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Monsieur Maurice   By: (1831-1892)

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Monsieur Maurice by Amelia Ann Blanford Edwards is a captivating and atmospheric novel that takes readers on a thrilling journey through 19th-century France. Set in the picturesque town of Dijon, the story revolves around the mysterious and enigmatic character of Monsieur Maurice.

The plot of the book is multi-layered and intricately woven, keeping the readers engaged from the very beginning. The story follows the life of Monsieur Maurice, a renowned art connoisseur and collector, who is known for his reclusive lifestyle and eccentricities. When a young, ambitious journalist named Georges Corrand stumbles upon the opportunity to interview the elusive art lover, his life takes an unexpected turn.

Amelia Ann Blanford Edwards skillfully develops each character, giving them depth and complexity. The interactions between Monsieur Maurice and Georges Corrand are particularly intriguing, as they navigate their complicated relationship, filled with distrust and secrets. Furthermore, Edwards' attention to detail transports readers to the elegant salons, art galleries, and hidden corners of the town, creating a vivid and immersive reading experience.

One of the strongest aspects of Monsieur Maurice is the author's ability to capture the essence of the time period. The novel provides a richly detailed depiction of the society, culture, and art scene of 19th-century France. Edwards effortlessly combines history and fiction, incorporating real-life artists and events into her narrative, which adds an additional layer of authenticity to the story.

The pacing of the book is well-crafted, with just the right balance of suspense, intrigue, and character development. The author expertly builds tension, leading readers through a series of twists and turns that keep them guessing until the very end. The plot unfolds at a steady pace, never rushed or overly convoluted, allowing readers to fully absorb and appreciate the intricacies of the story.

Another element that stands out in Monsieur Maurice is the rich prose and elegant writing style of Amelia Ann Blanford Edwards. Her descriptions are beautifully rendered, painting vibrant and immersive landscapes in the reader's mind. From the opulent art collections to the subtle nuances of the characters' emotions, every aspect is beautifully depicted, evoking a strong sense of time and place.

However, while the majority of the book is captivating, there are instances where the narrative loses momentum. Some sections feel slightly drawn out, and certain plot threads could have been further developed to enhance the overall story. Nevertheless, these minor flaws do not detract significantly from the overall enjoyment and quality of the novel.

In conclusion, Monsieur Maurice is a compelling work of historical fiction that seamlessly integrates mystery, art, and complex characters. Amelia Ann Blanford Edwards has masterfully crafted a story that transports readers to a bygone era and keeps them engaged until the final page. Fans of historical fiction and mysteries will undoubtedly find this novel to be a delightful and satisfying read.

First Page:

MONSIEUR MAURICE

By

AMELIA B. EDWARDS

1873

1

The events I am about to relate took place more than fifty years ago. I am a white haired old woman now, and I was then a little girl scarce ten years of age; but those times, and the places and people associated with them, seem, in truth, to lie nearer my memory than the times and people of to day. Trivial incidents which, if they had happened yesterday, would be forgotten, come back upon me sometimes with all the vivid detail of a photograph; and words unheeded many a year ago start out, like the handwriting on the wall, in sudden characters of fire.

But this is no new experience. As age creeps on, we all have the same tale to tell. The days of our youth are those we remember best and most fondly, and even the sorrows of that bygone time become pleasures in the retrospect. Of my own solitary childhood I retain the keenest recollection, as the following pages will show.

My father's name was Bernhard Johann Ludwig Bernhard; and he was a native of Coblentz on the Rhine. Having grown grey in the Prussian service, fought his way slowly and laboriously from the ranks upward, been seven times wounded and twice promoted on the field, he was made colonel of his regiment in 1814, when the Allies entered Paris. In 1819, being no longer fit for active service, he retired on a pension, and was appointed King's steward of the Château of Augustenburg at Brühl a sort of military curatorship to which few duties and certain contingent emoluments were attached... Continue reading book >>




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