Shakespeare and Music With Illustrations from the Music of the 16th and 17th centuries By: Edward W. (Edward Woodall) Naylor (1867-1934) |
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Edward W. Naylor's Shakespeare and Music With Illustrations from the Music of the 16th and 17th centuries is a comprehensive and informative exploration of the relationship between Shakespeare's works and the music of his time. Naylor, with his extensive knowledge of both Shakespeare and music history, successfully demonstrates how these two art forms intersected and influenced each other during the 16th and 17th centuries.
One of the standout features of this book is Naylor's meticulous research. He provides an in-depth analysis of the historical context in which Shakespeare's plays were performed, shedding light on the vibrant musical atmosphere of the period. From courtly masques to popular tavern songs, Naylor examines a wide range of musical genres that shaped the soundscape of Shakespearean England.
The author's passion for the subject matter is evident throughout the book. Naylor's enthusiasm for both Shakespeare and music is infectious, and his writing style is engaging and accessible, making even complex musical concepts understandable to readers with limited background knowledge. He seamlessly incorporates excerpts from Shakespeare's plays and musical compositions of the time, creating a rich tapestry that brings the era to life.
The inclusion of musical notations and illustrations further enhances the reader's understanding. Naylor carefully selected and analyzed musical scores from the 16th and 17th centuries, providing a valuable resource for musicians and scholars interested in the historical performance practices of the period. These illustrations give readers a glimpse into the sonic world that surrounded Shakespeare's plays, deepening our appreciation for the playwright's artistry and the musical influences on his works.
While Naylor's book primarily focuses on the music of Shakespeare's time, it also traces the lasting impact of these musical traditions on subsequent adaptations and interpretations of his plays. He explores how composers from different eras and countries, such as Mendelssohn and Verdi, incorporated Shakespearean themes into their own musical compositions, further highlighting the enduring influence of the Bard and his music.
Shakespeare and Music With Illustrations from the Music of the 16th and 17th centuries is a valuable resource for scholars, musicians, and lovers of Shakespeare alike. Naylor's meticulous research, combined with his passion for the subject matter, make this book a truly enlightening and enjoyable read. It is a must-read for anyone interested in Shakespeare's plays or the musical world of the 16th and 17th centuries. WITH ILLUSTRATIONS FROM THE MUSIC OF THE 16TH AND 17TH CENTURIES BY EDWARD W. NAYLOR, M.A., MUS. BAC. LONDON J.M. DENT & CO., ALDINE HOUSE, E.C. 1896 All rights reserved. [Transcriber's Notes: 1. The original text uses a "fraction" format for citations to Shakespeare's plays, e.g.: 3 Rom. 5, 25 For clarity, in this e text the "fractions" have been converted to a one line citation, e.g., Rom. III, v, 25 (signifying Act III, scene v, line 25). Where the original does not use the fraction format, the citation style has not been altered. 2. The original text sometimes misspells "Passamezzo" as "Passemezzo" and "viol da gamba" as "viol de gamba." These have been corrected in this e text. 3. The original text inconsistently uses a breve over the e in "Parthenia" and "Passameso." For clarity, the breve has been removed in this e text, as it is not part of the usual spelling of these words, and has in fact been omitted from the 1931 revised edition of the book.] PREFACE This book contains little that is not tolerably well known both to Shakespeare scholars and musicians who have any acquaintance with the history of music. It is hoped that it may be of some use to a large class of students of Shakespeare who have no opportunity to gather up the general information which will be found here... Continue reading book >>
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