In all the region of autobiography, so far as I know it, I do not know quite the like of Mr. Garland's story of his life, and I should rank it with the very greatest of that kind in literature. . . . It is the poet who sees the vast scale of human struggle with nature or the things she will withhold unless they are forced from her by man's tireless toil and mighty mechanism, and in the vision he knows a battle-joy as distinctive of this Son of the Middle Border as his fidelity to the sordid and squalid details of the campaign, or his exultation of the beauty of the West which he has so passionately hated and finally so passionately loves...

FBI agent Kenneth Malone lives in a world where psionic powers such as telepathy and teleportation exist. He must cope with them as well as an FBI Director who leaves Malone continually confused about what situation he is being asked to handle and what he is expected to do about it. Someone or something is causing confusion in the U.S. Government, Unions, The Mafia, and other sectors of society and Malone has been given the job of finding the source of the confusion. A good story composed of science fiction and slap stick comedy with a bit of romance thrown into the mix.

Eugene O'Neill's drama Anna Christie was first produced on Broadway in 1921 and received the Pulitzer Prize in 1922. It focuses on three main characters: Chris Christopherson, a Swedish captain of a coal barge and longtime seaman, his daughter Anna, who has grown up separated from her father on a Minnesota farm, and Mat Burke, an Irish stoker who works on steamships. At the beginning of the play Chris and Anna are reunited after fifteen years apart. Anna comes to live on her father's coal barge, but hides the secret of her past from him. When she meets Mat after an accident in the fog, they almost immediately fall in love - but Anna finds that forging a new future will not be easy.

A story about the Irish, just before the onset of the famine of 1847, with all the color and dialogue of a man who lived it.