Woman on Her Own, False Gods and The Red Robe Three Plays By Brieux   By: Eugène Brieux (1858-1932)

Eugène Brieux's collection of three plays, "Woman on Her Own," "False Gods," and "The Red Robe," offers a captivating exploration of societal norms and the struggles faced by individuals in early 20th-century France. Through thought-provoking narratives, Brieux probes the human condition, highlighting the consequences of blind faith, the limited roles imposed on women, and the power dynamics within religious institutions.

In "Woman on Her Own," Brieux delves into the heavily patriarchal society of the time, shedding light on the challenges faced by women seeking independence. The protagonist, Jeanne, courageously breaks free from societal constraints, epitomizing the struggles faced by many of her contemporaries. Brieux's portrayal of Jeanne's journey towards self-discovery is insightful, unveiling the subtle and overt obstacles she encounters along the way. The play powerfully challenges traditional gender roles and acts as a compelling social critique.

"False Gods" confronts the age-old question of the dangers of blind faith and fanaticism. Brieux deftly constructs a narrative that revolves around a charismatic spiritual leader who exploits the vulnerabilities of his followers. Through sharp dialogue and carefully developed characters, he demonstrates how anyone, regardless of education or social standing, can become susceptible to manipulation. Brieux warns against placing unwavering trust in individuals who claim to have all the answers, urging society to embrace a more critical mindset.

Lastly, "The Red Robe" explores the complexities of religion and the inherent power structures within the church. Brieux delves into the inner workings of a religious institution, exposing the struggle between individual morality and the desire to maintain the organization's reputation. The play raises thought-provoking questions about the ideal role of religion in society and the consequences of unchecked authority. Brieux masterfully weaves together an intricate web of characters and conflicting ideologies that keep readers engaged throughout.

Overall, Brieux's three plays offer a captivating and intellectually stimulating experience. Through his astute observations of human nature and social dynamics, he tackles issues that remain relevant to this day. Though written over a century ago, the plays' themes are timeless, shedding light on enduring struggles and providing valuable lessons for readers. Brieux's work is a testament to the enduring power of the theater and its ability to challenge societal norms while prompting introspection.

First Page:

I must inform my readers that the version of LA FEMME SEULE, a translation of which is now published in this volume, has, so far, not appeared in France and is unknown there; at least as regards the larger part of the third act. I might, did I think it advisable, reproduce in its entirety a text which certain timidities have led me to emasculate... Continue reading book >>