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The Rosery Folk   By: (1831-1909)

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The Rosery Folk by George Manville Fenn is a captivating tale set in the picturesque countryside of England. This delightful book follows the lives of two young sisters, Lilian and Mary, who find themselves embarking on a unique journey of self-discovery and adventure.

From the very beginning, Fenn's writing style effortlessly transports the reader into the enchanting world of the Rosery. His vivid descriptions of the idyllic landscape and charming characters allow one to easily immerse themselves in the story. The author's attention to detail is commendable, as he showcases his deep knowledge and appreciation for nature throughout the narrative.

The character development in this book is truly remarkable. Lilian and Mary, in particular, undergo significant growth as they navigate the trials and tribulations of life. Both characters possess admirable qualities, and their resilience and determination become evident as they face various challenges. Fenn beautifully portrays the complexity of sibling relationships, emphasizing the power of love, loyalty, and support in times of adversity.

The plot unfolds at a gentle pace, allowing readers to savor every moment and truly connect with the story. While some may find the pacing slow at times, Fenn weaves together intricate subplots that add depth and complexity to the overall narrative. He effortlessly blends elements of mystery, suspense, and romance, keeping the reader captivated and eager to uncover the secrets hidden within the Rosery Folk.

One of the strengths of The Rosery Folk lies in the author's ability to tackle thought-provoking themes. Fenn explores the dichotomy between tradition and progress, highlighting the importance of preserving nature and heritage in the face of modernity. Through vivid imagery and symbolism, he encourages readers to reflect on their own connection to the natural world.

However, it must be noted that some readers may find the prose language a bit challenging, especially when it comes to the dialogue. Fenn's use of dialects and colloquialisms adds authenticity to the characters but may require closer attention to fully grasp the meaning. Nonetheless, this stylistic choice adds a unique charm to the narrative, immersing the reader even further into the world of the Rosery Folk.

In conclusion, The Rosery Folk is a delightful tale that transports readers into a world filled with beauty, mystery, and self-discovery. Fenn's rich descriptions, well-developed characters, and exploration of various themes make this book a joy to read. It is a perfect choice for anyone seeking a cozy and charming story that lingers in the heart long after the final page is turned.

First Page:

Volume 1, Chapter I.

SIR JAMES SCARLETT'S GARDEN.

"Pray speak gently, dear."

"Speak gently! how can a man speak gently? The things are of no value, but it worries me, I've taken such pains with them, through the cold weather, to bring them on."

"You have, Sir James, you have, sir; and I never let the fire go out once."

"No: but you've let the grapes go out, confound you! and if I find that you have been dishonest "

"Oh! but I'm sure, dear, that he would not be."

"Thank you kindly, my lady," said John Monnick, the old gardener, taking off his hat and wiping his streaming brow with his arm, as he stood bent and dejected, leaning upon his spade, with every line in his countenance puckered and drawn with trouble, and a helpless look of appeal in his eyes. "No, my lady, I wouldn't let these here old hands take to picking and stealing, and many's the trouble I've been in with Fanny and Martha and the others because I was so particular even to a gooseberry."

"There, dear, I told you so!"

"But the grapes are gone," cried Sir James Scarlett angrily. "Who could have taken them?"

"That's what puzzles me, Master James, it do indeed. I did get into temptation once, and took something, but it's been a lesson to me; and I said then, never no more, with the Lord's help, and never no more, sir, it's true, never up to now... Continue reading book >>




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