Little Folks (July 1884) A Magazine for the Young By: Various |
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Little Folks (July 1884) is a delightful magazine that successfully brings together a range of stories, poems, and features that cater to a young audience. Packed with captivating illustrations and engaging content, this edition provides a glimpse into the world of children's literature in the late 19th century.
One of the highlights of this magazine is its collection of stories. The tales feature a variety of themes, from adventure and fantasy to moral lessons and slice-of-life moments. These stories are well-crafted and have a timeless quality that can still resonate with young readers today. Whether it's following the thrilling adventures of young protagonists or getting lost in the imaginative landscapes of enchanted worlds, the stories in this magazine capture the imagination and offer a good dose of entertainment.
The magazine also includes a selection of poems, lending a lyrical and artistic touch to its pages. These verses, written by different authors, explore diverse subjects such as nature, friendship, and childhood experiences. The poetry section adds a beautiful and melodic dimension to the magazine, providing moments of reflection and introspection for young readers.
Furthermore, Little Folks includes various features that enhance its educational value. From informative articles about science and history to puzzles and brain teasers, the magazine aims to engage young minds in a playful and educational manner. These features offer a mix of entertainment and learning, encouraging curiosity and expanding the knowledge of young readers.
The beautiful illustrations accompanying the stories, poems, and features are worth mentioning as well. Drawn by talented artists, these images capture the essence of the narratives and characters, bringing them to life on the page. The artwork complements the text perfectly, immersing readers further into the world of Little Folks.
Moreover, as a historical artifact, this magazine becomes even more valuable. It offers fascinating insights into the social and cultural attitudes of the time, as well as the expectations placed on young readers. It serves as a window into the past, allowing present-day readers to appreciate the evolution of children's literature.
While the magazine certainly offers great content, it should be noted that some of the stories and ideas may feel outdated or unfamiliar to modern readers, given the time period in which it was published. However, this adds to the charm and historical value of the collection.
In conclusion, Little Folks (July 1884) is a captivating magazine that showcases the vibrant world of children's literature in the late 19th century. With its well-crafted stories, beautiful illustrations, and educational features, it offers a delightful reading experience for young audiences. Whether appreciated as a historical artifact or enjoyed for its inherent charm, this magazine is a wonderful addition to any collection of children's literature. LITTLE FOLKS: A Magazine for the Young. NEW AND ENLARGED SERIES. CASSELL AND COMPANY, LIMITED: LONDON, PARIS & NEW YORK. [ALL RIGHTS RESERVED.] [Illustration] [Illustration: A QUEEN OF THE BEACH.] LITTLE FOLKS. A LITTLE TOO CLEVER. By the Author of "Pen's Perplexities," "Margaret's Enemy," "Maid Marjory," &c. CHAPTER I. THE MOOR. [Illustration] Crimson and gold. As far as one could see across the moor it was one broad expanse of purply heather, kindled into a glowing crimson by the blaze of ruddy sunshine, and lighted here and there by bright patches of the thorny golden rod. Dame Nature had evidently painted out of her summer paint box, and had not spared her best and brightest colours. Crimson lake, children; you know what a lovely colour it is, and how fast it goes, for you are very fond of using it, and there is only one cake in each of your boxes. But here was crimson lake enough to have emptied all the paint boxes in the world, you might suppose, and the brightest of goldy yellows, and the greenest of soft transparent greens, such as no paint box ever did, nor ever will, possess; and over all the most azure of blues, flecked with floating masses of soft indescribable white, looking to Elsie like the foamy soapsuds at the top of the tub when mother had been having a rare wash, but to Duncan like lumps of something he had once tasted and never forgotten, called cocoa nut ice... Continue reading book >>
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