In May Sinclair’s remarkable first novel, Audrey Craven is a beautiful young woman who has by her idiosyncracies acquired a thoroughly undeserved reputation for originality. In fact, Audrey is a shallow, selfish, malleable person of negligible intelligence, with a fastidious horror of anyone who might be considered a nobody. Her pursuit of the stimulation of extraordinary minds (and her persistent fantasy of being somebody’s Muse) brings her into contact with serious women and men representing the profoundest passions of art, religion, science, and love...

A Crystal Age is a utopian novel written by W. H. Hudson, first published in 1887. The book has been called a "significant S-F milestone" and has been noted for its anticipation of the "modern ecological mysticism" that would evolve a century later.

Reverend Sabine Baring-Gould (1834-1924) was an English hagiographer, antiquarian, novelist and eclectic scholar. During his life, he published more than 100 books, among them this collection of ghost stories.

When the first part of "Pelle Erobreren" (Pelle the Conqueror) appeared in 1906, its author, Martin Andersen Nexo, was practically unknown even in his native country, save to a few literary people who knew that he had written some volumes of stories and a book full of sunshiny reminiscences from Spain. And even now, after his great success with "Pelle," very little is known about the writer. He was born in 1869 in one of the poorest quarters of Copenhagen, but spent his boyhood in his beloved island Bornholm, in the Baltic, in or near the town, Nexo, from which his final name is derived...

Miriam Henderson is one of what novelist Dolf Wyllarde (in her great work, The Pathway of the Pioneer) termed "nous autres," i.e., young gentlewomen who must venture forth and earn their living after their fathers have been financially ruined. Also, she has read Villette; she thus applies for and is offered a job teaching conversational English at a girls' school, albeit in Germany rather than France. Pointed Roofs describes her year abroad, as she endeavors to make her way in the hotbed of seething female personalities that populate the school, overseen by her employer, the formidable Fraulein...

These are the last four Cantos of his mock epic that Byron completed in the year before his death at the age of 36 in Messolonghi, Greece, where he had gone to fight for the nationalists against the Ottoman Empire. Juan, now in England, is invited to spend the autumn with a hunting party at the ancient country seat of Lord Henry and Lady Adeline Amundeville. There, he meets the most intriguing of the Byronic heroines, Aurora Raby, and is visited by a ghost with ample breasts (!). That is the narrative outline but hardly the focus of the last Cantos...

In The Marrow of Tradition, Charles W. Chesnutt--using the 1898 Wilmington, North Carolina massacre as a backdrop--probes and exposes the raw nerves and internal machinery of racism in the post-Reconstruction-era South; explores how miscegenation, caste, gender and the idea of white supremacy informed Jim Crow laws; and unflinchingly revisits the most brutal of terror tactics, mob lynchings. (Introduction by James K. White)

In this, Chesnutt's first novel, he tells the tragic story of love set against a backdrop of racism, miscegenation and “passing” during the period spanning the antebellum and reconstruction eras in American history. And through his use of the vernacular prevalent in the South of that time, Chesnutt lent a compassionate voice to a group that America did not want to hear. More broadly, however, Chesnutt illustrated, in this character play, the vast and perhaps insurmountable debt this country continues to pay for the sins of slavery.

In this novel, Chesnutt described the hopelessness of Reconstruction in a post-Civil War South that was bent on reestablishing the former status quo and rebuilding itself as a region of the United States where new forms of "slavery" would replace the old. This novel illustrated how race hatred and the impotence of a reluctant Federal Government trumped the rule of law, ultimately setting the stage for the rise of institutions such as Jim Crow, lynching, chain gangs and work farms--all established with the intent of disenfranchising African Americans.

Like many soldiers at the beginning of their military careers, Harry Penrose has romantic ideas of climbing the ranks and attaining hero status. However, while stationed at Gallipoli, the realities of war begin to take their toll on Penrose, not only physically, but also mentally where the war has become a 'battle of the mind.' This is his story as related by a fellow soldier, as well as the story of the campaign at Gallipoli which is vividly portrayed from the author's own personal experiences.During his tenure as an officer, Penrose slowly asserts himself; the war takes a toll on his personality, but he begins to live up to his early dreams of heroism...

"Brenda was used to getting her own way. Her parents and older sisters spoiled her, her friends followed her lead, servants obeyed her, and she was truly beautiful. That was so, until her cousin Julia (who is everything that she is not) came to live with her family. And that's when our book starts."