Charles Dickens and Music   By: James T. (James Thomas) Lightwood (1856-1944)

In James T. Lightwood's Charles Dickens and Music, readers are treated to a fascinating exploration of the renowned author's lifelong connection with music. Lightwood's comprehensive knowledge and meticulous research weave together a captivating account that sheds light on an often overlooked aspect of Dickens' life and works.

From the opening pages, it becomes apparent that Lightwood is not only well-versed in the subject matter, but also deeply passionate about it. Through his rich prose and compelling storytelling, he draws readers into the world of Victorian England, where music played a significant role in society and in the life of Dickens himself.

One of the book's strongest qualities is Lightwood's ability to seamlessly intertwine biographical information with musical analysis. He skillfully examines how Dickens used music as a narrative tool, employing various musical elements to create atmosphere and enhance emotion within his novels. The author's in-depth analysis of specific scenes in Dickens' works, such as the iconic dance scene in "Bleak House," provides fresh insight into the author's creative process and offers a newfound appreciation for the intricate relationship between music and literature.

Moreover, Lightwood delves into the personal life of Charles Dickens, highlighting his deep involvement in the musical community of his time. Through meticulous research, the author uncovers Dickens' connections with notable composers and musicians, providing rare glimpses into his friendships and collaborations. These revelations not only contribute to the overall understanding of Dickens as an individual but also emphasize the significant role music played in his personal life.

While Lightwood's passion for the subject matter shines throughout the book, at times, the sheer amount of detail provided may overwhelm readers less familiar with musical terminology or Dickens' works. However, the author does make an effort to contextualize the musical references, ensuring that even those without prior knowledge can grasp the main points. Additionally, the inclusion of a glossary of musical terms proves to be a useful tool in navigating some of the more technical aspects discussed.

In conclusion, James T. Lightwood's Charles Dickens and Music is an invaluable resource for both Dickens enthusiasts and music lovers alike. Lightwood's meticulous research, insightful analysis, and passion for the subject combine to create a thoroughly enjoyable and enlightening reading experience. This book offers readers a deeper understanding of Charles Dickens, his relationship with music, and the profound impact it had on his literary masterpieces.

First Page:

For many years I have been interested in the various musical references in Dickens' works, and have had the impression that a careful examination of his writings would reveal an aspect of his character hitherto unknown, and, I may add, unsuspected. The centenary of his birth hastened a work long contemplated, and a first reading (after many years) brought to light an amount of material far in excess of what I anticipated, while a second examination convinced me that there is, perhaps, no great writer who has made a more extensive use of music to illustrate character and create incident than Charles Dickens. From an historical point of view these references are of the utmost importance, for they reflect to a nicety the general condition of ordinary musical life in England during the middle of the last century. We do not, of course, look to Dickens for a history of classical music during the period those who want this will find it in the newspapers and magazines; but for the story of music in the ordinary English home, for the popular songs of the period, for the average musical attainments of the middle and lower classes (music was not the correct thing amongst the 'upper ten'), we must turn to the pages of Dickens' novels... Continue reading book >>