The Comedies of Carlo Goldoni edited with an introduction by Helen Zimmern By: Carlo Goldoni (1707-1793) |
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The Comedies of Carlo Goldoni, edited with an introduction by Helen Zimmern, offers readers a captivating collection of comedic plays that depict the essence of 18th-century Italian theater. Carlo Goldoni, a prominent playwright of his time, masterfully creates vibrant characters and presents humorous situations that provoke both laughter and reflection.
One of the most remarkable aspects of this collection is Goldoni's ability to bring his characters to life. From cunning servants to buffoonish aristocrats, each individual is meticulously crafted with personalities that engage the reader from the very first scene. Goldoni's talent for blending humor with underlying social commentary is particularly evident in his depiction of the lower classes and their interactions with the upper classes. Through witty dialogue and clever physical comedy, he effortlessly highlights the absurdities of the social hierarchy, providing a critical lens through which readers can consider the injustices of the time.
Moreover, the introduction by Helen Zimmern adds a valuable layer of context to the collection. Zimmern's insightful analysis of Goldoni's life and works helps readers grasp the significance of his contributions to Italian theater. Her extensive research and clear writing style make the introduction both informative and accessible to readers who may not be familiar with the historical and cultural backdrop of Goldoni's plays.
Goldoni's comedies, while undoubtedly entertaining, also offer a deeper exploration of human nature. Through his characters' struggles and their pursuit of love, wealth, and status, the playwright touches on universal themes that transcend time and place. Though set in a different era, readers can still find connections to their own lives, with each play serving as a mirror to human relationships, aspirations, and follies.
However, this collection does come with a minor drawback. Due to the numerous plays included, some may find themselves growing tired or overwhelmed by the constant stream of comedic situations. It is recommended to approach this collection with breaks between each play, allowing time for reflection and appreciation of the nuances in Goldoni's writing.
In conclusion, The Comedies of Carlo Goldoni, edited with an introduction by Helen Zimmern, delivers a delightful journey through the world of 18th-century Italian theater. Goldoni's wit, combined with Zimmern's expert guidance, ensures an enjoyable and enlightening reading experience. This collection serves as a testament to Goldoni's enduring genius and his ability to entertain and provoke thought simultaneously. GOLDONI'S COMEDIES MORRISON AND GIBB, PRINTERS, EDINBURGH. THE COMEDIES OF CARLO GOLDONI EDITED WITH INTRODUCTION BY HELEN ZIMMERN LONDON DAVID STOTT, 370 OXFORD STREET, W. 1892 GOLDONI, good, gay, sunniest of souls, Glassing half Venice in that verse of thine, What though it just reflect the shade and shine Of common life, nor render, as it rolls, Grandeur and gloom? Sufficient for thy shoals Was Carnival: Parini's depths enshrine Secrets unsuited to that opaline Surface of things which laughs along thy scrolls. There throng the People: how they come and go, Lisp the soft language, flaunt the bright garb, see, On piazza, calle, under portico, And over bridge! Dear King of Comedy, Be honoured! Thou that didst love Venice so, Venice, and we who love her, all love thee! ROBERT BROWNING. CONTENTS. PAGE INTRODUCTION, 7 A CURIOUS MISHAP, 33 THE BENEFICENT BEAR, 95 THE FAN, 147 THE SPENDTHRIFT MISER, 229 INTRODUCTION. "Painter and son of nature," wrote Voltaire, at that time the arbitrator and the dispenser of fame in cultured Europe, to Carlo Goldoni, then a rising dramatist, "I would entitle your comedies, 'Italy liberated from the Goths... Continue reading book >>
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