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The Boy Captives   By: (1807-1892)

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The Boy Captives by John Greenleaf Whittier is a compelling and thought-provoking narrative that sheds light on a lesser-known aspect of history. Whittier delves into the harrowing experiences of two young boys, Joseph and Benjamin, who were taken captive during the French and Indian War.

The story grips readers from the very beginning, as the author sets the stage with vivid descriptions of the New England wilderness, where the boys lived with their family. Whittier masterfully captures the innocence and tranquility of their early years, making the subsequent events even more heart-wrenching.

As Joseph and Benjamin are forcibly separated from their family and thrust into an unfamiliar world, we are exposed to the unimaginable trials they face. Whittier excellently portrays the physical and emotional toll that captivity takes on the boys, making their ordeal palpable to readers. The author's meticulous attention to detail ensures that every interaction and dialogue feels authentic, further enhancing the narrative's impact.

One of the book's greatest strengths is its exploration of the complex relationships between the boys and their captors. Whittier presents a nuanced depiction of the Native American tribes involved, highlighting their cultural practices, beliefs, and the reasons behind their actions. This adds depth and nuance to the novel, challenging the reader to question preconceived notions and empathize with characters on both sides.

Whittier's prose is poetic and elegant, seamlessly weaving together historical facts with his engaging storytelling. His descriptions of the wilderness, the landscapes, and the perils encountered throughout the boys' journey are nothing short of mesmerizing. In a book that deals with such heavy subject matter, the author's ability to balance rich prose with a captivating plot is truly commendable.

However, while the narrative is undeniably gripping, some readers may find the pacing to be slightly slow at times. Whittier dedicates significant portions of the book to delving into the boys' inner thoughts and reflections, which can hinder the overall momentum of the story. Nonetheless, these introspective moments also provide valuable insight into the psychological effects of captivity, making them an essential component of the narrative.

In conclusion, The Boy Captives is a remarkable work of historical fiction that sheds light on a forgotten chapter in American history. Whittier's lyrical prose, profound character development, and meticulous research make for an enthralling reading experience. This book serves as a testament to the resilience of the human spirit and a reminder of the enduring power of hope in even the darkest of times.

First Page:

THE BOY CAPTIVES

An Incident of the Indian War of 1695

by John Greenleaf Whittier

BEGINNING

THE township of Haverhill, even as late as the close of the seventeenth century, was a frontier settlement, occupying an advanced position in the great wilderness, which, unbroken by the clearing of a white man, extended from the Merrimac River to the French villages on the St. Francois. A tract of twelve miles on the river and three or four northwardly was occupied by scattered settlers, while in the centre of the town a compact village had grown up. In the immediate vicinity there were but few Indians, and these generally peaceful and inoffensive. On the breaking out of the Narragansett War, [1] the inhabitants had erected fortifications, and taken other measures for defence; but, with the possible exception of one man who was found slain in the woods in 1676, none of the inhabitants were molested; and it was not until about the year 1689 that the safety of the settlement was seriously threatened. Three persons were killed in that year. In 1690 six garrisons were established in different parts of the town, with a small company of soldiers attached to each. Two of these houses are still standing. They were built of brick, two stories high, with a single outside door, so small and narrow that but one person could enter at a time; the windows few, and only about two and a half feet long by eighteen inches wide, with thick diamond glass secured with lead, and crossed inside with bars of iron... Continue reading book >>




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