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Cottage Building in Cob, Pisé, Chalk and Clay a Renaissance (2nd edition)   By:

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Cottage Building in Cob, Pisé, Chalk and Clay a Renaissance (2nd edition) by Clough Williams-Ellis is an eye-opening and comprehensive guide to traditional construction methods that will captivate both architecture enthusiasts and DIY builders alike.

Williams-Ellis, renowned for his expertise in vernacular architecture, takes readers on a journey through the intricate art of building cottages using cob, pisé, chalk, and clay. The book delves deep into the history and resurgence of these traditional materials, offering a refreshing alternative to conventional construction approaches.

One of the notable aspects of this book is its meticulous attention to detail. Williams-Ellis leaves no stone unturned, addressing everything from site selection and preparation to the final touches of cottage completion. The author's deep knowledge and passion for the subject shine through, making this work an invaluable resource for aspiring builders or anyone curious about the craft of cottage construction.

The second edition of Cottage Building not only retains the wisdom and timeless knowledge of the first edition but also incorporates updated information and contemporary insights. The author's dedication to preserving traditional methods while adapting them to modern practices is evident throughout the book, making it relevant for today's builders seeking sustainable and environmentally friendly alternatives.

This book is not just a theoretical exploration; it offers practical guidance through detailed illustrations, photographs, and step-by-step instructions. Whether it's mixing cob and clay, constructing a pisé foundation, or sculpting beautiful finishes, the book empowers readers with the tools and know-how to embark on their own cottage-building journey.

Additionally, Williams-Ellis's prose style is engaging, making the technical aspects of construction accessible to a wider audience. The descriptive passages transport readers to picturesque villages and landscapes where these cottages have stood the test of time, providing both inspiration and a sense of cultural heritage.

One minor drawback of the book is its heavy reliance on illustrations and photographs. While these visuals are undoubtedly helpful, a more balanced integration of written explanations would enhance the reader's understanding of the techniques discussed.

In conclusion, Cottage Building in Cob, Pisé, Chalk and Clay a Renaissance (2nd edition) is a remarkable testament to the beauty and sustainability of traditional construction methods. Clough Williams-Ellis's passion and expertise in the field shine through every page, making this book a must-read for anyone intrigued by the art of cottage building or those seeking an eco-friendly approach to construction. Whether you are an aspiring builder or an architecture enthusiast, Cottage Building is an invaluable resource that will inspire and inform.

First Page:

[This e text comes in three forms: Unicode (UTF 8), Latin 1 and ASCII. Use the one that works best on your text reader.

If "oe" displays as a single character, and apostrophes and quotation marks are "curly" or angled, you have the UTF 8 version (best). If any part of this paragraph displays as garbage, try changing your text reader's "character set" or "file encoding". If that doesn't work, proceed to: In the Latin 1 version, "oe" is two letters, and apostrophes and quotation marks will have the straight ("typewriter") form. The word "Pisé" still has its accent, "æ" is a single letter, and the fractions ¼ ½ ¾ are one piece each. Again, if you see any garbage in this paragraph and can't get it to display properly, use: The ASCII 7 or rock bottom version. All accents are now gone, and fractions appear as "1/2".

In illustration captions, small capitals are shown as text; in the advertising, the same symbols represent boldface.

Headers of odd numbered pages changed from page to page. These have been marked as [Headnote] and are added to the Table of Contents in brackets to aid in text searching.

In the body text, s. and d. (shillings and pence) were always italicized; in the advertising, all prices were printed in boldface. Both have been left unmarked to reduce visual clutter... Continue reading book >>




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