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Speed the Plough A Comedy, In Five Acts; As Performed At The Theatre Royal, Covent Garden   By: (1764-1838)

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Speed the Plough is a delightful comedy written by Thomas Morton, which takes center stage at the Theatre Royal, Covent Garden. Spanning five acts, the play masterfully combines humor, romance, and political commentary to captivate audiences.

The plot centers around the charming couple, Sir Abel Handy and Dame Ashfield, who reside on a picturesque farm. As their financial circumstances decline, their children, Jerry and Susan, must learn to navigate the trials and tribulations of love and responsibility. Jerry, a mischievous but endearing character, finds himself caught in a web of deceit when he falls in love with Lady Bountiful's ward, Miss Sally Bannister. Susan, on the other hand, attracts the attention of Sir Philip Blandish, a pompous and wealthy bachelor.

The characters are the highlight of this play, each adding their own distinct flavor to the story. Sir Abel Handy, portrayed brilliantly by the talented cast, is both naïve and astute, which leads to numerous humorous situations. Dame Ashfield carries herself with elegance and wit, balancing her role as a devoted mother and a gossip-loving lady of the countryside. The chemistry between Jerry and Miss Sally Bannister is infectious, providing the play with a good dose of mischief and youthful energy.

Set against the backdrop of the changing socio-economic landscape in 19th-century rural England, the play subtly touches on pressing issues of the time. Morton cleverly uses comedy to highlight the tension that arises when traditional rural life clashes with the rise of industrialization and urbanization. This critique adds a layer of thoughtfulness to an otherwise lighthearted comedy.

Morton's writing is witty, with sharp dialogue and comedic timing that keeps the audience engaged throughout. The clever wordplay and puns bring laughter, but the play also provides moments of genuine emotion and tenderness. The themes of love, family, and the struggles of social class resonate deeply and offer the audience moments of reflection.

The staging and production of Speed the Plough are equally impressive. The attention to detail in both the costumes and set design successfully transports the audience to a charming rural setting. The direction ensures a seamless flow between each act, and the actors' performances breathe life into the characters, allowing their personalities to shine through.

In conclusion, Speed the Plough is a comedic gem that still sparkles today. Thomas Morton's masterful writing, coupled with the artistic brilliance of the cast and crew, creates an unforgettable experience. Whether you are a fan of comedy, romance, or social commentary, this play offers a delightful and thought-provoking evening of entertainment at the Theatre Royal, Covent Garden.

First Page:

[Illustration: SPEED THE PLOUGH

ASHFIELD DICKENS AND DAISES! WHAT A GENTLEMAN YOU WOU'D BE TO SHEW AT A FAIR!

ACT I SCENE II

PAINTED BY SINGLETON PUBLISH'D BY LONGMAN & CO. ENGRAVED BY FITTLER

1806]

SPEED THE PLOUGH; A COMEDY, IN FIVE ACTS;

AS PERFORMED AT THE THEATRE ROYAL, COVENT GARDEN.

BY THOMAS MORTON, ESQ.

PRINTED UNDER THE AUTHORITY OF THE MANAGERS FROM THE PROMPT BOOK.

WITH REMARKS BY MRS. INCHBALD.

LONDON:

PRINTED FOR LONGMAN, HURST, REES, AND ORME, PATERNOSTER ROW.

SAVAGE AND EASINGWOOD, PRINTERS, LONDON.

REMARKS.

This comedy excites that sensation, which is the best security for the success of a drama curiosity. After the two first acts are over, and pleasantly over, with the excellent drawn characters of Ashfield and his wife, and the very just satire which arises from Sir Abel's propensity to modern improvements the acts that follow excite deep interest and ardent expectation; both of which are so highly gratified at the conclusion of the play, that, from the first night of its performance, it has ranked among the best of the author's productions, and in the first class of modern comedies.

The various characters of this play are admirably designed, but not so happily finished as the author meant them to be witness, Bob Handy, who begins a self conceited coxcomb, and ends a tragedy confidant... Continue reading book >>




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