas Mann was awarded the Nobel Prize in Literature , the citation made special mention of his first novel, “Buddenbrooks,” published in 1901, describing it as “the first great novel of the 20th century.” Events in the novel center on the Buddenbrook family, bourgeois owners of a wholesale grain enterprise in the northern German city of Lübeck. We follow four generations of Buddenbrooks through the middle decades of the 19th century. The novel is subtitled “The Decline of a Family... |
By: BS Murthy | |
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![]() The spiritual ethos and the philosophical outlook that the Bhagvad - Gita postulates paves the way for the liberation of man, who, as Rousseau said, ‘being born free, is everywhere in chains’. But equally it is a mirror of human psychology, which enables man to discern his debilities for appropriate redressal. All the same, the boon of an oral tradition that kept it alive for over two millennia became its bane with the proliferation of interpolations therein. Besides muddying its pristine philosophy, these insertions affect the sequential conformity and structural economy of the grand discourse... |
By: George Bernard Shaw (1856-1950) | |
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![]() InThis is an essay providing an extended analysis of the works of Norwegian playwright Henrik Ibsen and of Ibsen's critical reception in England. Shaw uses this "exposition of Ibsenism" to illustrate the imperfections of British society, using the idea of an imaginary "community of a thousand persons," divided into three categories: Philistines, Idealists, and the lone Realist. The main discussion revolves around Ibsen's recurring topic of the strong character holding out against social hypocrisy, while stating in his essay's final sentence that the quintessence of Ibsenism is that "there is no formula." ( Michele Eaton) | |
By: Clement Shorter (1857-1926) | |
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![]() Victorian Literature by Clement Shorter is a brief work that gives a good introduction to many of the important writers, historians, and critics of the Victorian era. Presented as a "gathering up (of) a few impressions of pleasant reading hours", this little book is sure to delight any one with an interest in this most fascinating of literary periods. |
By: William Blake (1757-1827) | |
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![]() The work was composed between 1790 and 1793, in the period of radical foment and political conflict immediately after the French Revolution. The title is an ironic reference to Emanuel Swedenborg's theological work Heaven and Hell published in Latin 33 years earlier. Swedenborg is directly cited and criticized by Blake several places in the Marriage. Though Blake was influenced by his grand and mystical cosmic conception, Swedenborg's conventional moral structures and his Manichean view of good... |
By: John Wesley (1703-1791) | |
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![]() John Wesley, along with his brother Charles, are credited with founding the Methodist denomination. "The following Sermons contain the substance of what I have been preaching for between eight and nine years last past. Every serious man who peruses these, will therefore see, in the clearest manner, what these doctrines are which I embrace and teach as the essentials of true religion." This first series contains sermons concerning the way to heaven. |
By: Mary Wollstonecraft Shelley (1797-1851) | |
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![]() A mentally unstable genius, Victor Frankenstein, inspired by the dreams of ancient alchemists and empowered by modern science, creates a humanoid but fails to nurture and educate it after it comes to life. It wanders alone into a hostile world, where fear of its size and ugliness subjects it to violence and ostracism, which in time it learns to blame upon its maker. As compensation for its suffering, it demands that he create a companion with whom to share its outcast life. Moved by the creature's account of its sufferings, the scientist agrees, but a long period of procrastination awakens doubts that ultimately cause him to break his promise... |
By: B. J. Farjeon (1838-1903) | |
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![]() Is a defense attorney bound to defend his client, or with his conscience, when he knows that the man he is defending is guilty of the charges against him after the trial has already commenced? And if friends hold a belief that he may have been aware of it before the trial commenced, yet they are endeared to the man and his family as upstanding and of the highest grade? Might it not become cause for blackmail, and therefore potential retribution? "The House of White Shadows" brings these issues to the forefront, while the reader learns of the background of the advocate, his family history, and the house in question... |
By: Omar Khayyám (1048-1131) | |
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![]() Justin Huntly McCarthy (1859 - 1936) was an Irish scholar, author and nationalist politician. In 1889 his prose translations of 466 quatrains of the Rubáiyát of Omar Khayyám was published by David Nutt. An abbreviated edition, containing a shorter introduction and translations of 373 quatrains, was published by David Nutt in 1898, and this has been used for the present recording. |
By: Henry james (1843-1916) | |
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![]() Rich and beautiful American girls heading to England to find themselves noble titles through marriage, and using their New World wealth to prop up the waning strength of the aristocracy, was almost a staple of late Victorian literature. "The Buccaneers," Edith Wharton called them, and their day is not over yet (think of Downton Abbey's Earl of Grantham, and his American heiress countess). In Lady Barbarina, however, Henry James explores the obverse of this old tale: what if the wealth is in the hands... |
By: James Elroy Flecker (1884-1915) | |
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![]() Best remembered for his poetry, James Elroy Flecker was also a playwright, novelist and prose writer. This collection of his idiosyncratic prose writings includes The Last Generation (a short science fiction story), short sketches, a dialogue, and several critical studies. |
By: Christina Rossetti (1830-1894) | |
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![]() Maude is a novella by Christina Rossetti, written in 1850 but published posthumously in 1897. Considered by scholars to be semi-autobiographical, the protagonist is 15-year-old Maude Foster, a quiet and serious girl who writes poetry that explores the tensions between religious devotion and worldly desires. The text includes several of Rossetti's early verses, which were later published as part of her collections of poetry. |
By: George Bernard Shaw (1856-1950) | |
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![]() Love Among the Artists was published in the United States in 1900 and in England in 1914, but it was written in 1881. In the ambience of chit-chat and frivolity among members of Victorian polite society a youthful Shaw describes his views on the arts, romantic love and the practicalities of matrimony. Dilettantes, he thinks, can love and settle down to marriage, but artists with real genius are too consumed by their work to fit that pattern. The dominant figure in the novel is Owen Jack, a musical genius, somewhat mad and quite bereft of social graces... |
By: John Wesley (1703-1791) | |
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![]() John Wesley, along with his brother Charles, are credited with founding the Methodist denomination. "The following Sermons contain the substance of what I have been preaching for between eight and nine years last past. Every serious man who peruses these, will therefore see, in the clearest manner, what these doctrines are which I embrace and teach as the essentials of true religion." This second series contains sermons concerning important Christian doctrines and practices. |
By: Florence Roma Muir Wilson (1891-1930) | |
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![]() A weary survivor of the Great War, Major Rane Smith wanders in a great ennui amidst the mystical beauties of the fjords of Norway after the War, seeking a spiritual renewal. Deep in the forest he stumbles fatefully upon the strange, almost elvish home of Karl Ingman, an iconoclastic old Ibsen scholar. There Major Smith meets Ingman's two beautiful young daughters and his eldritch wife Rosa, entering into long days of profound dialogue with each member of the family. A rare and exquisite gem of... | |
![]() Another remarkable World War I novel by Romer Wilson, "If All These Young Men" is a character study of a group of young 20-something friends in England dealing with the looming, grey presence of the War in their lives. The story begins on Good Friday 1918, and centers on Josephine Miller, a restless, strong-minded young woman who cannot tolerate trivialities or frivolities so long as the War goes on, and who agonizes over how to go on living in its shadow. The characters of Josephine and her friends... | |
![]() Romer Wilson's first novel is a study in the life of Genius, a theme that would preoccupy her throughout her life. The eponymous Martin Schüler is a young German composer of genius in the years leading up to the Great War. His great passion is to create one magnificent work that will live forever. With his passions so consumed in his art, he makes sacrifices in his human relationships, going through a series of wrenching, unequal love affairs. The novel is of interest not only for Schüler's lifelong struggle to reconcile his fleshly desires with his lust for fame, but also for the Continental setting as Europe falls toward catastrophe. |
By: Henry james (1843-1916) | |
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![]() What is a young man to do, when because of his pleasant disposition, and (of course) his considerable wealth, he finds himself besieged by bevies of eligible young women, some beautiful, some less so (some, even, his own cousins)? How on earth is he to protect himself from their onslaught and that of their mothers? |
By: Nikolai Chernyshevsky (1828-1889) | |
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![]() Despised by Dostoyevsky and Tolstoy, What Is To Be Done? is a fascinating, sympathetic story of idealistic revolutionaries in mid-nineteenth century tsarist Russia; translator Nathan Haskell Dole affirms in his preface his conviction that it is a thriller that no one can put down once s/he begins it. Its variegated cast of characters includes Vera Pavlovna, a boldly independent woman in a time of great oppression, and the inspirational radical Rakhmetov. The author wrote the novel from the depths of the infamous Peter & Paul Fortress of St... |
By: Henry james (1843-1916) | |
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![]() Princess Casamassima can be read on several levels: first, as a political and social novel, exploring the anarchistic and revolutionary underground of London in the 1880s; secondly as a psychological study of such a movement on a young man (the protagonist, Hyacinth Robinson) who may or may not be descended from the aristocracy, but whose artistic nature shines out in the midst of the London slums; and thirdly, as an examination of the conundrum whether the world of art and culture is necessarily built on the abject poverty of others... |
By: Alexandre Dumas (1802-1870) | |
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![]() Part local legend of a dark and dangerous Wolf-Leader, part childhood memories of his home near Villers-Cotterets, in Aisne, Dumas here penned a chilling supernaturlal encounter between man and the devil. Our hero, Thibault the shoemaker, is beaten on the orders of the Lord of Vez for hunting in the lord's forest. With Thibault's resentment at his treatment by the world at its height, the devil sees his chance and, in the guise of a wolf, proposes a deal which Thibault accepts; the ever available trade of one's soul for evil power... |
By: Anton Chekhov (1860-1904) | |
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![]() Little Yegorushka goes off to school for the first time, setting out on the journey in the company of his Uncle Ivan, the local priest Father Christopher, and the fun-loving servant Deniska. Along the way they meet an extraordinarily colorful array of characters, named and nameless: the innkeeper Moisey Moisevitch, the beautiful Countess Dranitsky, the mysterious Varlamov, Emelyan the voiceless singer, Tit the steppe waif, and many more. But the most colorful and extraordinary character of all is the Steppe itself in every mood and weather, painted stroke-by-masterly-stroke by Chekhov in all its wild, musical, redolent, flowering, chirruping, infuriating exuberance. (Expatriate) | |
![]() Laptev, the rich but unattractive scion of a merchant, renounces his independent-minded, intelligent, devoted, but equally unattractive mistress Polina in order to marry the beautiful young gold-digger Yulia. Their life together quickly deteriorates into a loveless agony, Laptev seeking some sort of meaning in his life while Yulia whiles away her youth with the sparkling young Moscow social scene. The compelling question of the story is whether or not Laptev and Yulia can redeem something of lasting value from what seems to be a hopelessly empty relationship... |
By: D. H. Lawrence (1885-1930) | |
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![]() Lawrence summarised the plot of Sons and Lovers in a letter to Edward Garnett in 1912: “It follows this idea: a woman of character and refinement goes into the lower class, and has no satisfaction in her own life. She has had a passion for her husband, so her children are born of passion, and have heaps of vitality. But as her sons grow up she selects them as lovers — first the eldest, then the second. These sons are urged into life by their reciprocal love of their mother — urged on and on... |
By: Edmund Spenser (1552-1599) | |
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![]() While hunting, the boy Anchises stumbles upon Venus's forest retreat and is so kindly entertained by the goddess that he becomes the proud father of Aeneas, the hero of Vergil's Aeneid. The poem is an epyllion like Marlowe's "Hero and Leander" and Shakespeare's "Venus and Adonis," a short erotic poem with a mythological subject. The style is Spenserian, the stanzas rhyming ababbccc. When Brittain's Ida was published in 1628, the publisher ascribed it to Edmund Spenser. However, in 1926 Ethel Seaton discovered and published Fletcher's original manuscript, whose opening stanzas make clear that this is the work of Fletcher, who entitled it "Venus and Anchises." |
By: William Dean Howells (1837-1920) | |
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![]() Set in Florence's Anglo-American colony in the late 19th century, this is a romantic story of a middle-aged man, returning to the scene of his first but disappointed love twenty years earlier. The doings of Americans abroad were staples of the fictions of Henry James and Edith Wharton, but Howells’s view is rather different. As John Updike has said of it, “the felicity of the writing makes us pause in admiration….A midlife crisis has rarely been sketched in fiction with better humor, with gentler comedy and more gracious acceptance of life’s irrevocability.” ( Nicholas Clifford) |
By: May Sinclair (1863-1946) | |
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![]() Here are two gemlike novellas in one volume, written in May Sinclair’s clearest and cleverest prose and exploring the many ways in which a woman can be held captive, held back from the “intoxication of freedom.” In “The Cosmopolitan,” Frida Tancred is a wealthy heiress trapped by family obligation in a dismal provincial estate, hopelessly longing to see all the glories of the world and with no way of escape but the conventional one of marriage. In “Superseded,” spinsterish Miss Juliana Quincey has been teaching arithmetic in a London girls’ school for twenty-five years when she suddenly falls in love with a much younger man and begins to question the assumptions of her life... |
By: Henry Murger (1832-1861) | |
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![]() As much as any other work of literature, Henri Murger’s 1851 collection of witty sketches Scènes de la vie de bohème shaped the later romanticized image of the bohemian artist: independent, insouciant, exuberantly lustful, devoted to Art for Art’s sake no matter how cold and hungry the artist might be. Four young Parisian artists, Schaunard the composer, Marcel the painter, Rodolphe the poet, and Colline the philosopher, form an informal Bohemian alliance dedicated to Art and the joy of Life... |
By: (William) Winwood Reade (1838-1875) | |
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![]() For many nineteenth-century Christians, the new biological and geological discoveries of that era brought on severe crises of faith. Winwood Reade’s small epistolary novel “The Outcast” tells the story of a young man who sacrifices love and family and property for the sake of his conscience, which tells him that his lifelong beliefs cannot stand up to the heady revelations of the new science. Interestingly, the most crushing discovery for the anonymous letter-writer of this story is not simply that the Bible is not what he thought it was... |
By: Ivan Goncharov (1812-1891) | |
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![]() Alexander Fedoritch Adouev is the naïve, pampered son of Anna Pavlovna, a provincial landowner. He decides to go off to Saint Petersburg, not only to make his mark upon society but also to fulfill his two rosy romantic dreams of becoming a great writer and finding a great love. He is taken under the reluctant wing of his uncle, Piotr Ivanitch Adouev, a pragmatic, hard-headed businessman who scorns everything romantic and tries to cure Alexander Fedoritch of his sentimental, youthful illusions. The... |
By: Charles Dickens (1812-1870) | |
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![]() "This short collection of 6 selected scenes from "David Copperfield" were abridged and performed by Dickens himself during his American Tour of 1867 and 1868." |
By: Sir Harry Johnston (1858-1927) | |
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![]() Mrs. Warren's Daughter is a continuation, in novel form, of George Bernard Shaw's controversial play, Mrs. Warren's Profession. In the play, Vivie Warren, an emancipated young woman recently graduated from University, disavows her mother Kitty when she learns that Kitty's fortune comes from an ownership share in an international string of brothels, and that Kitty herself was once a prostitute. This novel, written by a world renowned botanist, explorer, and colonial administrator, follows Vivie's personal and political adventures through her involvement in the Suffragist movement and the years leading up to and during World War I. |