Proserpine and Midas By: Mary Wollstonecraft Shelley (1797-1851)
Proserpine and Midas by Mary Wollstonecraft Shelley is a captivating collection of two mythological tales that transport readers into an enchanting world of gods, mortals, and the repercussions of their choices. Shelley, known for her mastery of Gothic fiction, effortlessly weaves together these ancient narratives, infusing them with her own unique perspective and literary brilliance. In the first story, Proserpine, Shelley beautifully recreates the ancient Greek myth of the abduction of Persephone by Hades. The narrative unfolds in vivid detail, immersing readers in a world of contrasting realms - the vibrant meadow of flowers in which Proserpine resides, and the foreboding darkness of the underworld. Shelley masterfully captures the emotions and internal struggles of her characters, particularly Proserpine herself, as she grapples with her yearning for freedom and her forced confinement in the underworld. The author's empathetic portrayal of Proserpine allows readers to deeply connect with her plight, and the ensuing battle between life and death, darkness and light. The second tale, Midas, explores the Greek myth of King Midas and his fateful wish for the golden touch. Shelley presents a thought-provoking examination of greed, ambition, and the consequences of unchecked desires. Through rich prose and vivid imagery, she paints a vivid picture of Midas' transformation, both physical and emotional, as his golden touch ultimately brings him isolation and despair. The moral lesson conveyed in this narrative is both timeless and relevant, serving as a cautionary tale for modern readers who may find resonance in the destructive power of unbridled desires. Shelley's prose throughout the collection is superb, showcasing her talent for crafting elegant descriptions and evoking atmospheric settings. Her language is poetic and lyrical, transporting readers to the realms of ancient mythology with ease. Additionally, the author's incorporation of introspective and philosophical elements enriches the narrative, elevating it beyond a mere retelling of famous myths. Each story is adorned with profound reflections on life, love, and the human condition, making the collection not only an entertaining read but also a thought-provoking exploration of universal themes. As a whole, Proserpine and Midas is a testament to Mary Wollstonecraft Shelley's exceptional storytelling abilities and her deep understanding of human nature. Her reinterpretation of these classic myths breathes new life into them, making them relevant and relatable to contemporary audiences. Shelley's narratives are both enchanting and enlightening, immersing readers in the timeless allure of ancient mythology while offering insightful reflections on the human condition. With its rich prose, captivating characters, and thought-provoking themes, Proserpine and Midas is a literary gem that deserves a place on the bookshelves of lovers of mythology, Gothic fiction, and thought-provoking literature. First Page: PROSERPINE & MIDAS Two unpublished Mythological Dramas by MARY SHELLEY Edited with Introduction by A. KOSZUL PREFATORY NOTE. The editor came across the unpublished texts included in this volume as early as 1905. Perhaps he ought to apologize for delaying their appearance in print. The fact is he has long been afraid of overrating their intrinsic value. But as the great Shelley centenary year has come, perhaps this little monument of his wife's collaboration may take its modest place among the tributes which will be paid to his memory. For Mary Shelley's mythological dramas can at least claim to be the proper setting for some of the most beautiful lyrics of the poet, which so far have been read in undue isolation. And even as a literary sign of those times, as an example of that classical renaissance which the romantic period fostered, they may not be altogether negligible. These biographical and literary points have been dealt with in an introduction for which the kindest help was long ago received from the late Dr. Garnett and the late Lord Abinger. Sir Walter Raleigh was also among the first to give both encouragement and guidance. My friends M. Emile Pons and Mr. Roger Ingpen have read the book in manuscript. The authorities of the Bodleian Library and of the Clarendon Press have been as generously helpful as is their well known wont... Continue reading book >>

Proserpine and Midas By: Mary Wollstonecraft Shelley (1797-1851)

Proserpine and Midas by Mary Wollstonecraft Shelley is a captivating collection of two mythological tales that transport readers into an enchanting world of gods, mortals, and the repercussions of their choices. Shelley, known for her mastery of Gothic fiction, effortlessly weaves together these ancient narratives, infusing them with her own unique perspective and literary brilliance.

In the first story, Proserpine, Shelley beautifully recreates the ancient Greek myth of the abduction of Persephone by Hades. The narrative unfolds in vivid detail, immersing readers in a world of contrasting realms - the vibrant meadow of flowers in which Proserpine resides, and the foreboding darkness of the underworld. Shelley masterfully captures the emotions and internal struggles of her characters, particularly Proserpine herself, as she grapples with her yearning for freedom and her forced confinement in the underworld. The author's empathetic portrayal of Proserpine allows readers to deeply connect with her plight, and the ensuing battle between life and death, darkness and light.

The second tale, Midas, explores the Greek myth of King Midas and his fateful wish for the golden touch. Shelley presents a thought-provoking examination of greed, ambition, and the consequences of unchecked desires. Through rich prose and vivid imagery, she paints a vivid picture of Midas' transformation, both physical and emotional, as his golden touch ultimately brings him isolation and despair. The moral lesson conveyed in this narrative is both timeless and relevant, serving as a cautionary tale for modern readers who may find resonance in the destructive power of unbridled desires.

Shelley's prose throughout the collection is superb, showcasing her talent for crafting elegant descriptions and evoking atmospheric settings. Her language is poetic and lyrical, transporting readers to the realms of ancient mythology with ease. Additionally, the author's incorporation of introspective and philosophical elements enriches the narrative, elevating it beyond a mere retelling of famous myths. Each story is adorned with profound reflections on life, love, and the human condition, making the collection not only an entertaining read but also a thought-provoking exploration of universal themes.

As a whole, Proserpine and Midas is a testament to Mary Wollstonecraft Shelley's exceptional storytelling abilities and her deep understanding of human nature. Her reinterpretation of these classic myths breathes new life into them, making them relevant and relatable to contemporary audiences. Shelley's narratives are both enchanting and enlightening, immersing readers in the timeless allure of ancient mythology while offering insightful reflections on the human condition. With its rich prose, captivating characters, and thought-provoking themes, Proserpine and Midas is a literary gem that deserves a place on the bookshelves of lovers of mythology, Gothic fiction, and thought-provoking literature.

First Page:

PROSERPINE

MIDAS

Two unpublished Mythological Dramas

MARY SHELLEY

Edited with Introduction

A. KOSZUL

PREFATORY NOTE.

The editor came across the unpublished texts included in this volume as early as 1905. Perhaps he ought to apologize for delaying their appearance in print. The fact is he has long been afraid of overrating their intrinsic value. But as the great Shelley centenary year has come, perhaps this little monument of his wife's collaboration may take its modest place among the tributes which will be paid to his memory. For Mary Shelley's mythological dramas can at least claim to be the proper setting for some of the most beautiful lyrics of the poet, which so far have been read in undue isolation. And even as a literary sign of those times, as an example of that classical renaissance which the romantic period fostered, they may not be altogether negligible.

These biographical and literary points have been dealt with in an introduction for which the kindest help was long ago received from the late Dr. Garnett and the late Lord Abinger. Sir Walter Raleigh was also among the first to give both encouragement and guidance. My friends M. Emile Pons and Mr. Roger Ingpen have read the book in manuscript. The authorities of the Bodleian Library and of the Clarendon Press have been as generously helpful as is their well known wont... Continue reading book >>

Genres for this book
Classics (antiquity)
Literature
Myths/Legends
Play

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