A Second Book of Operas By: Henry Edward Krehbiel (1854-1923)
In "A Second Book of Operas" by Henry Edward Krehbiel, readers are invited on a captivating journey into the world of opera. This book serves as a remarkable continuation of the author's previous work, delving even deeper into the history and intricacies of some of the most celebrated operatic masterpieces. Krehbiel's extensive knowledge and passion for opera shine through the pages, making this book an invaluable resource for both seasoned opera enthusiasts and newcomers to the art form. The lucidity of his writing style, combined with meticulous attention to detail, keeps readers engaged from start to finish. One of the most noteworthy aspects of this book is the author's ability to contextualize each opera, providing readers with a rich understanding of the historical and cultural influences that shaped these works. By placing the operas within their respective time periods, Krehbiel effectively explores the evolution of the art form over centuries, drawing connections and shedding light on important milestones in opera history. Additionally, Krehbiel seamlessly weaves together musical analysis with intriguing anecdotes and behind-the-scenes stories. This marriage of technical insight and storytelling creates a remarkable balance, enabling readers to appreciate both the musical complexities and the human drama behind each opera. What sets this book apart is the comprehensive nature of its coverage. Krehbiel not only discusses well-known operas such as Mozart's "The Marriage of Figaro" and Verdi's "La Traviata," but also introduces readers to lesser-known gems that deserve recognition. By exploring a diverse range of operas, he ensures that readers are exposed to a wide spectrum of styles, composers, and narrative themes. While Krehbiel's depth of knowledge is apparent throughout the book, it is important to note that "A Second Book of Operas" remains accessible and engaging for readers of all backgrounds. The author effectively balances technical analysis with clear explanations, ensuring that even those with limited musical understanding can appreciate and enjoy the content. Overall, "A Second Book of Operas" is a true treasure trove for opera lovers. Krehbiel's erudite yet approachable writing style, combined with his expertly researched insights, makes this book an essential addition to any opera enthusiast's collection. Whether you are seeking to expand your knowledge or simply delve deeper into the world of opera, this book promises an enlightening and captivating experience. First Page: A SECOND BOOK OF OPERAS by Henry Edward Krehbiel CONTENTS AND INDEX CHAPTER I BIBLICAL OPERAS England and the Lord Chamberlain's censorship, et Gounod's "Reine de Saba," The transmigrations of "Un Ballo in Maschera," How composers revamp their music, et seq, Handel and Keiser, Mozart and Bertati, Beethoven's readaptations of his own works, Rossini and his "Barber of Seville," Verdi's "Nebuchadnezzar," Rossini's "Moses," "Samson et Dalila," Goldmark's "Konigin von Saba," The Biblical operas of Rubinstein, Mehul's "Joseph," Mendelssohn's "Elijah" in dramatic form, Oratorios and Lenten operas in Italy, Carissimi and Peri, Scarlatti's oratorios, Scenery and costumes in oratorios, The passage of the Red Sea and "Dal tuo stellato," Nerves wrecked by beautiful music, "Peter the Hermit" and refractory mimic troops, "Mi manca la voce" and operatic amenities, Operatic prayers and ballets, Goethe's criticism of Rossini's "Mose," CHAPTER II BIBLE STORIES IN OPERA AND ORATORIO Dr. Chrysander's theory of the undramatic nature of the Hebrew, his literature, and his life, Hebrew history and Greek mythology, Some parallels, Old Testament subjects: Adam and Eve, Cain and Abel, The "Kain" of Bulthaupt and d'Albert, "Tote Augen," Noah and the Deluge, Abraham, The Exodus, Mehal's "Joseph," Potiphar's wife and Richard Strauss, Raimondi's contrapuntal trilogy, Nebuchadnezzar, Judas Maccabaeus, Jephtha and his Daughter, Judith, Esther, Athalia, CHAPTER III RUBINSTEIN AND HIS "GEISTLICHE OPER" Anton Rubinstein and his ideals, An ambition to emulate Wagner, "The Tower of Babel," The composer's theories and strivings, et seq... Continue reading book >>

A Second Book of Operas By: Henry Edward Krehbiel (1854-1923)

In "A Second Book of Operas" by Henry Edward Krehbiel, readers are invited on a captivating journey into the world of opera. This book serves as a remarkable continuation of the author's previous work, delving even deeper into the history and intricacies of some of the most celebrated operatic masterpieces.

Krehbiel's extensive knowledge and passion for opera shine through the pages, making this book an invaluable resource for both seasoned opera enthusiasts and newcomers to the art form. The lucidity of his writing style, combined with meticulous attention to detail, keeps readers engaged from start to finish.

One of the most noteworthy aspects of this book is the author's ability to contextualize each opera, providing readers with a rich understanding of the historical and cultural influences that shaped these works. By placing the operas within their respective time periods, Krehbiel effectively explores the evolution of the art form over centuries, drawing connections and shedding light on important milestones in opera history.

Additionally, Krehbiel seamlessly weaves together musical analysis with intriguing anecdotes and behind-the-scenes stories. This marriage of technical insight and storytelling creates a remarkable balance, enabling readers to appreciate both the musical complexities and the human drama behind each opera.

What sets this book apart is the comprehensive nature of its coverage. Krehbiel not only discusses well-known operas such as Mozart's "The Marriage of Figaro" and Verdi's "La Traviata," but also introduces readers to lesser-known gems that deserve recognition. By exploring a diverse range of operas, he ensures that readers are exposed to a wide spectrum of styles, composers, and narrative themes.

While Krehbiel's depth of knowledge is apparent throughout the book, it is important to note that "A Second Book of Operas" remains accessible and engaging for readers of all backgrounds. The author effectively balances technical analysis with clear explanations, ensuring that even those with limited musical understanding can appreciate and enjoy the content.

Overall, "A Second Book of Operas" is a true treasure trove for opera lovers. Krehbiel's erudite yet approachable writing style, combined with his expertly researched insights, makes this book an essential addition to any opera enthusiast's collection. Whether you are seeking to expand your knowledge or simply delve deeper into the world of opera, this book promises an enlightening and captivating experience.

First Page:

A SECOND BOOK OF OPERAS

Henry Edward Krehbiel

CONTENTS AND INDEX

CHAPTER I

BIBLICAL OPERAS

England and the Lord Chamberlain's censorship, et Gounod's "Reine de Saba," The transmigrations of "Un Ballo in Maschera," How composers revamp their music, et seq, Handel and Keiser, Mozart and Bertati, Beethoven's readaptations of his own works, Rossini and his "Barber of Seville," Verdi's "Nebuchadnezzar," Rossini's "Moses," "Samson et Dalila," Goldmark's "Konigin von Saba," The Biblical operas of Rubinstein, Mehul's "Joseph," Mendelssohn's "Elijah" in dramatic form, Oratorios and Lenten operas in Italy, Carissimi and Peri, Scarlatti's oratorios, Scenery and costumes in oratorios, The passage of the Red Sea and "Dal tuo stellato," Nerves wrecked by beautiful music, "Peter the Hermit" and refractory mimic troops, "Mi manca la voce" and operatic amenities, Operatic prayers and ballets, Goethe's criticism of Rossini's "Mose,"

CHAPTER II

BIBLE STORIES IN OPERA AND ORATORIO

Dr. Chrysander's theory of the undramatic nature of the Hebrew, his literature, and his life, Hebrew history and Greek mythology, Some parallels, Old Testament subjects: Adam and Eve, Cain and Abel, The "Kain" of Bulthaupt and d'Albert, "Tote Augen," Noah and the Deluge, Abraham, The Exodus, Mehal's "Joseph," Potiphar's wife and Richard Strauss, Raimondi's contrapuntal trilogy, Nebuchadnezzar, Judas Maccabaeus, Jephtha and his Daughter, Judith, Esther, Athalia,

CHAPTER III

RUBINSTEIN AND HIS "GEISTLICHE OPER"

Anton Rubinstein and his ideals, An ambition to emulate Wagner, "The Tower of Babel," The composer's theories and strivings, et seq... Continue reading book >>

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