The Standard Operas (12th edition) Their Plots, Their Music, and Their Composers   By: George P. Upton (1834-1919)

The Standard Operas (12th edition) by George P. Upton is a comprehensive and invaluable guide for both opera enthusiasts and newcomers to the genre. With its detailed analysis of plots, music, and composers, this book serves as a reliable companion for anyone seeking a deeper understanding of opera and its various facets.

One of the notable aspects of this book is its thorough exploration of the plots of numerous operas. Upton skillfully summarizes the storylines, capturing the essence of each opera in a concise manner. This allows readers to grasp the narrative arcs and themes, enhancing their appreciation for the art form. The clarity and depth of Upton's summaries make it easy for readers to follow along and engage with the operas being discussed.

The discussion of the music within this book is particularly commendable. Upton provides insightful analyses of the compositions, highlighting the unique aspects that set each opera apart. This not only helps readers develop a deeper understanding of the music but also assists in distinguishing different composers' styles and influences. Upton's attention to detail and ability to articulate musical concepts in an accessible manner make this book a valuable resource for both musicians and non-musicians alike.

Furthermore, The Standard Operas delves into the lives and works of the composers behind these operas. Upton offers fascinating biographical sketches that shed light on their artistic journeys, personal struggles, and influences on the evolution of opera. This added context enriches the reading experience and fosters a greater connection with the composers as individuals, allowing readers to appreciate the operas within a historical and cultural framework.

One aspect that may be improved upon is the need for more visual aids, such as sheet music excerpts or illustrations. While Upton’s explanations are detailed, visual representations would enhance the reader's understanding and serve as a valuable supplement to the text. Additionally, a glossary including musical terminology could be a useful inclusion, especially for those less familiar with the jargon of the opera world.

Overall, The Standard Operas (12th edition) by George P. Upton is a fantastic resource for opera enthusiasts and those seeking to explore the genre. Its comprehensive coverage of plotlines, musical analysis, and composers' backgrounds make it an indispensable companion for anyone looking to deepen their understanding and appreciation of opera. Upton's accessible writing style and thorough research make the book highly informative and engaging. Whether used for reference or leisurely reading, this book offers a valuable and enlightening journey through the world of opera.

First Page:

The object of the compiler of this Handbook is to present to the reader a brief but comprehensive sketch of each of the operas contained in the modern repertory which are likely to be given during regular seasons. To this end he has consulted the best authorities, adding to the material thus collected his own observations, and in each case presented a necessarily brief sketch of the composer, the story of each opera, the general character of the music, its prominent scenes and numbers, the latter in the text most familiar to opera goers, the date of first performances, with a statement of the original cast wherever it has been possible to obtain it, and such historical information concerning the opera and its composition as will be of interest to the reader. The work has been prepared for the general public rather than for musicians; and with this purpose in view, technicalities have been avoided as far as possible, the aim being to give musically uneducated lovers of opera a clear understanding of the works they are likely to hear, and thus heighten their enjoyment. In a word, the operas are described rather than criticised, and the work is presented with as much thoroughness as seemed possible considering the necessarily brief space allotted to each... Continue reading book >>