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Murillo   By: (1872-1958)

Murillo by Samuel L. Bensusan

In Samuel L. Bensusan's Murillo, the reader is taken on a captivating journey through the life and works of the renowned Spanish painter, Bartolomé Esteban Murillo. With meticulous research and vivid storytelling, Bensusan paints a comprehensive picture of Murillo's artistic genius and the vibrant Baroque era in which he thrived.

One of the book's standout qualities is the author's ability to seamlessly weave together the historical context surrounding Murillo's life and career. Bensusan dives deep into 17th century Seville, exploring the city's social and cultural dynamics, religious fervor, and artistic movements that heavily influenced Murillo's artistic style. By doing so, the reader gains a profound understanding of the artist's background and the larger world in which he lived.

Bensusan's meticulous attention to detail is also evident in his engaging depiction of Murillo's works. Through carefully crafted descriptions and analysis, the author offers a clear and insightful examination of Murillo's artistic techniques, subjects, and the symbolism within his paintings. Such analysis not only provides a newfound appreciation for Murillo's artistry but also allows the reader to grasp the profound messages and emotions conveyed through his work.

Furthermore, Bensusan succeeds in presenting Murillo as a multifaceted and complex individual. The biography delves into Murillo's personal life, revealing the artist's struggles, triumphs, and the influences that shaped him. By exploring the challenges faced by Murillo, such as the loss of his family during an epidemic and the impact of political events, the reader gains a deeper understanding of the artist's motivations, fears, and resilience.

Additionally, Bensusan's narrative style keeps the reader engaged throughout the book. His prose is fluid, informative, and accessible, striking a balance between scholarly analysis and captivating storytelling. The author's ability to flesh out historical anecdotes and characters creates a vivid tapestry, immersing the reader in the world of Murillo and his contemporaries.

If there is any criticism to be raised, it would be that at times the book's focus on the historical context can slightly overshadow Murillo himself. While valuable and necessary, the detailing of the era's political events and religious tensions may distract readers seeking a more intimate exploration of the artist's inner world. However, this does not diminish the overall quality and significance of Bensusan's work.

In conclusion, Murillo by Samuel L. Bensusan is an exceptional biography that brings to life the remarkable journey of the legendary Spanish painter. With its comprehensive historical research, insightful analysis of Murillo's art, and captivating storytelling, the book is a must-read for art enthusiasts, history buffs, and anyone desiring to uncover the beauty and complexities of one of Spain's most celebrated artists.

First Page:

MASTERPIECES IN COLOUR

EDITED BY T. LEMAN HARE

MURILLO

1618 1682

======================================================================

PLATE I. THE IMMACULATE CONCEPTION. Frontispiece.

(From the Louvre, Paris)

This greatly admired canvas is one of the painter's many studies of a familiar subject. There are more than a dozen pictures of the Immaculate Conception whose authenticity is undisputed, and there are many others on offer in Spain, clever and sometimes old imitations of the master's mannerisms. In this case the figure of the Virgin is rather over elaborated, but the treatment of the attendant cherubs is delightful and the composition very skilful.

[Illustration: PLATE I. THE IMMACULATE CONCEPTION]

======================================================================

MURILLO

BY S. L. BENSUSAN

ILLUSTRATED WITH EIGHT

REPRODUCTIONS IN COLOUR

[Illustration: title page art]

LONDON: T. C. & E. C. JACK

NEW YORK: FREDERICK A. STOKES CO.

1910

LIST OF ILLUSTRATIONS

Plate

I. The Immaculate Conception . . . . . . . . . . . Frontispiece From the Louvre, Paris

II. The Beggar Girl From the Dulwich Gallery

III. The Holy Family From the Louvre, Paris

IV... Continue reading book >>




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