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Repertory of the Comedie Humaine Part 2   By: (1840-)

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In Jules François Christophe's Repertory of the Comedie Humaine Part 2, readers are introduced to a comprehensive and illuminating guide of characters, settings, and themes explored in Honoré de Balzac's monumental literary work, La Comedie Humaine. Christophe's dedication and meticulous research are evident throughout this indispensable companion, making it an essential resource for both Balzac enthusiasts and scholars alike.

The organization of the Repertory is commendable, enabling readers to navigate through the complex web of characters and their relationships within Balzac's vast ensemble cast. Christophe provides detailed profiles of each character, offering valuable insight into their backgrounds, personalities, and motivations. These character summaries are accompanied by helpful cross-references, allowing readers to track the recurring appearances of various individuals throughout Balzac's extensive collection of novels and stories. The meticulous attention to detail in the Repertory ensures that readers can fully immerse themselves in Balzac's intricately woven narratives.

Furthermore, the book functions as a useful guide to the settings in La Comedie Humaine, painting vivid pictures of the social, political, and cultural milieus in which Balzac's characters interact. Christophe's in-depth descriptions transport readers to 19th-century France, capturing the essence of each location and emphasizing its significance within the overall narrative. From the bustling streets of Paris to the tranquil countryside, each setting is brought to life through Christophe's engaging prose, deepening our understanding of the stories and themes unfolding within them.

It is worth noting that Repertory of the Comedie Humaine Part 2 not only focuses on the characters and settings but also delves into the recurring themes and motifs that run throughout Balzac's body of work. Christophe's thoughtful analysis sheds light on the social, moral, and psychological dimensions explored in La Comedie Humaine, illuminating Balzac's commentary on the human condition. This comprehensive exploration of themes enriches the reader's experience, enabling a more profound appreciation of Balzac's masterful storytelling.

However, it should be mentioned that unless readers have a solid familiarity with Balzac's works, this Repertory may prove rather overwhelming. It is best suited for those who have already embarked on the journey into La Comedie Humaine or academic researchers and critics seeking a comprehensive reference tool. Consequently, casual readers looking for a light introduction to Balzac's writings may find the Repertory to be too dense and encyclopedic in nature.

In conclusion, Jules François Christophe's Repertory of the Comedie Humaine Part 2 is an invaluable resource for anyone seeking a deeper understanding of Balzac's epic literary universe. With its comprehensive character profiles, insightful analysis of themes, and immersive depiction of settings, this book serves as an essential companion to La Comedie Humaine. Christophe's meticulous research and passion for Balzac's work shine through, making this an indispensable guide for all enthusiasts of French literature.

First Page:

REPERTORY OF THE COMEDIE HUMAINE

PART II, L Z

L

LA BASTIE (Monsieur, Madame and Mademoiselle de). (See Mignon.)

LA BASTIE LA BRIERE (Ernest de), member of a good family of Toulouse, born in 1802; very similar in appearance to Louis XIII.; from 1824 to 1829, private secretary to the minister of finances. On the advice of Madame d'Espard, and thus being of service to Eleonore de Chaulieu, he became secretary to Melchior de Canalis and, at the same time, referendary of the Cour des Comptes. He became a chevalier of the Legion of Honor. In 1829 he conducted for Canalis a love romance by correspondence, the heroine of the affair being Marie Modeste Mignon de la Bastie (of Havre). He played this part so successfully that she fell in love and marriage was agreed upon. This union, which made him the wealthy Vicomte de la Bastie la Briere, was effected the following February in 1830. Canalis and the minister of 1824 were witnesses for Ernest de la Briere, who fully deserved his good fortune. [The Government Clerks. Modeste Mignon.]

LA BASTIE LA BRIERE (Madame Ernest de), wife of the preceding, born Marie Modeste Mignon about 1809, younger daughter of Charles Mignon de la Bastie and of Bettina Mignon de la Bastie born Wallenrod... Continue reading book >>




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