Imaginary Portraits By: Walter Pater (1839-1894) |
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In "Imaginary Portraits" by Walter Pater, readers are taken on a journey through various worlds and timelines, exploring the lives of influential historical figures. This collection of essays, while obscure compared to Pater's more well-known works, is a treasure trove for those who appreciate his unique literary style.
Pater's book is divided into several sections, each focusing on a different character. From the mysterious figure of Duke Carl of Rosenmold to the enigmatic philosopher Demophilos, Pater brings to life these forgotten heroes and villains. What sets this compilation apart is Pater's ability to dig deep into the psyche of these individuals, revealing their hidden desires and struggles.
One of the standout portraits is that of The Child in the House. Pater crafts a delicate and empathetic portrayal of a young boy and his coming-of-age experiences. The introspective nature of this character exploration allows readers to connect with the protagonist's feelings of isolation, wonder, and nostalgia. Pater's evocative descriptions transport us to realms of imagination and evoke a sense of longing for lost innocence.
Throughout the book, Pater's language is a testament to his mastery of the art of writing. His prose is elegant and poetic, effortlessly flowing from one thought to another. The author's vivid descriptions saturate every page, transporting readers to exquisite landscapes and intimate interiors. Pater's rich visual imagery, combined with his philosophical insights, creates a tapestry of emotions and ideas that lingers long after the pages are turned.
While the book is undeniably a literary gem, it may not be for everyone. Pater's dense and introspective style might deter those seeking a fast-paced or plot-driven narrative. Additionally, some readers may find it challenging to engage with the unfamiliar historical references and literary allusions scattered throughout the text. Nevertheless, for those willing to invest time and attention, "Imaginary Portraits" offers a rewarding reading experience, filled with intellectual musings and aesthetic delights.
In conclusion, "Imaginary Portraits" by Walter Pater is a collection of essays that dives deep into the psychology and imagination of historical figures. Pater's lyrical prose, combined with his impeccable storytelling skills, make for a captivating and introspective journey. While it may not be suited for all tastes, those with an affinity for elegant literature and thought-provoking character studies will find this book an absolute delight. by Walter Pater 4th edition CONTENTS CHAPTER I. A PRINCE OF COURT PAINTERS CHAPTER II. DENYS L'AUXERROIS CHAPTER III. SEBASTIAN VAN STORCK CHAPTER IV. DUKE CARL OF ROSENMOLD CHAPTER I. A PRINCE OF COURT PAINTERS EXTRACTS FROM AN OLD FRENCH JOURNAL Valenciennes, September 1701. They have been renovating my father's large workroom. That delightful, tumble down old place has lost its moss grown tiles and the green weather stains we have known all our lives on the high whitewashed wall, opposite which we sit, in the little sculptor's yard, for the coolness, in summertime. Among old Watteau's workpeople came his son, "the genius," my father's godson and namesake, a dark haired youth, whose large, unquiet eyes seemed perpetually wandering to the various drawings which lie exposed here. My father will have it that he is a genius indeed, and a painter born. We have had our September Fair in the Grande Place, a wonderful stir of sound and colour in the wide, open space beneath our windows. And just where the crowd was busiest young Antony was found, hoisted into one of those empty niches of the old Hotel de Ville, sketching the scene to the life, but with a kind of grace a marvellous tact of omission, as my father pointed out to us, in dealing with the vulgar reality seen from one's own window which has made trite old Harlequin, Clown, and Columbine, seem like people in some fairyland; or like infinitely clever tragic actors, who, for the humour of the thing, have put on motley for once, and are able to throw a world of serious innuendo into their burlesque looks, with a sort of comedy which shall be but tragedy seen from the other side... Continue reading book >>
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