In a Glass Darkly, v. 3/3 By: Joseph Sheridan LeFanu (1814-1873)
In the final volume of "In a Glass Darkly", Joseph Sheridan Le Fanu continues to mesmerize readers with his eerie and atmospheric collection of gothic tales. This anthology of five gripping stories takes us deeper into the dark recesses of human nature, dipping its toes into the realms of horror and the supernatural. The first story, "Carmilla," presents a unique twist on the classic vampire narrative. Le Fanu effortlessly weaves a tale of chilling suspense as a young woman falls prey to the advances of a mysterious and seductive female vampire. Delving into themes of forbidden desire and hidden secrets, this story artfully explores the psychological dimensions of vampire lore, transcending the genre's common tropes. Another standout story, "The Room in the Dragon Volant," follows the misadventures of a young Englishman abroad in France, uncovering the treacherous world of deceit and danger that lies beneath the seemingly glamorous surface. Le Fanu masterfully builds tension and establishes a sense of impending doom, keeping readers on edge until the very last page. Through each story, Le Fanu showcases his ability to craft vivid and captivating characters. From the enigmatic Carmilla to the tormented protagonist of "The Haunted Baronet," each individual comes to life through the author's richly detailed descriptions. Le Fanu skillfully uses their experiences to delve into the complexities of the human psyche, highlighting the terrifying potential that lies within. What sets Le Fanu apart from other authors of his time is his adeptness at creating an atmosphere of unease. His writing style is hauntingly beautiful, with a lyrical quality that heightens the otherworldly aura of his tales. Le Fanu's attention to atmospheric detail becomes all-consuming, immersing the reader in a world where the line between reality and nightmare is tantalizingly blurred. While "In a Glass Darkly" may not boast a unified narrative, its strength lies in the masterful execution of each individual story, leaving readers spellbound and craving for more. Le Fanu seamlessly blends fear and fascination, resulting in a collection that truly stands the test of time. His exploration of the supernatural and human darkness serve as a reminder that the most frightening things often lie within ourselves. In conclusion, the third volume of "In a Glass Darkly" is a mesmerizing culmination of Le Fanu's gothic brilliance. With its beautifully crafted characters, chilling atmosphere, and thought-provoking themes, this anthology is a must-read for lovers of classic horror literature. Prepare to be transported to a world where the shadows whisper and the unknown lurks around every corner. Le Fanu will leave you haunted long after you turn the final page. First Page: IN A GLASS DARKLY BY J. SHERIDAN LE FANU, AUTHOR OF "UNCLE SILAS," &C. IN THREE VOLUMES. VOL. III. LONDON: R. BENTLEY & SON, NEW BURLINGTON STREET. 1872. In a Glass Darkly. THE ROOM IN THE DRAGON VOLANT. VOL. III. CHAPTER XXIV. HOPE. She had scarcely set down my heavy box, which she seemed to have considerable difficulty in raising on the table, when the door of the room in which I had seen the coffin, opened, and a sinister and unexpected apparition entered. It was the Count de St. Alyre, who had been, as I have told you, reported to me to be, for some considerable time, on his way to Père la Chaise. He stood before me for a moment, with the frame of the doorway and a background of darkness enclosing him, like a portrait. His slight, mean figure was draped in the deepest mourning. He had a pair of black gloves in his hand, and his hat with crape round it. When he was not speaking his face showed signs of agitation; his mouth was puckering and working. He looked damnably wicked and frightened. "Well, my dear Eugenie? Well, child eh? Well, it all goes admirably?" "Yes," she answered, in a low, hard tone. "But you and Planard should not have left that door open." This she said sternly. "He went in there and looked about wherever he liked; it was fortunate he did not move aside the lid of the coffin... Continue reading book >>

In a Glass Darkly, v. 3/3 By: Joseph Sheridan LeFanu (1814-1873)

In the final volume of "In a Glass Darkly", Joseph Sheridan Le Fanu continues to mesmerize readers with his eerie and atmospheric collection of gothic tales. This anthology of five gripping stories takes us deeper into the dark recesses of human nature, dipping its toes into the realms of horror and the supernatural.

The first story, "Carmilla," presents a unique twist on the classic vampire narrative. Le Fanu effortlessly weaves a tale of chilling suspense as a young woman falls prey to the advances of a mysterious and seductive female vampire. Delving into themes of forbidden desire and hidden secrets, this story artfully explores the psychological dimensions of vampire lore, transcending the genre's common tropes.

Another standout story, "The Room in the Dragon Volant," follows the misadventures of a young Englishman abroad in France, uncovering the treacherous world of deceit and danger that lies beneath the seemingly glamorous surface. Le Fanu masterfully builds tension and establishes a sense of impending doom, keeping readers on edge until the very last page.

Through each story, Le Fanu showcases his ability to craft vivid and captivating characters. From the enigmatic Carmilla to the tormented protagonist of "The Haunted Baronet," each individual comes to life through the author's richly detailed descriptions. Le Fanu skillfully uses their experiences to delve into the complexities of the human psyche, highlighting the terrifying potential that lies within.

What sets Le Fanu apart from other authors of his time is his adeptness at creating an atmosphere of unease. His writing style is hauntingly beautiful, with a lyrical quality that heightens the otherworldly aura of his tales. Le Fanu's attention to atmospheric detail becomes all-consuming, immersing the reader in a world where the line between reality and nightmare is tantalizingly blurred.

While "In a Glass Darkly" may not boast a unified narrative, its strength lies in the masterful execution of each individual story, leaving readers spellbound and craving for more. Le Fanu seamlessly blends fear and fascination, resulting in a collection that truly stands the test of time. His exploration of the supernatural and human darkness serve as a reminder that the most frightening things often lie within ourselves.

In conclusion, the third volume of "In a Glass Darkly" is a mesmerizing culmination of Le Fanu's gothic brilliance. With its beautifully crafted characters, chilling atmosphere, and thought-provoking themes, this anthology is a must-read for lovers of classic horror literature. Prepare to be transported to a world where the shadows whisper and the unknown lurks around every corner. Le Fanu will leave you haunted long after you turn the final page.

First Page:

IN A GLASS DARKLY

J. SHERIDAN LE FANU,

AUTHOR OF "UNCLE SILAS," &C.

IN THREE VOLUMES.

VOL. III.

LONDON:

R. BENTLEY & SON, NEW BURLINGTON STREET.

1872.

In a Glass Darkly.

THE ROOM IN THE DRAGON VOLANT.

VOL. III.

CHAPTER XXIV.

HOPE.

She had scarcely set down my heavy box, which she seemed to have considerable difficulty in raising on the table, when the door of the room in which I had seen the coffin, opened, and a sinister and unexpected apparition entered.

It was the Count de St. Alyre, who had been, as I have told you, reported to me to be, for some considerable time, on his way to Père la Chaise. He stood before me for a moment, with the frame of the doorway and a background of darkness enclosing him, like a portrait. His slight, mean figure was draped in the deepest mourning. He had a pair of black gloves in his hand, and his hat with crape round it.

When he was not speaking his face showed signs of agitation; his mouth was puckering and working. He looked damnably wicked and frightened.

"Well, my dear Eugenie? Well, child eh? Well, it all goes admirably?"

"Yes," she answered, in a low, hard tone. "But you and Planard should not have left that door open."

This she said sternly. "He went in there and looked about wherever he liked; it was fortunate he did not move aside the lid of the coffin... Continue reading book >>

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