Phillis Wheatley was the first African-American to publish a book of poetry in 1773. Born in West Africa, she was sold into slavery at age seven, and bought by a wealthy Massachusetts family who taught her to read and write. Her extraordinary literary gifts led to the publication of her "Poems on Various Subjects, Religious and Moral," and to her eventual emancipation by her owners. Although some of the poems demonstrate an apparent acceptance of the racist values of the white slave-owning classes (which viewed Africans as savage), Wheatley's considerable talents simultaneously contradicted these stereotypes.

American author Fannie Caldwell, under pen name of Frances Little, tells the story of young Yuki San growing up in Japan circa early 1900s, and of her dreams of an American. (Introduction by Cheri Gardner)

This is a collection of poems by James Elroy Flecker.

Lovers' Vows (1798), a play by Elizabeth Inchbald arguably best known now for having been featured in Jane Austen's novel Mansfield Park (1814), is one of at least four adaptations of August von Kotzebue's Das Kind der Liebe (1780; literally "Child of Love," or "Natural Son," as it is often translated), all of which were published between 1798 and 1800. Inchbald's version is the only one to have been performed. Dealing as it does with sex outside marriage and illegitimate birth, Inchbald in the Preface to the published version declares herself to have been highly sensitive to the task of adapting the original German text for "an English audience...

This charming little book compiles together a number of recipes, set out in an easy to understand manner, along with a poetic story about the stages of bread production. This book was produced as a promotional for a flour production company called Pillsbury. This is a "modern" update compared to the original edition of the book. This version has exact oven temperature settings for each recipe included in a preface for the book, along with more precise suggestions for the baking time. The book has been written for children, however I am certain that adults could enjoy the book equally as much as a child would.

Mark Lemon had a natural talent for journalism and the stage, and, at twenty-six, retired from less congenial business to devote himself to the writing of plays. More than sixty of his melodramas, operettas and comedies were produced in London, whilst at the same time he was contributing to a wide variety of magazines and newspapers, and was founding editor of both Punch and The Field.