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By: William George Jordan (1864-1928) | |
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![]() Change your life by changing your thoughts. The Majesty of Calmness is your guide to attracting prosperity, manifesting opportunities, and managing stress–all while discovering the values most precious to you. |
By: American Bible Union | |
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![]() This 1871 revision of The Psalms by the American Bible Union is based on the “Common Version”, another name for the 1833 revision of the King James Version of The Bible by Noah Webster. | |
![]() This Revised Testament has been prepared under the auspices of the American Bible Union, by the most competent scholars of the day. No expense has been spared to obtain the oldest translations of the Bible, copies of the ancient manuscripts, and other facilities to make the revision as perfect as possible. The paragraph form has been adopted in preference to the division by verse, which is a modern mode of division, never used in the ancient scriptures. But, for convenience of reference, the numbers of the verses are retained... | |
By: Margery Williams (1881-1944) | |
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![]() “What is REAL?” asked the Rabbit one day… Written in 1922, The Velveteen Rabbit, or, How Toys Become Real is the tale of a sweet unassuming toy rabbit who questions what it is to live and to love. It was the first children’s title written by Margery Williams (1881 – 1944), who had previously created only for adults. This story eclipsed all others, to become her most famous work, and an ever adored classic for all ages. |
By: John Ruskin (1819-1900) | |
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![]() A series of lectures on landscape painting delivered at Oxford in 1871, by artist, critic, and social commentator, John Ruskin. | |
![]() John Ruskin (1819 – 1900) is best known for his work as an art critic and social critic, but is remembered as an author, poet and artist as well. Unto This Last is an important work of political economic though that influenced Gandhi, among others. (Hugh McGuire/Wikipedia) | |
![]() When three brothers mortally offend Mr. Southwest Wind, Esquire, their farm is laid waste and their riches lost. Desperate for money, the brothers become goldsmiths and melt down their remaining treasures . . . only to find that the spirit of the King of the Golden River resides with a molded tankard, and knows the secret of the riches of the Golden River. (Introduction by Xenutia) | |
![]() "The Two Paths" is a collection of five lectures delivered in 1858 and 1859 by John Ruskin on art and architecture. This is how the author himself presents the book: "The following addresses, though spoken at different times, are intentionally connected in subject; their aim being to set one or two main principles of art in simple light before the general student, and to indicate their practical bearing on modern design. The law which it has been my effort chiefly to illustrate is the dependence of all noble design, in any kind, on the sculpture or painting of Organic Form." The most famous of these, the fifth lecture, is commonly known simply as "The Work of Iron" | |
![]() The Seven Lamps of Architecture, published in May 1849, is an extended essay written by the English art critic and theorist John Ruskin. The 'lamps' of the title are Ruskin's principles of architecture, which he later enlarged upon in the three-volume The Stones of Venice. To an extent, they codified some of the contemporary thinking behind the Gothic Revival. At the time of its publication A.W.N. Pugin and others had already advanced the ideas of the Revival and it was well under way in practice... | |
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![]() The Stones of Venice is a three-volume treatise on Venetian art and architecture by English art historian John Ruskin, first published from 1851 to 1853. Intending to prove how the architecture in Venice exemplified the principles he discussed in his earlier work, The Seven Lamps of Architecture, Ruskin examined the city in detail, describing for example over eighty churches. He discusses architecture of Venice's Byzantine, Gothic and Renaissance periods, and provides a general history of the city as well... | |
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By: Frederick Marryat (1792-1848) | |
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![]() The children of Colonel Beverley, a Cavalier officer killed at the Battle of Naseby are believed to have died in the flames when their house, Arnwood, is burned by Roundhead soldiers. However, they escape and are raised by Joseph Armitage, a gamekeeper in his cottage in the New Forest. The story describes how the children adapt from anaristocratic lifestyle to that of simple cottagers. The children are concealed as the grandchildren of Armitage. Eventually after Armitage’s death, Edward Beverley leaves and works as a secretary for the sympathetic Puritan placed in charge of the Royal land in the New Forest... | |
![]() One of the first novel-length pieces of nautical fiction, MR. MIDSHIPMAN EASY (1836) is a funny and easygoing account of the adventures of Jack Easy, a son of privilege who joins the Royal Navy. The work begins as a satire on Jack’s attachment to “the rights of man” that may try the listener’s patience. But despair not, for the story soon settles down as the philosophical midshipman begins his many triumphs over bullies, foul weather, and various damned foreigners of murderous intent.Caveat audiens: This novel employs racial/ethnic epithets and religious stereotypes, as well as taking a rather sunny view of supply-side economics... | |
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![]() Rebelling against the career chosen for him by his wealthy family, Frederic Marryat joined the Royal Navy in 1806 at the age of 14. He first served as a midshipman in the 38-gun frigate "HMS Imperieuse" commanded by Lord Cochran, 10th Earl of Dundonald whose real life exploits were used by Marryat in his fiction and which formed the basis for other famous fictional characters like Horatio Hornblower and Jack Aubrey. Having survived more than 50 sea battles and attained the rank of Post Captain, he resigned from the Navy and devoted the rest of his life to writing, drawing a good deal on his distinguished career in the Navy and is now considered the Father of Modern Nautical Fiction... | |
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![]() This is a quite amusing nautical tale of the British Navy of the around the year 1700. While, as with much early 'humor', it is somewhat heavy-handed, the sympathies of the author are clear and good, and cruelty is often averted by good fortune or background characters. First published under the title 'The Dog Fiend', the primary characters are an evil captain of a cutter and his dog. The dog seems indestructible, as is the poor cabin boy who is the butt of the captain's ill humor, and who often is chewed on by the dog... | |
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