The Easiest Way Representative Plays by American Dramatists: 1856-1911   By: Eugene Walter (1874-1941)

The Easiest Way Representative Plays by American Dramatists: 1856-1911 by Eugene Walter offers a comprehensive collection of influential plays from a crucial period in American theater history. As an aspiring playwright, I found this anthology to be an exceptional resource, providing deep insight into the development of American drama.

The book begins with a well-researched introduction, penned by the accomplished Eugene Walter, which sets the stage for what lies ahead. Walter's extensive knowledge of the subject shines through as he navigates the historical, cultural, and artistic context surrounding each play.

The anthology features a diverse selection of plays, showcasing the evolution of American playwriting during this expansive era. From honest portrayals of social issues to captivating character-driven narratives, the chosen plays offer a rich tapestry of themes and genres. The inclusion of lesser-known works alongside widely recognized plays gives readers a well-rounded understanding of the era and exhibits the richness of American theater beyond the conventional classics.

What truly sets this collection apart is the insightful commentary that accompanies each play. Walter's astute analyses provide indispensable context, shedding light on the author's intentions, societal implications, and artistic techniques. This additional layer of understanding greatly enhances the reader's experience and immerses them into the vibrant world of each play.

One of the key strengths of The Easiest Way Representative Plays is the inclusion of pivotal works that challenged established norms and pushed the boundaries of American drama. From exploring taboo subjects to presenting complex characters, these plays provide a captivating look into the social and cultural dynamics of the time. Commendably, the anthology does not shy away from controversial content and fearlessly reveals the crucial contributions made by American playwrights, often overlooked in more traditional theater circles.

As a reference book, this anthology is exceptional. The meticulous research and comprehensive introduction make it an invaluable resource for scholars and theater enthusiasts alike. Walter's contribution is evident throughout the book, and his passion for American drama is contagious. This anthology serves as a catalyst for further exploration and analysis, providing an excellent springboard for deeper investigations into the works of individual playwrights.

If I were to offer any criticism, it would be the omission of some incredibly impactful works from this era. Although the selection is extensive, certain key plays may have been overlooked, leaving readers thirsting for a more complete representation of American drama from this time period.

In conclusion, The Easiest Way Representative Plays by American Dramatists: 1856-1911 is a must-read for anyone intrigued by the development of American theater. Eugene Walter's comprehensive introduction and insightful commentary, combined with a diverse selection of plays, make it an essential reference for understanding the evolution of American drama during this exciting era. This anthology opens the door to further exploration and appreciation of these influential works, sparking curiosity and appreciation for these forgotten gems of American theater.

First Page:

Such was not the verdict of the first night audience, at the Stuyvesant Theatre, New York, January 19, 1909. It was found to be one of the most direct pieces of work the American stage had thus far produced disagreeably realistic, but purging and that is the test of an effective play by the very poignancy of the tragic forces closing in around the heroine. Though it is not as literary a piece of dramatic expression as Pinero's "Iris," it is better in its effect; because its relentlessness is due, not so predominantly to the moral downgrade of the woman, as to the moral downgrade of a certain phase of life which engulfs those nearest the centre of it... Continue reading book >>