Although best known for his Winnie the Pooh stories, A.A. Milne spent years as an editor at the English humor magazine Punch. These sprightly essays were chosen from the hundreds he wrote during that period. As usual, they are funny, wry, and poke fun at almost all of our human foibles. There are 6 short one act plays that he wrote to demonstrate the 6 allowable plots for amateur playwrights and they are absolutely hilarious. The other topics run the gamut from dogs to dates.

The poetry of childhood is full of attractiveness to the artist, and many and varied are the forms in which he interprets it. The Christ-child has been his highest ideal. All that human imagination could conceive of innocence and purity and divine loveliness has been shown forth in the delineation of the Babe of Bethlehem. The influence of such art has made itself felt upon all child pictures. It matters not whether the subject be a prince or a street-waif; the true artist sees in him something which is lovable and winning, and transfers it to his canvas for our lasting pleasure.

This is a letter to the Toronto Board of Trade regarding Canadian copyrights. Morang requested an appearance before the Toronto Board of Trade but was denied. This is his letter in response. He wished to make clear his position.

Twenty-year-old Mary Alice is bored with her home life and envious of the beautiful, poised, popular girls she sees at parties. At her mother's advice, she reluctantly visits her Godmother in New York, who teaches Mary Alice a little homemade "magic" and the one great Secret that will put her at ease with other people. How can Mary Alice learn to use these gifts to bring happiness into her own life and other lives? Although this charming novelette is subtitled "A True Fairy Story," it reveals that most of the "magic" in life can be found within ourselves. (Introduction by Jan MacGillivray)