Pictorial Photography in America 1922 is a comprehensive and visually appealing collection of images compiled by the talented group of Pictorial Photographers of America. This exquisite book provides a fascinating insight into the artistic aspects of photography during the early 20th century in the United States.
The carefully curated selection of photographs showcases the diversity of subjects and styles embraced by American pictorial photographers during this era. From serene landscapes to striking portraits, each image tells a unique story, capturing the essence of the time and the artistic vision of the photographers.
One of the notable strengths of this book is its stunning presentation. The high-quality printing and attention to detail truly elevate the visual impact of the photographs. The images are beautifully reproduced, maintaining the integrity of the original works and allowing readers to immerse themselves in the intricacies of each composition. The careful consideration given to the layout and design further enhances the reading experience, making it an engaging and visually satisfying book to peruse.
Beyond the visual allure, the book offers valuable insights into the techniques and philosophies of the Pictorial Photographers of America. Accompanying the photographs are thought-provoking essays and commentaries that provide a deeper understanding of the creative process and the motivations behind the artistic choices made by these photographers. Delving into discussions on composition, lighting, and the interaction between photographer and subject, these writings shed light on the technical and conceptual aspects that shaped the images.
Moreover, Pictorial Photography in America 1922 also serves as a historical record of the photographic practices prevalent during this particular period. It serves as a testament to the evolving art form, capturing the transition from more traditional and pictorialist approaches to the emerging modernist perspectives that would soon dominate the field. The book not only preserves the works of these influential photographers but also allows readers to follow the trajectory of photography as it grows and evolves.
While this book is undoubtedly a valuable resource for photography enthusiasts and historians, it may not appeal to those seeking a more contemporary or avant-garde exploration of the medium. As the title suggests, its focus is cemented firmly in the year 1922, limiting the scope to a particular time period and style. However, this deliberate focus ensures that the book remains a comprehensive and authentic representation of American pictorial photography during this era.
In conclusion, Pictorial Photography in America 1922 is a visually captivating and intellectually stimulating book that documents the breadth and depth of photographic artistry in early 20th-century America. Its exquisite presentation, insightful essays, and historical significance make it a worthwhile addition to the library of anyone interested in the history and evolution of photography as an art form.
First Page:
Pictorial Photography in America 1922 Pictorial Photographers of America
New York
1922
Committee of Selection DR. A. D. CHAFFEE JOHN PAUL EDWARDS G. W. HARTING DR. ARNOLD GENTHE GERTRUDE KASEBIER O.C. REITER
Advisory Committe from American Institute of Graphic Arts RAY GREENLEAF HARRY A. GROESBECK, JR. WILLIAM EDWIN RUDGE
Publication Committee GUY GAYLOR CLARK G. W. HARTING DR. THERON W. KILMER JOSEPH R. MASON HENRY HOYT MOORE CORNELIA WHITE MILDRED RUTH WILSON JERRY D. DREW, Chairman
ILLUSTRATIONS
A DECORATIVE PANEL By Thos. O. Sheckell, Salt Lake City, Utah IN A DANCER'S STUDIO By Wayne Albee, Seattle, Washington HOUSE BOATS By Ernest M. Pratt, Los Angeles, Calif. MAY I COME IN? By Robert R. McGeorge, Buffalo, N. Y. THE DISTANT SAIL By William Gordon Shields, New York City GATEWAY, DINAN By Dr. Chas. H. Jaeger, New York City SILHOUETTES EGYPT By JULIA MARSHALL, Duluth, Minn. MOUNT EVERETT By Robert B. Montgomery, Brooklyn, N. Y. THE BACK FENCE By C. R. Herzler, New York City ON DECK OF THE METAGAMA By JOHAN HAGEMEYER, San Francisco, Calif. TIDEWATER By Amelia H. McLean, Bronxville, N. Y. STREET VENDORS ROME, ITALY By H. A. Latimer, Boston, Mass. SUMMERTIME By PAUL WIERUM, Chicago, Ill... Continue reading book >>
