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The Oriental Rug A Monograph on Eastern Rugs   By: (1854-1913)

The Oriental Rug A Monograph on Eastern Rugs by W. D. (William DeLancey) Ellwanger

The Oriental Rug A Monograph on Eastern Rugs by W. D. (William DeLancey) Ellwanger is an informative and compelling exploration of the rich history and exquisite craftsmanship behind these intricate floor coverings. Ellwanger's meticulous research and passionate prose make this monograph a valuable resource for anyone with an interest in Eastern rugs.

The book delves into the origins and cultural significance of oriental rugs, taking readers on a journey across various countries and periods. Ellwanger skillfully navigates through the complex tapestry of history, introducing readers to the diverse traditions and weaving techniques prevalent in different regions. From Persia to China, from Turkey to India, every chapter unravels the mystique behind these stunning pieces of art.

What sets this monograph apart is Ellwanger's keen eye for detail and his ability to convey his deep appreciation for the rugs. The author's descriptions of the intricate designs, vibrant colors, and careful craftsmanship evoke a vivid sense of the rugs' beauty. Each page is adorned with stunning illustrations, showcasing the diversity of patterns and motifs found in these rugs, allowing readers to visually immerse themselves in their magnificence.

Moreover, Ellwanger's explanations of the practicalities and symbolism of oriental rugs provide insight into their utilitarian and artistic merits. The author navigates through the historical contexts in which these rugs were used, be it a centerpiece of opulent palaces or a humble floor covering in nomadic tents. Ellwanger also explores the cultural symbolism attached to certain designs, shedding light on the intricate messages and meanings woven into the fabric.

While the monograph excels in providing historical and artistic context, it also serves as a practical guide for enthusiasts and collectors. Ellwanger skillfully explains the various types of oriental rugs, the differences in materials used, and the techniques employed in their creation. He offers tips on distinguishing between authentic rugs and imitations, guiding readers through the intricate landscape of the market.

One minor drawback of the book is that at times, the level of detail might appear overwhelming to those seeking a more general overview of the subject. However, Ellwanger's enthusiasm and passion for the topic make up for any potential complexity, as his love for these rugs shines through every page. One cannot help but feel a renewed admiration and desire to learn more about this captivating art form.

In conclusion, The Oriental Rug A Monograph on Eastern Rugs is a comprehensive and captivating exploration that will undoubtedly captivate anyone with an interest in these artistic marvels. Ellwanger's rich historical research, stunning illustrations, and contagious passion make this monograph a noteworthy addition to any rug enthusiast's collection.

First Page:

THE ORIENTAL RUG

[Illustration:

PLATE I. ANTIQUE LADIK Prayer Rug FROM THE COLLECTION OF MR. GEORGE H. ELLWANGER Size: 3.10 x 6]

THE ORIENTAL RUG

A MONOGRAPH ON EASTERN RUGS AND CARPETS, SADDLE BAGS, MATS & PILLOWS. WITH A CONSIDERATION OF KINDS AND CLASSES, TYPES, BORDERS, FIGURES, DYES, SYMBOLS ETC. TOGETHER WITH SOME PRACTICAL ADVICE TO COLLECTORS.

BY W. D. ELLWANGER

Author of "A Summer Snowflake"

NEW YORK: DODD, MEAD & COMPANY. 1909

Copyright, 1903 BY DODD, MEAD AND COMPANY Published September, 1903

PREFACE

That Oriental rugs are works of art in the highest sense of the term, and that fine antique specimens, of even modest size, have a financial value of ten, fifteen, or thirty eight thousand dollars, has been recently determined at public auction. At this auction, several nations had a representative voice in the bidding, and the standard of price was fairly established. The value of rugs may have been imaginary and sentimental heretofore; it is now a definite fact, with figures apparently at the minimum. What the maximum may prove, remains to be seen.

Choice old rugs, therefore, to day come into the same class with genuine paintings of the old Dutch School; with canvases of Teniers, Ruysdael, Cuyp, Ostade, or whatever similar artist's work may have escaped the museums... Continue reading book >>




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